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OTT Review: Keerthy Suresh’s Akka – Telugu-Dubbed Series on Netflix

by 123telugu


Web Series : Akka
Streaming Date : October 30, 2026
Streaming Platform : Netflix
123telugu.com Rating : 2.75/5
Starring : Keerthy Suresh, Radhika Apte, Tanvi Azmi, Anshuman Pushkar, Monika Panwar, and others
Director : Dharmaraj Shetty
Producers : Aditya Chopra, Yogendra Mogre,Akshaye Widhani
Music Director : John Stewart Eduri
Cinematographer : Selva Kumar S.K
Editors : Saheeb Bagchi,Sanyukta Kaza

Related Links : Trailer

Akka is the latest web series backed by Yash Raj Entertainment. The show stars Keerthy Suresh and Radhika Apte in the lead roles. Let’s see how it is.

Story:

Akka is all about the battle for power. The story is set in a fictional region called Pernuru, which follows a matriarchal system. The region is divided into three towns: Malemar, Herkada, and Perplady. Mutthakka (Tanvi Azmi) is the chief, while Duggamma (B. Jayashree) and Subbamma (Nivedita Bhargav) hold the next positions in the hierarchy. Bhavani (Keerthy Suresh) is also part of the Akka clan and oversees the key operations of their liquor business.

Amar (Anshuman Pushkar) from that region runs a smuggling operation but fails to get the upper hand over Akka clan. This is when Rudra (Radhika Apte), a powerful woman from Mumbai, arrives in Pernuru. She joins hands with Amar to dethrone the Akka clan. What happens next forms the crux of the story.

Plus Points:

While we have seen several films centred on the quest for power, what makes Akka unique is its matriarchal system. Everything is controlled by women, while men are often relegated to the background. This makes the premise feel fresh.

There are some interesting portions that keep us hooked. The Ankam fight sequence, the backstory of Radhika Apte’s character, and the way Keerthy Suresh’s character is placed in challenging situations hold our attention.

Keerthy Suresh delivers a fine performance, and her screen presence is pretty good. Radhika Apte does well in a stylish avatar, while Khauf fame Monika Panwar springs a surprise despite her limited screen time. Pooja Maharaj does a good job with the action sequences.

Minus Points:

The key issue with Akka is that it enters a predictable zone after a point. The narrative should have been peppered with more surprising elements to keep the proceedings engaging throughout.

By the fourth episode, it becomes clear that a key character lacks the support needed to defeat her enemy. The final episode begins with a flashback showing the Akka clan humiliating a tribe’s leader. Minutes later, the character in trouble approaches the same leader, who immediately agrees to offer help. This is convenient writing at its best.

The show also doesn’t establish its characters and world effectively, leaving room for confusion. There are too many characters, but most of them get very little to do.

Technical Aspects:

The background score by John Stewart Eduri is impressive, while cinematographer Selva Kumar superbly captured the lovely locations. The editing is satisfactory, and the production design is splendid.

Dharmaaj Shetty’s direction works partially, but the overall execution could have been better, especially given the show’s unique premise.

Verdict:

On the whole, Akka features a fresh premise mounted on a grand scale, but the presentation is not entirely fulfilling and works only in parts. Keerthy Suresh, Radhika Apte, and Monika Panwar deliver neat performances, and some portions are engaging. However, the show is let down by predictability, convenient writing, and an overcrowded cast very little to do.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Review: Keerthy Suresh’s Dorothy – Strictly For Niche Drama Lovers

by 123telugu

Movie Name : Dorothy

Release Date : October 2, 2026
123telugu.com Rating : 2.5/5
Starring : Keerthy Suresh, Sananth, Rishikanth and Others
Director : Karthik Subbaraj
Producers : Jyoti Deshpande, Guneet Monga Kapoor, Achin Jain
Music Director : Ilaiyaraaja
Cinematographer : S Thirunavukkarasu
Editor : Ganesh Siva

Related Links : Trailer

Dorothy marks the milestone tenth directorial venture of acclaimed Tamil filmmaker Karthik Subbaraj. The project gained considerable attention after its premiere at TIFF and arrived in Tamil theatres last week. Now releasing in Telugu, this rural period drama is presented by Rana Daggubati. Let us see how the film fares and whether it connects with Telugu viewers.

Story:

Set in 1995 in a rustic village, Subbu (Sananth) and Karthik (Rishikanth) share an inseparable bond that began in childhood. Karthik is headstrong and quick-tempered, while Subbu is gentler and finds comfort in the company of his sister-in-law, Dorothy (Keerthy Suresh). However, their peaceful world is shattered when an unexpected tragedy strikes Subbu’s home. Subbu then makes an unusual decision that angers his family and pushes Karthik into a deep moral conflict. How this situation unfolds and affects their friendship forms the crux of the narrative.

Plus Points:

Social discrimination remains a harsh reality across generations, whether driven by caste, status or outdated community beliefs. Karthik Subbaraj builds the film around these issues, particularly the idea of family honour being used to control others. The subject is handled with seriousness, though its heavy treatment limits its appeal to a specific section of viewers.

Rishikanth delivers a decent performance and carries much of the film’s emotional weight. He establishes his character reasonably well in the early portions, while the conflicts in the latter half bring out the character’s growing frustration and turmoil. His raw reactions suit the grounded nature of the story.

Sananth is also effective in a layered and challenging role. He brings vulnerability to the character and handles the emotional portions with restraint. The relationship between the two male leads forms the backbone of the film, moving through friendship, sorrow and anger. Their combination scenes after the interval provide some engaging moments.

Keerthy Suresh makes an impression despite her limited screen time in the titular role. Muthukumar also stands out as Whistle Veerayya, bringing the required intensity to his character. The rest of the supporting cast fit naturally into the rural setting.

Minus Points:

Heavy socio-political dramas of this nature are naturally niche and may not appeal to every section of the audience. The film deals with community-related themes and uncomfortable ideas around honour, which could make it a difficult watch for some viewers.

Moreover, plot leaks from the earlier Tamil theatrical release may reduce the impact of the central twist for those already familiar with the story.

The pacing is the film’s biggest weakness. While the first hour moves with reasonable purpose, the second half becomes considerably slower as the narrative approaches its main confrontation.

Several dramatic arguments cover similar ground, making the proceedings feel repetitive and testing the audience’s patience. As a result, the emotional impact of the later portions is not as strong as it could have been.

Technical Aspects:

Karthik Subbaraj attempts a serious and unconventional subject, and the film maintains a consistent rural period setting. His staging is controlled, while Ilaiyaraaja’s background score adds an appropriate melancholic mood to the narrative and complements the 1990s setting.

Tirru’s cinematography captures the village backdrop with natural lighting and grounded visuals. However, the editing by Ganesh Siva could have been tighter, particularly in the second half, where trimming repeated arguments would have improved the overall flow. The production design looks authentic, while the Telugu dubbing and lyrical translation are handled well.

Verdict:

On the whole, Dorothy is a slow-paced rural drama built around a sensitive social subject. Karthik Subbaraj attempts to explore the theme with seriousness, while Rishikanth and Sananth deliver decent performances in the lead roles. However, the sluggish second half, repetitive dramatic stretches and niche treatment prevent the film from making a stronger impact. It remains an okay watch for viewers interested in raw rural conflicts and theme-driven dramas, while general audiences looking for a faster-paced or more conventional film may be better off looking for other entertainment options.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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OTT Review: Keerthy Suresh’s Uppu Kappurambu – Telugu Movie on Amazon Prime Video

by 123telugu

Movie: Uppu Kappurambu
Streaming Date : July 4, 2025
Streaming Platform : Prime Video India
123telugu.com Rating : 2.75/5
Starring : Suhas Pagolu, Keerthy Suresh, Babu Mohan, Shatru, Talluri Rameshwari, Subhalekha Sudhakar, Ravi Teja, Vishnu O.I, Duvvasi Mohan, Sivannarayana, Prabhavathi Varma
Director : Ani I.V.Sasi
Producer : Radhika Lavu
Music Director : Sweekar Agasthi
Cinematographer : Divakar Mani
Editor : Sreejith Sarang

Related Links : Trailer

Uppu Kappurambu is a Telugu web movie featuring Keerthy Suresh and Suhas in the lead roles. Directed by Ninnila Ninnila fame Ani I.V. Sasi, the film is now available on Amazon Prime Video and is streaming in multiple languages. Read our review to find out how it fares.

Story:

Set in the 1990s, in a crazy village called Chitti Jayapuram, Aparna (Keerthy Suresh) is elected as the village bigwig despite knowing nothing about governing. Meanwhile, Chinna (Suhas), a gravedigger, lives in the same village with his mother and is battling cancer. During a panchayat meeting, Chinna raises a bizarre but pressing issue: only four spots remain in the village graveyard. Suddenly, every villager wants to secure a space for themselves. To make matters more emotional, Chinna’s mother also has a dying wish. The film unfolds around how Aparna tries to resolve the problem, how Suhas supports her, and how he fulfills his mother’s final request.

Plus Points:

Firstly, the director deserves appreciation for taking up such a unique, quirky yet bold concept. It’s not a story one would expect, but once the layers unfold, it turns out to be genuinely intriguing.

Suhas once again proves he’s a natural performer. With every project, he chooses fresh roles, and this time, as a gravedigger, he delivers a grounded and effective performance.

Keerthy Suresh tries something completely different here. Her quirky appearance and exaggerated behavior in the early portions are clearly by design, bringing intentional humour. While her portrayal initially feels odd, she eventually settles into the role and delivers a convincing performance as her character matures. Her effort to take up such a part is commendable.

Babu Mohan as Muttayya and Shatru as Madhu Babu, both of whom provide light-hearted moments, add to the charm. Talluri Rameshwari, despite limited screen time, plays a key emotional role that anchors the main conflict.

Minus Points:

While the story is certainly offbeat and interesting, it may not appeal to everyone. Some viewers may enjoy its uniqueness, while others might find it too eccentric. It largely depends on individual taste.

The execution, especially in the first half, could have been better. Certain scenes feel exaggerated and could have been trimmed for a more natural flow. In contrast, the second half carries stronger emotional weight and shows what the film could have achieved with more consistency from the start.

While Keerthy Suresh’s presence brings value to the film, the fit doesn’t always feel natural. A more grounded performer might have suited the character more convincingly.

Talluri Rameshwari’s character is central to the story, but her arc lacks depth. More emotional layering in her role would have further impacted the narrative. The story has too many characters who lack significant roles, making it less interesting.

Technical Aspects:

Director Ani I.V. Sasi deserves credit for attempting a fresh and unconventional story. However, the screenplay could have been more engaging and balanced. The blend of humour and emotion is clear in intent, but some scenes come off as overacted, which breaks the immersion. A more restrained approach would have helped the overall impact.

Cinematography is neat and captures the rural setting well. The songs are meaningful and well-composed, while the background score complements the tone. Editing could have been tighter, especially in the first half, to remove some of the stretched or unnecessary moments. Production values are adequate and in tune with the film’s mood.

Verdict:

On the whole, Uppu Kappurambu is a quirky, fun, and emotional film with a fresh premise that works only in parts. Suhas and Keerthy Suresh deliver committed performances. However, uneven execution and a handful of exaggerated scenes limit its overall impact. Watch it with modest expectations if you plan to give it a try.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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