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Garividi Lakshmi

Garividi Lakshmi

Movie Name : Garividi Lakshmi

Release Date : October 17, 2026
123telugu.com Rating : 2.75/5
Starring : Anandhi, Rag Mayur, Naresh, Raasi, L B Sreeram, Avasarala Srinivas, Ankith Koyya, Shakalaka Shankar, Sharanya Pradeep, Kancharapalem Kishore, Nithin Prasanna, Viva Raghava, Kushalini, Anil, Chinni Sathya, Bongu Satti, Laxman and Others
Director : Gowri Naidu Jammu
Producers : T.G. Vishwa Prasad, Krithi Prasad
Music Director : Charan Arjun
Cinematographer : Aditya Javvadi
Editor : Ravi teja Girijala

Related Links : Trailer

Tollywood has brought the life of renowned Burra Katha artist Garividi Lakshmi to the big screen. Headlined by Anandhi and produced by People Media Factory, the film hit theatres today. Here is our review of how this biographical drama fares.

Story:

Reddy Vijaya Lakshmi, popularly known as Garividi Lakshmi (played by Anandhi), was once a well-known Burra Katha artist. Her voice reached people across Uttarandhra through audio cassettes and live performances. Despite gaining popularity, she faced several ups and downs in her personal life. The film follows her journey as an artist, her rise to fame and the hardships she faced along the way.

Plus Points:

Director Gowri Naidu Jammu deserves appreciation for bringing Garividi Lakshmi’s story to the big screen. Many people may have heard her songs over the years, but not everyone knows the woman behind that voice. The film makes an effort to introduce her life and work to a wider audience. People Media Factory also deserves credit for backing a story centred on a folk artist and an art form that is slowly losing its place.

Anandhi is a good fit for the titular role. The character demands natural expressions, stage presence and the energy of a folk performer, and she delivers on these fronts. Casting her as Garividi Lakshmi is one of the film’s best decisions. She handles both the stage performances and the emotional scenes well. It is not an easy role to take on, but Anandhi makes a sincere effort and delivers a performance that stands out.

Rag Mayur also does well in his role. He convincingly portrays the character’s shift from innocence to arrogance after gaining fame, along with the betrayal that follows. VK Naresh is another good addition to the cast and brings weight to his limited character. The remaining actors such as Rashi and Ankit Loyya also perform well within their roles.

The film works better when it shows Lakshmi’s difficult days than when it traces her initial rise to fame. The later portions reveal how she was treated by the people around her and how her life changed after she became successful. The final few minutes are handled well and leave an emotional impact.

Minus Points:

A biopic needs a good balance of ups and downs, with the right dramatic depth. Garividi Lakshmi’s life offers plenty of scope for this, but the execution doesn’t give enough space to develop those conflicts properly. The successes are shown, but the human side needed more attention. Despite the efforts, the film doesn’t deliver enough narrative punch.

The first half mostly focuses on her attempt to become an artist, with the interval coming just when she reaches a level of fame she had never experienced before. One would expect strong tension from that point onwards. But after a while, the story starts to feel repetitive, with random songs and stage performances that don’t add much value. A tighter screenplay could have given the film a better flow.

The serious scenes work in parts, but a biographical account needs well-developed peaks and valleys to leave a lasting impact. The film includes some of these beats, but they don’t land effectively, making the overall experience feel somewhat incomplete.

People who have never heard of Burra Katha or Garividi Lakshmi may find it difficult to connect with the film.

Technical Aspects:

Gowri Naidu Jammu has made a sincere effort to bring Garividi Lakshmi’s life to the screen and introduce her to a new generation. The choice of subject is commendable, but the writing and execution could have been stronger. A more engaging screenplay with better-developed emotional moments would have made the film more effective.

The original songs rendered by Garividi Lakshmi are utilized effectively in the film. The production values are good, showing that the makers provided the necessary backing without compromise. Aditya Javvadi’s cinematography frames the rural backdrop and stage performances neatly, while Charan Arjun’s score complements the folk atmosphere.

However, Ravi Teja Girijala’s editing could have been sharper, especially in the second half, where repetitive sequences stall the narrative flow. Additionally, the dialect team deserves credit for capturing the authentic Uttarandhra accent, bringing genuine credibility to the dialogue.

Verdict:

On the whole, Garividi Lakshmi is a honest attempt to tell the story of a renowned folk artist, but it falls short in its execution. Anandhi delivers a committed performance, while Rag Mayur and VK Naresh provide good support. However, the rushed early portions, repetitive second half and lack of strong emotional moments prevent the film from making the impact it could have. The film deserves credit for introducing Garividi Lakshmi and her art to a wider audience. Still, better writing and a stronger emotional journey could have made her story much more memorable. Those interested in folk art and the lives of forgotten artists may give it a try, but it is better to keep expectations in check.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Premante

Release Date : Nov 21, 2025
123telugu.com Rating : 2.75/5
Starring : Priyadarshi Pulikonda, Anandhi, Suma Kanakala, Vennela Kishore and Others
Director : Navaneeth Sriram
Producers : Jhanvi Narang and Puskur Ram Mohan Rao
Music Director : Leon James
Cinematographer : Vishwanath Reddy
Editor :  Raghavendra Thirun

Related Links : Trailer

After the debacle of Mithra Mandali, Priyadarshi Pulikonda returns with a romantic crime comedy titled Premante. Kayal Anandhi plays the female lead, and the film hits the big screens today. Here is how it fares.

Story:

Madhusudhana Rao (Priyadarshi) and Ramya (Anandhi) marry after liking each other, and life runs smoothly for three months. Things change when Ramya uncovers a shocking truth about her husband. She decides to leave but gives him one final chance. After another incident, she makes a bizarre decision that stuns him. What is that decision? Who is Madhusudhana Rao? And how is head constable Asha Mary (Suma) involved? These questions drive the narrative.

Plus Points:

Priyadarshi slips into a comedic role he handles with ease, and he performs well. His segments work, offering a much-needed bounce back after his previous flop.

Kayal Anandhi begins as a subtle character and gradually turns interesting. Her arc is unpredictable and adds to the story’s progression.

The lead pair is convincing as a couple, and the film starts briskly with happy marriage portions, warm scenes, and sweet bonding.

Suma gets a full-length comedy role and delivers. Vennela Kishore joins her to increase the humour, and their combination works. Other actors are adequate in their roles.

Minus Points:

The plot flows well in the first half with a balanced mix of comedy and romance. The pre-interval twist is handled decently. However, the second half drags with little narrative development, and the scenes do not match the energy of the opening stretch.

The writing lacks depth in the latter half. Several portions feel designed solely to guarantee a happy ending. The climax relies too much on cinematic liberties. The theft sequences do not hold up logically. They entertain, but they do not withstand scrutiny.

At one point, Suma’s comedy track turns repetitive, not because of her performance but because of weak scene writing. Hyper Aadhi and Ram Prasad are underused. The emotional quotient also falls flat and feels forced rather than natural.

Technical Aspects:

Premante marks the feature debut of Navaneeth Sriram. His intentions are clear, but the second-half progression needs sharper writing. With stronger scripts, he can deliver better films in the future.

Production values are decent, and the visuals look good thanks to Vishwanath Reddy’s cinematography. Leon James’ music is pleasant, with the marriage song standing out, although his score feels overbearing in a few places. Editing by Raghavendra Thirun works well in the first half, and the same sharpness was needed later.

Verdict:

On the whole, Premante is a romantic crime comedy that is reasonably okay to watch and offers a fair share of fun moments. The lead pair performs well, and their chemistry adds warmth to the narrative. Vennela Kishore and Suma deliver reliable comic relief that lifts several scenes. However, the uneven second half, limited narrative drive, and underused characters prevent the film from reaching its full potential. It works if you are watching mainly for the comedy, but you will need to overlook the logical gaps and the overly neat conclusion. With moderated expectations, it is an okay watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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