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Kara

Kara

Movie Name : Kara

Release Date : April 30, 2026
123telugu.com Rating : 3/5
Starring : Dhanush, Mamitha Baiju, K.S. Ravikumar, Karunas, Jayaram, Prithvi Pandiarajan, Suraj Venjaramoodu, M.S. Baskar, Sreeja Ravi & Others.
Director : Vignesh Raja
Producer : Dr. Ishari K. Ganesh
Music Director : GV Prakash Kumar
Cinematographer : Theni Eswar ISC
Editor :  Sreejith Sarang
Related Links : Trailer

Dhanush has now come up with the rural heist thriller Kara. The film is directed by Vignesh Raja of Por Thozhil fame. Let’s see how the movie is.

Story:

Karasaami (Dhanush), a thief, leaves his family behind and marries Malli (Mamitha Baiju). The duo works at a small hotel in Renigunta, Andhra Pradesh, to make a living. However, Karasaami is not satisfied with his financial situation. He returns to his father, Kandhasaamy (K. S. Ravikumar), seeking financial support. There, he learns that his father is trapped in a debt spiral after taking a bank loan. Karasaami realizes that banks are exploiting innocent farmers and decides to rob them. The rest of the story follows Karasaami’s attempts at robbery.

Plus Points:

The best part about Kara is that it sticks to its core theme from the beginning without deviating from the storyline. Even during the ordinary scenes, we stay glued to the screen since the narrative remains focused.

The heist episodes are designed superbly and are sure to keep us on the edge of our seats. Especially, the interval sequence is brilliantly executed and whistle-worthy. What makes these sequences more engaging is that the film initially portrays the protagonist’s failed attempts and vulnerability rather than presenting him as an unstoppable force, making the character arc feel natural. The cat-and-mouse game between Dhanush and the cops is nicely written and delivered.

To avoid a repetitive feel, Vignesh Raja constantly throws new challenges at the hero, making each theft sequence distinct from the other. Dhanush is a gem of an actor who can never go wrong with his performance. With Kara, he once again proves why he is hailed as an actor par excellence. Be it his intensity in the thrilling robbery scenes or his subtlety in emotional moments, Dhanush delivers his A-game throughout.

The emotional moments between the father and son work well in the first half. GV Prakash Kumar’s background score is scintillating and aligns perfectly with the narrative. His score elevates the impact effectively in several key moments. Suraj Venjaramoodu is stunning as a cop, highly determined to catch the thief. KS Ravi Kumar is solid in the father role, while Jayaram is too good as the regional bank manager. Karunas and others did well, too.

Minus Points:

The heist moments are undoubtedly brilliant, but the driving force behind the robbery scenes is the exploitation by banks through high interest rates and other charges. This theme has been explored multiple times in mainstream cinema, with the recent example being Shah Rukh Khan’s Jawan. While the core idea isn’t entirely new and may remind viewers of older films at times, the presentation keeps the proceedings engaging.

The director takes his time establishing the key characters and the central conflict, which makes parts of the first half feel slow-paced. The Telugu dubbing could have been better, as the dialogues occasionally sound a bit odd.

Mamitha Baiju appears convincing as a village belle, but she is underutilized. She gets limited screen time, and the emotional scenes in the latter half needed more impact to elevate the narrative further. In the end, Kara enters a Robin Hood-esque zone, which could have been avoided.

Technical Aspects:

GV Prakash Kumar’s songs may not have worked well as standalone tracks, but they fit the narrative effectively. As mentioned earlier, the background score is one of the main highlights. Theni Eswar’s cinematography is impactful, as he neatly captures the rustic setting of the film. The editing is in sync with the director’s vision. The production design is impressive, showcasing the 90s vibes.

Director Vignesh Raja delivers on the screenplay front, even though the chosen premise isn’t unique. The rural setup and the consistent storytelling throughout the film keep us engaged for the most part.

Verdict:

On the whole, Kara is a satisfactory period heist thriller set against a rural backdrop. The subject isn’t fresh and has been explored several times before, but Vignesh Raja’s grounded narration and well-executed heist episodes keep the proceedings engaging. Dhanush is extraordinary and is well supported by Jayaram and Suraj Venjaramoodu. Mamitha Baiju has a limited scope, and the emotional moments in the second half needed more punch. If you like watching heist thrillers, this film can be given a try.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Tere Ishk Mein

Tere Ishk Mein

Dhanush and Kriti Sanon’s romantic drama Tere Ishk Mein is having a solid run at the ticket windows. The film is set to enter the Rs. 100 crore nett club very soon. The movie marks the third collaboration between Dhanush and Aanand L Rai after Raanjhaana and Atrangi Re.

The film’s post-theatrical streaming rights have been acquired by Netflix. Like any other Hindi film, Tere Ishk Mein will also follow an 8-week theatrical window, meaning the movie will arrive on OTT during the last week of January 2026. The tentative streaming date is January 23, 2026.

This week, Ranveer Singh’s spy action thriller Dhurandhar is hitting the big screens, and it remains to be seen how Tere Ishk Mein will perform later. Produced jointly by Aanand L Rai and T-Series, Tere Ishk Mein features music by AR Rahman. Himanshu Sharma and Neeraj Yadav penned the script, while Prakash Raj, Priyanshu Painyuli, and Tota Roy Chowdhury played supporting roles.

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Tere-Ishk-Mein

Tere-Ishk-Mein

Movie Name : Tere Ishk Mein

Release Date : Nov 28, 2025
123telugu.com Rating : 2.75/5
Starring : Dhanush , Kriti Sanon, Prakash Raj
Director : Aanand L Rai
Producers : Aanand L Rai, Himanshu Sharma ,Bhushan Kumar, Krishan Kumar
Music Director : A.R. Rahman
Cinematographer : Tushar Kanti Ray
Editor :  Hemal Kothari, Prakash Chandra Sahoo
Related Links : Trailer

Dhanush has once again collaborated with Bollywood director Aanand L Rai for the romantic drama Tere Ishk Mein. The film, starring Kriti Sanon as the female lead, hit the big screens today, amid good buzz. Let’s see how the movie is.

Story:

Shankar Gurukkal (Dhanush) is an extremely violent college student with severe anger issues. Mukti Behniwaal (Kriti Sanon), who attends the same college, keeps working hard to earn her PhD. She works on a thesis according to which any violent human can be turned into a normal person through certain experiments and treatment. Mukti decides to reform Shankar to prove her thesis correct, and this leads to a series of complicated events, changing their lives forever in unexpected ways.

Plus Points:

The lead pair did a fabulous job, and they are the biggest assets of Tere Ishk Mein. As an angry young man, Dhanush delivered a phenomenal performance. The initial portions of the movie focus on establishing the hero’s aggressive characterization, which also gets problematic at times, but the approach is clear, and the proceedings draw our interest.

The first half is also packed with enough fun moments, and the mix of humor and love scenes makes things fairly engaging. Kriti Sanon is turning out to be one of the finest actresses in Indian cinema, and the National Award winner has once again left a strong impact with her portrayal. She displayed multiple emotions superbly and is the mainstay of the movie.

The Tamil track that comes towards the interval is fun to watch, showcasing the bond between Dhanush and his father, played by Prakash Raj. The versatile actor lent good support and left his mark in some moments.

Minus Points:

While the start is good, the same cannot be said about the second half, as this is where the problems begin, and the film starts to slip away. Things get way too complicated, and the plot turns totally confusing.
The intentions of the characters remain unclear, and their actions go to extreme lengths that are intended to destroy themselves. Director Aanand L Rai has increased the intensity levels compared to his previous outings, and his presentation of the complex nature of the lead characters and their self-destructive traits might not sit well with everyone.

The proceedings also become unengaging in the latter half, and the film feels stretched after a point. The war backdrop doesn’t bring much impact and remains merely functional. The priest character makes the goings-on even more convoluted. The final moments make some sense, but by then, the film loses the momentum created in the initial hour.

Technical Aspects:

AR Rahman’s songs and background score are beautiful, but the most popular Tere Ishk Mein track isn’t fully shown in the film, and this is surely an element of disappointment. Tushar Kanti’s cinematography is appealing, while the editing leaves a lot to be desired.

Director Aanand L Rai chose a subject where the lead characters operate on extremes, but the second half fails to carry forward the rhythm built in the first half due to its excessive complexity. The performances are no doubt brilliant, but the narrative doesn’t justify them as the film progresses.

Verdict:

On the whole, Tere Ishk Mein aspires to be an intense love story and attempts to offer a different experience compared to regular love stories, but the narrative isn’t entirely effective. The first half is engaging, and Dhanush and Kriti Sanon deliver solid performances, but the second half becomes overly complicated and confused, bringing down the impact. The film feels dragged after a point, and as the characters’ motives become unclear for the most part in the second half, the overall viewing experience falls short of being satisfactory.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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