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Anupama Parameswaran

lockdown

lockdown

Movie Name :  Lockdown
Streaming Date : Mar 11, 2026
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 2.25/5
Starring : Anupama Parameswaran, Charlie, Nirosha, Priya Venkat, Livingston, Indhumathi, Rajkumar, Shamji, Lollu Sabha Maran, Vinayaga Raj
Director : AR Jeeva
Producer : Subaskaran
Music Director : NR Raghunanthan & Siddharth Vipin
Cinematographer : Sherif & Sri Girish
Editor : V.J. Sabu Joseph

Related Links : Trailer

Anupama Parameswaran’s recent Tamil film Lockdown has made its OTT debut on Amazon Prime Video. Along with the original Tamil version, a Telugu dubbed version is also available. Here is our review of the film.

Story:

Set in 2020, Anitha (Anupama Parameswaran) is searching for a job and lives happily with her family. A friend promises to help her land a job and takes her to a party. Two months later, Anitha falls ill and discovers that she is pregnant. Shocked and with no one to turn to, she decides to secretly get rid of the unwanted pregnancy. Meanwhile, the COVID lockdown is imposed. What happens next forms the rest of the story.

Plus Points:

Anupama Parameswaran is a good actor. She can be bubbly and bold at times, and she can also pull off emotional characters effectively, which she has proven in many films. In this movie too, she convincingly portrays a girl who finds herself in a dilemma and chaos due to circumstances beyond her control. She fits well into the character and expresses the pain and helplessness effectively.

Minus Points:

The plot becomes predictable within the first few minutes, and such stories require engaging narration to keep the audience invested. Unfortunately, the drama required for the story, the family’s dilemma, and the emotional angles are barely explored.

The execution feels off because of unnecessary and repetitive scenes. At times, one wonders why certain scenes are stretched for so long when nothing significant is happening. These issues mainly arise from weak execution and ineffective screenplay.

Ironically, none of the supporting characters are utilised effectively except for the friend who supports Anupama’s character. Nirosha, Charle, and others do not get enough scope to showcase their performances. Once again, the writing team fails to create meaningful drama through these characters.

The climax contains a twist, but the way it is executed feels abrupt and ends without a proper conclusion. Additionally, the excessive use of songs becomes another hurdle for the film. Although the runtime is less than two hours, the movie still feels laggy due to the slow narration.

Technical Aspects:

Director AR Jeeva attempts to convey a message through the story, but the weak execution and underdeveloped storyline dilute its impact. Technically too, the film is not very impressive, and the production values appear below par. The Telugu dubbing could have been better.

Verdict:

On the whole, Lockdown is a disappointing drama. Except for Anupama Parameswaran’s passable performance, the film fails to impress in most aspects, making it a dull watch. With better execution and a tighter screenplay, the film could have turned out much better. As it stands, it is easily avoidable, and viewers are better off choosing other options for entertainment.

123telugu.com Rating: 2.25/5
Reviewed by 123telugu Team 

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Bison

Bison

Movie Name : Bison

Release Date : Oct 24, 2025
123telugu.com Rating : 2.75/5
Starring : Dhruv Vikram, Anupama Parameswaran, Rajisha Vijayan, Pasupathy
Ameer
Director : Mari Selvaraj
Producers : Sameer Nair, Deepak Seigal, Pa. Ranjith, Aditi Anand
Music Director : Nivas K. Prasanna
Cinematographer : Ezhil Arasu K.
Editor :  Sakthi Thiru

Related Links : Trailer

Dhruv Vikram’s Bison Kaalamaadan (simply Bison) released in Tamil during Diwali, and its Telugu version hit the screens today, a week later. Directed by Mari Selvaraj, the film blends sports and social commentary and check out the review to know how it is.

Story:

Set in the 1990s, Bison follows Kittayya (Dhruv Vikram), a student who dreams of excelling in kabaddi. His father Velusamy (Pasupathy) disapproves, fearing for his son’s future. Their village is divided by caste, and Kittayya’s family belongs to a marginalised community that has endured oppression for generations. Despite resistance, he pursues kabaddi but faces harsh challenges at every step. Whether he achieves his dream and breaks these barriers forms the crux of the story.

Plus Points:

Mari Selvaraj once again explores oppression and social inequality, this time with kabaddi as the backdrop. He narrates it effectively, depicting inequality from local playgrounds to the national stage.

Dhruv Vikram puts his blood and sweat into the role. His physical transformation and emotional depth stand out, marking him as a promising talent.

Pasupathy is equally impressive, portraying a father torn between fear and affection. The bond between him and Dhruv forms the film’s emotional core.

Among others, Lal, Ameer, and Rajisha Vijayan perform well. Anupama Parameswaran, however, appears for less than 15 minutes and has little scope to perform.

Minus Points:

Bison draws inspiration from the life of Arjuna Award–winning kabaddi player Manathi Ganesan, balancing realism and emotion. While the discrimination is portrayed effectively, many scenes feel overstretched.

The emotional impact of Mari Selvaraj’s earlier works, such as Karnan and Pariyerum Perumal, is missing in Bison. Its length, repetitive sequences, and predictable narrative weaken the film’s overall grip.

The sports drama angle feels underused, with kabaddi serving more as a metaphor for social inequality than as a dramatic core.

In the Telugu dubbed version, poor localisation hurts the experience. Tamil signboards, newspapers, and tattoos remain untranslated, leaving viewers puzzled. It’s a clear case of negligence. The raw violence might also alienate family audiences.

Technical Aspects:

As a writer and director, Mari Selvaraj delivers a decent outing but not one matching the power of his earlier films. Bison struggles with uneven pacing and repetition. Ezhil Arasu K’s cinematography beautifully captures the rural backdrop and kabaddi action.

Nivas K. Prasanna’s music is decent but occasionally mismatched and loud. Sakthi Thiru’s editing could have been sharper, as trimming repetitive portions would have made it tighter. Production values are fine overall.

Verdict:

On the whole, Bison Kaalamaadan is a sports drama that addresses oppression and inequality. It works to an extent, largely due to Dhruv Vikram’s dedication and Pasupathy’s heartfelt performance. However, Mari Selvaraj’s narration lacks the sharpness and emotional impact of his earlier works. The prolonged runtime, predictable writing, and uneven emotional flow make Bison a below average flick. The film may not appeal to everyone, especially given its raw tone, but if you’re curious, watch it with modest expectations.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Movie Name : Paradha

Release Date : August 22, 2025
123telugu.com Rating : 2.75/5
Starring : Anupama Parameswaran, Darshana Rajendran, Sangitha, Rajendra Prasad, Gautham Vasudev Menon, Rag Mayur and others.
Director : Praveen Kandregula
Producers : Vijay Donkada, Sreenivasulu PV, Sridhar Makkuva
Music Director : Gopi Sundar
Cinematographer : Mridul Sujit Sen
Editor :  Dharmendra Kakarala

Related Links : Trailer

Actress Anupama Parameswaran returns with a new film, Paradha, directed by Praveen Kandregula fresh off the success of Subham. With fair expectations, the movie has hit theaters today in both Telugu and Malayalam. Here is the full review.

Story:

Set in the fictional village of Padathi, Subba Lakshmi (Anupama Parameswaran), known as Subbu, is an obedient young woman who strictly follows her village’s age-old traditions. Every woman must cover her face, and only family members are permitted to see it. Breaking this rule is believed to invite the curse of Jwalamma, the village goddess whose wrath has haunted the residents ever since a shocking incident in the past. Life continues peacefully under these strict customs – until an unexpected event shakes the village to its core. Subbu finds herself facing a terrifying challenge, forced to confront the goddess and the fears that have gripped Padathi for generations. But what happens next? Does Subbu survive to protect her village from Jwalamma’s curse? How do Rathnamma (Sangeetha Krish) and Amishta (Darshana Rajendran) fit into this story? Does the curse end, or does it keep affecting the village? You will have to watch the film to find out.

Plus Points:

Anupama Parameswaran comes back after Tillu Square in a traditional role as Subbu. She handles it really well and makes the character feel real. She shows a woman torn between old customs and her own freedom. It is one of her better performances.

Darshana Rajendran, in her first Telugu film, makes a mark. She is confident and direct, and her Why not woman attitude adds energy to the story. Her comic timing brings in some relief. Her scenes with Subbu are one of the most interesting parts of the film.

Sangita Krish is not a main character, but she stands out. Her reactions and natural performance make her role believable. She shows that even smaller roles can leave an impression.

The trio together create fun and chaotic moments at times. The Dharmasthala visuals look good, and Ghibran’s music fits the mood and supports the emotional moments.

Minus Points:

The story starts well and sets up the conflict clearly. But it loses energy as it goes on. Subbu’s struggle to break free from village traditions is not explored enough, which makes some parts feel flat.

The first half is okay, but the second half becomes slow and repetitive. At times it feels like the story is going around in circles. Emotional scenes do not hit as they should. With better focus, the audience could have felt Subbu’s journey more deeply.

Darshana Rajendran’s character could have been given more screen time. Rajendra Prasad and Gautam Vasudev Menon are underused. Rag Mayur’s cameo barely makes a difference. The second half does not keep the momentum, and by the climax, the audience may have lost interest.

Technical Aspects:

Praveen Kandregula is honest in suggesting viewers read reviews first. But more attention to the script and pace would have helped the film.

Some songs are good, but others do not add much. Gopi Sundar’s music helps many scenes. Mridul Sujit Sen’s cinematography is clear and neat. Dharmendra Kakarala’s editing could have been sharper in the second half. Production values are okay but not remarkable.

Verdict:

On the whole, Paradha is a social drama about taboos, restrictions on women, and the fight for freedom that is okay in parts. The first half is promising and Anupama Parameswaran and Darshana Rajendran give decent performances. But weak execution, a slow second half, underdeveloped characters, and lack of emotional impact hold the film back. It may appeal to viewers interested in women-focused stories, but expectations should be modest.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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