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Bhagyashri Borse

Andhra King Taluka

Movie Name : Andhra King Taluka

Release Date : Nov 27, 2025
123telugu.com Rating : 3/5
Starring : Ram Pothineni, Upendra, Bhagyashri Borse, Rao Ramesh, Murali Sharma, Satya, Rahul Ramakrishna, VTV Ganesh, and others
Director : Mahesh Babu P
Producers : Naveen Yerneni, Y. Ravi Shankar
Music Director : Vivek & Mervin
Cinematographer : Siddhartha Nuni
Editor :  Sreekar Prasad

Related Links : Trailer

‘Energetic Star’ Ram Pothineni’s latest film Andhra King Taluka has generated strong buzz with its hit songs, well-cut trailer and aggressive promotions. Kannada superstar Upendra plays a key role, while Kaantha actress Bhagyashri Borse stars as the heroine. With solid pre-release positivity, the film has released today in cinemas, and here is our take on how it turned out.

Story:

Set in 2002, Surya (Upendra), hailed as Andhra King by his fans, begins his 100th film after nine consecutive flops. The shoot comes to a halt due to financial problems, and the team needs another Rs. 3 crore to complete it. No one steps forward to help. To Surya’s surprise, the required amount appears in his account. When he tracks down the source, he learns that it was sent by Sagar (Ram Pothineni), a devoted fan from Godapalli Lanka, a lesser known village in Andhra Pradesh that lacks basic facilities like electricity and transport. Who is Sagar? Why does he look up to Surya so intensely? How does someone with so little manage to support a star of Surya’s stature? What becomes of the 100th film? How does Mahalaxmi (Bhagyashri Borse) fit into Sagar’s journey? Does Surya ever meet his fan? The answers shape the film.

Plus Points:

Ram Pothineni brings controlled energy to Sagar. The character keeps him grounded, and he stays in sync with the sincerity fans usually show toward their favourite heroes. His performance carries emotional weight, and several of his dialogues come across well.

Upendra gives a dignified performance as superstar Surya. His screen time is short, yet he steps into the role with full commitment and leaves a steady impact whenever he appears.

Bhagyashri Borse does well in her limited presence. Her scenes are clearly structured, and she makes them count. The romantic track between her and Ram is captured neatly and helps balance the narrative. Murali Sharma, Rao Ramesh and Rahul Ramakrishna put in solid work and lift the scenes they appear in.

The pre-climax and climax hold emotional strength, and moments like Rao Ramesh drawing parallels between the Ramayanam and the village situation stand out. The comedy bits also land cleanly and lighten the mood when needed.

Minus Points:

The film has a relatable emotional foundation, but the pacing holds it back. The runtime stretches the narrative, especially after the interval, when the story direction is already clear. This is where the writing slows down, and a few scenes feel like they are added only to keep the film moving.

The emotional arc has potential, yet several portions do not rise to the intensity required. Sagar’s devotion is convincing, but the scenes meant to heighten that emotion often fall short. A stronger build-up could have helped the moments stay with the viewer.

After a promising setup, the first half begins to drag, and some sequences feel predictable. The second half also dips at points, and the momentum breaks. A sharper focus could have lifted the film considerably.

Technical Aspects:

Director Mahesh Babu P’s sincerity is clear. He sets out to show how far a fan can go for his favourite star and how that journey lifts not only his life but also the lives around him. While the intention is strong, the execution drops because of the stretched runtime and loosely shaped scenes. With tighter control, the emotional impact could have come through more convincingly.

Siddhartha Nuni’s cinematography gives the film a rich look. Vivek and Mervin’s music blends well with the story, and the songs appear visually pleasing. Editor Sreekar Prasad could have cut down the runtime by trimming a few redundant scenes in both halves. Production values are solid, and the team recreates the early 2000s atmosphere with care. The flood sequence in the climax is handled well.

Verdict:

On the whole, Andhra King Taluka is a decent watch that sincerely explores the depth of a fan’s devotion. Ram Pothineni delivers a composed performance that many viewers will connect with. Upendra stands out in his limited role, and Bhagyashri Borse makes her presence felt. The runtime and uneven pacing slow the film at a few places, but several moments work well, especially for cinephiles. The film ultimately feels like a heartfelt tribute to the bond between a fan and his hero.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Review: Dulquer Salmaan's Kaantha

Review: Dulquer Salmaan's Kaantha

Movie Name : Kaantha

Release Date : Nov 14, 2025
123telugu.com Rating : 2.75/5
Starring : Dulquer Salmaan, P. Samuthirakani, Bhagyashri Borse, Rana Daggubati and others
Director : Selvamani Selvaraj
Producers : Rana Daggubati, Dulquer Salmaan
Music Director : Jakes Bejoy, Jhanu Chanthar
Cinematographer : Dani Sanchez-Lopez
Editor :  Llewellyn Anthony Gonsalvez

Related Links : Trailer

Kaantha is the latest Tamil film that features Dulquer Salmaan, Samuthirakani, Rana Daggubati, and Bhagyashri Borse in the lead roles. Debutant filmmaker Selvamani Selvaraj directs the film. It has also released in Telugu today along with the Tamil version. Read on to see how it turned out.

Story:

Set in the 1950s, Kaantha follows Ayya (Samuthirakani), a talented director who turns T. K. Mahadevan (Dulquer Salmaan) from an ordinary man into the star known as Nata Chakravarthy. A decade later, their relationship breaks down, yet they reunite for Ayya’s dream project titled Shaantha. Mahadevan’s ego disrupts the process when he changes the title to Kaantha and takes control of the direction. The debut heroine Raja Kumari (Bhagyashri Borse) listens only to Ayya, which increases the tension on the set. Conflicts grow every day, and during the climax shoot, a murder occurs. Who was killed? Who is responsible? Why did the murder happen on the set? Are the actor or the director involved? And what role does Phoenix (Rana Daggubati) play in this story? These questions unfold in the main film.

Plus Points:

Dulquer Salmaan gives a steady and convincing performance as T. K. Mahadevan and brings a controlled intensity to the role. Samuthirakani, as Ayya, maintains a consistently serious tone and his expressions work reasonably well throughout.

The emotional core of the film lies in Bhagyashri Borse’s portrayal of Raja Kumari. She gets good scope to perform, and her naturally expressive presence is a clear advantage. Her scenes with Dulquer and Samuthirakani are handled neatly and form some of the more engaging moments in the film.

Rana Daggubati adds moderate relief with his sarcastic delivery during the film’s serious moments. The supporting cast performs adequately.

A few sequences, such as Dulquer’s mirror-smashing scene, Samuthirakani’s emotional breakdown, and Bhagyashri’s innocence-driven moments, are fairly effective and leave some impact.

Minus Points:

The main drawback of Kaantha is its uneven execution and outdated narrative style. Although the film starts with the tone of an artistic drama, the emotional engagement drops quickly. Several scenes feel repetitive and come across as variations of the same conflict.

The second half turns noticeably sluggish, and the nearly three-hour runtime makes the screenplay issues more apparent. Even though the lead actors deliver competent performances, the slow pacing overshadows much of their work.

Casting choices like Ravindra Vijay and Gayathrie in underdeveloped roles feel misplaced, and Rana’s character becomes slightly exaggerated at certain points.

As the story moves forward, the drama loses impact, and viewers begin waiting for the climax instead of staying connected to the narrative. This reduces the effect of even the stronger performances.

Technical Aspects:

Director Selvamani Selvaraj brings together a capable cast, but the writing and direction do not make full use of their potential. A more focused narrative and stronger emotional layering could have given the film greater depth.

Jakes Bejoy’s background score gives an occasional lift to key scenes. Dani Sanchez Lopez’s cinematography is clean and visually stable. Editing by Llewellyn Anthony Gonsalves needed to be much tighter, especially for a slow-paced narrative. Jhanu Chanthar’s songs are pleasant but not very memorable due to the uneven flow of the screenplay.

Verdict:

On the whole, Kaantha is a somewhat functional crime investigation drama. The performances by Dulquer Salmaan, Bhagyashri Borse, and Samuthirakani are decent, and Rana Daggubati offers some timely relief. However, the flat writing, dull second half, repetitive scenes, and stretched pacing prevent the film from reaching its full potential. If you watch it mainly for the performances, the film works to some extent. If you expect a tight screenplay, strong character arcs, or consistent engagement, the experience might feel underwhelming. It is acceptable as long as expectations remain low.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Kingdom

KIngdom Movie

Movie Name : Kingdom

Release Date : July 31, 2025
123telugu.com Rating : 3/5
Starring : Vijay Deverakonda, Satyadev, Bhagyashri Borse and Others
Director : Gowtam Tinnanuri
Producers : Naga Vamsi, Sai Soujanya
Music Director : Anirudh Ravichander
Cinematographer : Girish Gangadharan, Jomon T. John
Editor :  Naveen Nooli

Related Links : Trailer

Kingdom is the latest Telugu film featuring Vijay Deverakonda and Satya Dev in the lead roles. Directed by Gowtam Tinnanuri, the film released today amidst moderate buzz. Read on to find out if it lives up to the expectations.

Story:

Set in the early 1990s, Soori (Vijay Deverakonda) is a constable in search of his missing brother, Shiva (Satya Dev). He comes to know that Shiva is in Sri Lanka, involved in smuggling activities, and leading a team. Soori is then appointed as an undercover agent to track his brother and uncover the cartel’s operations. As he infiltrates the gang, Soori reaches his brother and becomes one among them. The rest of the story revolves around whether Shiva realises who his brother truly is, what Soori’s purpose there is, and whether the two will join hands or stand against each other.

Plus Points:

Vijay Deverakonda delivers a grounded and sincere performance. He brings subtlety to a serious role without resorting to theatrics, and this restraint helps the film stay tonally consistent. He portrays the dilemma of a man torn between duty and personal emotion with believable calm.

Satya Dev fits his role and shares a few impactful scenes with Vijay Deverakonda. However, the writing doesn’t allow him to explore the emotional range that the story seems to promise. Their screen time together hints at deeper emotion, but it’s not developed fully enough to leave a lasting impression.

Venkitesh appears as Murugan and performs convincingly, with well-controlled expressions and a strong presence. Yet, his character remains underutilised. The film’s standout moments are limited but present — the bridge fight before the interval, the climax, and some well-composed action sequences do inject some energy and appear to set up a sequel.

Minus Points:

Despite being in development for nearly two years, Kingdom falls short in narrative strength. The story feels overly familiar, with little surprise or emotional weight to keep the viewer engaged. Gowtam Tinnanuri, known for his previous character-driven films, seems to have taken a more stylised approach here, but the emotional core suffers because of it.

The film’s emotional arc, especially between the brothers, is meant to be the driving force, but it is underplayed and lacks proper elevation. This disconnect affects the overall impact of key scenes. There are no high points that truly resonate, and the emotional scenes pass by without much consequence.

Bhagyashri Borse appears in a non-glamorous role but has little to contribute to the narrative. Her character feels secondary and unfinished, perhaps meant for a more significant arc in a potential sequel. The same can be said of Satya Dev’s character, who shows promise but is ultimately written too shallow for his ability.

Supporting roles and side characters feel more like placeholders than fully realised individuals. Many scenes echo familiar moments from other films, creating a sense of déjà vu and making the experience predictable.

Technical Aspects:

Gowtam Tinnanuri likely had a strong concept in mind, but the transition from script to screen hasn’t retained its intended emotional or narrative depth. The film often feels like a collage of genre tropes rather than a fresh take on brotherhood and morality.

Visually, the film does make an impression. Cinematography by Girish Gangadharan and Jomon T. John brings richness to the locations and creates strong visual texture, especially in key action scenes. Some sequences are aesthetically pleasing and elevate the viewing experience to an extent.

Anirudh Ravichander’s background score works moderately well, though it leans heavily on familiar motifs. His composition supports the mood, but doesn’t introduce anything especially memorable or new. Naveen Nooli’s editing could have been tighter, especially in the second half where the pacing noticeably lags. On the production side, the film is well-mounted, with good locations, set pieces, and action choreography that reflect decent spending and ambition.

Verdict:

On the whole, Kingdom is a watchable action drama. Vijay Deverakonda’s composed performance adds weight, and the film benefits from decent visuals. Though the narrative takes its time and the emotional depth isn’t fully explored, the film manages to stay afloat. It may not break new ground, but with modest expectations, Kingdom offers a passable and watchable experience.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

 

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