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Latest OTT Reviews

Logout

Movie Name : Logout

Streaming Date : April 18, 2025
123telugu.com Rating : 3/5
Starring : Babil Khan, Rasika Dugal, Gandharv Dewan, Nimisha Nair
Director : Amit Golani
Producers : Sameer Saxena, Vipin Agnihotri
Music Directors : Haroon-Gavin
Cinematographer : Pooja S Gupte
Editors : Atanu Mukherjee
Related Links : Trailer

Logout is a newly released cyber thriller on ZEE5, featuring Babil Khan in the lead role. The film delves into the world of social media influencers. To know more about the movie, read on for our review.

Story:

Pratyush Dua (Babil Khan), aka Pratman, is a renowned social media influencer obsessed with hitting 10 million followers before his rival, Ankita, known as Nautankitaaa. Consumed by the digital world and disconnected from his family, Pratyush lives for likes and validation. But his world turns upside down when he loses his smartphone – and it lands with SK (Nimisha Nair), a mysterious admirer who not only finds it but hacks into his entire digital life. What begins as a negotiation quickly turns into a psychological game, with SK making bizarre demands and Pratyush forced to comply. Who is she? How did she get in? And what does she really want? All these answers will be known by watching this cyber thriller.

Plus Points:

Cyber thrillers are not new to Indian audiences – with decent entries like Ananya Panday’s CTRL and Hina Khan’s Hacked. Logout carves its space in the genre with an engaging narrative that explores the addictive pull of digital validation. It effectively spotlights the lives of influencers obsessed with likes, comments, and constant online approval.

With a minimal cast, the film leans heavily on performances – and Babil Khan (son of the late Irrfan Khan) delivers in a big way. As Pratyush, aka Pratman, a social media influencer chasing the milestone of 10 million followers, Babil brings sincerity and conviction to the role. His portrayal of emotional vulnerability – particularly during tense, voice-only interactions with SK – is striking. His expressions of fear, frustration, and helplessness feel real and immersive.

The film uses metaphor effectively – especially the rat trap imagery that mirrors Pratyush’s digital entrapment. It also makes an incisive comment on the influence influencers wield in shaping public perception, lending the narrative both relevance and depth.

One of the film’s standout strengths is its phone-call-driven format. Sustaining suspense through just audio conversations is no easy feat, but the director crafts a tense, claustrophobic atmosphere that pulls the viewer into Pratman’s mental spiral.

Minus Points:

While the premise is promising, Logout misses the chance to push the envelope. It lacks the sharp, unpredictable turns that define top-tier tech thrillers. With a few more narrative shocks, the story could have leapt from decent to gripping. Writer Biswapati Sarkar plants the right seeds, but the execution doesn’t fully bloom.

The antagonist, SK, starts off as a chilling enigma, but her reveal drains the tension. She doesn’t quite carry the menace she initially projects, and her performance feels uneven – at times even unintentionally comedic.

Some of Pratman’s decisions also raise eyebrows. His passive compliance and failure to seek help make him seem less resourceful than expected. While this could be interpreted as a character flaw or a creative choice, it undermines his relatability.

The climax, too, underwhelms. The resolution arrives too suddenly, with the police stepping in and wrapping things up in a way that feels rushed and unsatisfying.

Technical Aspects:

Director Amit Golani deserves credit for sustaining tension with limited resources. Still, the narrative could’ve been more layered to make the experience truly unforgettable.

Cinematographer Pooja S. Gupte captures the right tone visually, while Haroon-Gavin’s background score enhances the mood. Editor Atanu Mukherjee keeps the film tight and focused, with a well-managed sub-two-hour runtime. Production values are effective and functional.

Verdict:

On the whole, Logout is a decent, relevant, and thought-provoking cyber thriller that benefits from solid writing and Babil Khan’s compelling performance. Though it stumbles in parts – especially with a flat climax and a few missed opportunities – it delivers a clear message about the dangers of digital obsession. If you’re into serious-toned, distraction-free cyber thrillers with a social message, Logout is a worthwhile watch – a cautionary tale for the influencer generation.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Nadaaniyan

Movie Name : Nadaaniyan

Release Date : March 7, 2025
123telugu.com Rating : 2/5
Starring : Ibrahim Ali Khan, Khushi Kapoor, Lakshya, Aditi Saigal, Chaya Kadam, Jugal Hansraj, Dipannita Sharma, Varun Buddhadev, Akshay Oberoi, Anjuman Saxena, Aamir Khan (Child Artist)

Director : Shauna Gautam
Producers : Karan Johar, Apoorva Mehta, Somen Mishra
Music Directors : Sachin-Jigar, Tushar Lall
Cinematographer : Anuj Samtani
Editors : Vaishnavi Bhate, Sidhanth Seth
Related Links : Trailer

Nadaaniyan is the latest Bollywood movie that premiered on Netflix today. The film marks the debut of Ibrahim Ali Khan, son of Bollywood actor Saif Ali Khan, alongside Khushi Kapoor as the female lead. Let’s see how this rom-com fares.

Story:

Pia Jai Singh (Khushi Kapoor), a wealthy teenager from South Delhi, is determined to maintain her social status at school. To impress her friends, she hires Arjun Mehta (Ibrahim Ali Khan), a studious middle-class boy from Noida, paying him Rs. 25,000 per week to act as her boyfriend. What begins as a simple transaction soon entangles them in a web of unexpected emotions, forcing them to confront their stark differences, hidden insecurities, and the fragile nature of the world they’ve built around them.

Plus Points:

Ibrahim Ali Khan makes a decent debut and, at times, reminds us of his father, Saif Ali Khan. He looks confident on-screen and performs well in a few scenes. His chemistry with Khushi Kapoor is average, but he manages to hold his ground.

Dia Mirza, who plays Ibrahim’s mother, does well in her limited role. Jugal Hansraj, who plays Ibrahim’s father, delivers a sincere performance, and his scenes with Ibrahim are well executed. Their father-son bond is one of the better aspects of the film.

The film’s production design is one of its strongest points. The makers have invested significantly to give the movie a grand and stylish look. The sets, costumes, and visuals perfectly capture the high-class South Delhi vibe.

Minus Points:

The title “Nadaaniyan” translates to ‘innocence,’ but the film comes off as more foolish than innocent. The storyline is predictable and lacks depth, which makes it clear why the filmmakers chose an OTT release over a theatrical one. It seems they were aware that it wouldn’t succeed on the big screen.

Khushi Kapoor looks good on screen, but her acting needs significant improvement. In several scenes, her expressions and dialogue delivery feel weak, making her performance unconvincing.

The film attempts to depict Gen Z culture but presents an exaggerated and unrealistic version of teenage life. The high school students in the movie constantly bully, party, or fake relationships as if it’s the norm. While this might appeal to a niche audience, most viewers will find it over the top and hard to relate to.

The supporting cast includes some well-known faces, but they are barely given anything substantial to do. The focus remains entirely on the lead pair, making the other characters feel like fillers. The writers seemed too busy making the protagonists look “cool” and neglecting the rest.

Despite having a runtime of less than two hours, the film feels stretched. The biggest issue is the unnecessary songs. Just when the story starts moving forward, a song pops up, slowing the pace. Tighter editing could have avoided this drag.

Technical Aspects:

The production design is excellent, giving the film a vibrant and polished look. The cinematography is decent, effectively capturing the upscale setting. However, the direction is weak, and the storytelling lacks impact. The film needed better editing, as many scenes could have been trimmed to maintain a smoother flow. The music is just average and doesn’t leave a lasting impression. However, the Telugu dubbing is fine.

Verdict:

On the whole, Nadaaniyan is aimed at Gen Z, but even they might find it hard to connect with its unrealistic take on teenage life. While Ibrahim Ali Khan shows potential, the film doesn’t do much to leave a strong impression. Khushi Kapoor still has a long way to go in terms of acting. Skip it and save your time.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team 

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