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Latest Review

Ranabaali Review

Ranabaali Review

Movie Name : Ranabaali 

Release Date : October 16, 2026
123telugu.com Rating : 2.75/5
Starring : Vijay Deverakonda, Rashmika Mandanna, Arnold Vosloo, and Others
Director : Rahul Sankrityan
Producers : Naveen Yerneni, Y. Ravi Shankar
Music Director : Ajay-Atul
Cinematographers : Jishnu Bhattacharjee, Nirav Shah
Editor : Karthika Srinivas R

Related Links : Trailer

Vijay Devarakonda joined hands with Rahul Sankrityan for the period action drama Ranabaali. Rashmika played the female lead. The movie hit the big screens today, and let’s see how it is.

Story:

Set in the 1860s, Ranabaali throws light on the famine caused by the British in the Madras Presidency. By looting tons of food grains from India and transporting them to Britain, the British cause the deaths of countless Indians. A legend named Singanamala Bobbili Ranabaali (Vijay Deverakonda), born on Rayalaseema soil, revolts against the British generals, becoming a thorn in their side. Who wins the final battle in this war between Ranabaali and the British is what the movie is about.

Plus Points:

Appreciation to Rahul Sankrityan for touching upon the famine and the events that followed, which claimed many lives. The sincerity is visible, with the makers attempting to tell an important chapter of history.

The movie picks up momentum pretty well with the Jayamma chapter. Rashmika and Vijay Deverakonda’s romance is the sweet spot in this serious drama. The innocence of Jayamma’s character and her attempts to bring a change in her stone-hearted husband are endearing to watch.

The romantic track is followed by some fine emotional moments, leading to a decent interval block. Vijay Deverakonda is earnest in his performance as a rebel leader. The way he has approached the intense action sequences is very good. Rashmika Mandanna impresses as Jayamma, and she continues to deliver fine performances one after another.

Minus Points:

Some important stories like Ranabaali need to be told, but the major problem with this Vijay Devarakonda starrer is that it doesn’t deliver the required impact towards the end. The powerful intent behind the story isn’t effectively translated onto the screen.

Ranabaali looks more or less like other films set against the British backdrop. The famine is its USP, but the screenplay follows familiar terrain in the second half, making things highly predictable. The director comes up with a couple of twists, but by then, the engagement factor fizzles out.

The action sequences in the latter half get repetitive after a point. Had the story been told in a much shorter duration, the end result would have been far better. The editing team could have easily cut down at least 20 minutes.

Some of the moments intended to deliver highs are weakened by the poor background score. Also, some scenes suffer from sound-mixing issues. British generals speaking Telugu feels a bit uncomfortable, especially since the team promised an organic approach to this aspect during promotions.

Technical Aspects:

Ajay-Atul’s work is a mixed bag. The songs are nicely composed, but the background score is completely disappointing. As a result, the movie fails to deliver goosebump-inducing moments. The cinematography by Jishnu Bhattacharjee and Nirav Shah is splendid.

The production values are remarkable, with Mythri Movie Makers spending lavishly on the sets to give the film’s world an authentic feel. The editing is poor.

Rahul Sankrityan’s direction is just okay. His intention to deliver a meaningful film is clear, but the execution isn’t up to the mark. The boring moments and a lengthy runtime weigh down the movie.

Verdict:

On the whole, Ranabaali is a period action drama that features sincere effort but delivers only a moderate impact. The famine concept hasn’t been explored before, and the first half is decent. However, the movie gets bogged down by a predictable and below-par second half. The narrative choices aren’t great, and the lengthy runtime is another major shortcoming. Vijay Deverakonda delivers an honest performance, but the movie doesn’t completely live up to its potential.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Don't Trouble The Trouble


Movie Name : Don’t Trouble The Trouble

Release Date : October 2, 2026
123telugu.com Rating : 2.75/5
Starring : Fahadh Faasil, Ssara Palekar, Saurabh Sachdeva and Others
Director : Shashank Yeleti
Producer : Shobu Yarlagadda, Prasad Devineni, S. S. Karthikeya
Music Director : Kaala Bhairava
Cinematographer : Brad Francis
Editor : Praveen Anthony

Related Links : Trailer

Don’t Trouble the Trouble marks the maiden Telugu outing of Mollywood star Fahadh Faasil as the solo lead. Joining him on screen is young talent Ssara Palekar in a central role. Presented by SS Rajamouli and backed by his family banner, the film has gathered substantial pre-release attention ahead of its theatrical debut. Let us see whether this fantasy comedy manages to deliver on its interesting promises.

Story:

Soori (Fahadh Faasil) is an orphan willing to pull off any scheme to make quick money. After duping local gangster Aslam Bhai (Mahesh Manjrekar), he is cornered with an ultimatum to deliver Rs. 25 lakh in just two days. In his scramble for cash, he crosses paths with Divya (Ssara Palekar), a runaway child from a wealthy background who mistakes him for a master magician and seeks his help. Realising she could be his ticket out of debt, Soori agrees to tag along, setting off a quirky journey that unravels her true motives and tests his own conscience.

Plus Points:

Fahadh Faasil has repeatedly proved his mettle across hard-hitting dramas, lighthearted rom-coms, and edge-of-the-seat thrillers. Stepping into a full-fledged fantasy comedy is a refreshing departure for him, and his commitment shows in every frame. His comic timing, expressive face, and sincere Telugu dialogue delivery elevate even the ordinary sequences.

Child artist Ssara Palekar delivers an endearing performance and matches Fahadh step for step in her Telugu debut. Her natural innocence brings warm humour, while her sudden fiery reactions create genuine, fun surprises. The inclusion of a lively beagle adds visual charm and warmth to their road adventure. Most combination scenes featuring this trio turn out to be the film’s most entertaining portions.

Mahesh Manjrekar has limited screen time, yet his seasoned presence gives weight to his brief appearances. Casting Saurabh Sachdeva in an unconventional character part also sparks interest whenever he takes the screen. The rest of the supporting cast perform adequately within the boundaries of their respective roles.

Minus Points:

Any fantasy adventure driven by a child protagonist must anchor itself in a strong emotional foundation. Unfortunately, the promotional trailers already revealed the crux of the plot, leaving very little novelty for the audience in the cinema hall. While a few standalone moments work well, the overarching screenplay struggles to sustain genuine interest.

The emotional core intended for the climax has sincerity, but it arrives only after the film severely tests the audience’s patience. Because the central conflict is paper-thin, the narrative becomes predictable far too early. Consequently, the dramatic tension dips significantly right when the narrative should be picking up speed.

An uninspired police inquiry track derails the momentum in the second half, which is already weighed down by repetitive gags and noticeable logical slips. Key supporting figures are also underutilised, depriving the central journey of meaningful dramatic friction. These narrative shortcomings prevent the comedy from reaching its true potential.

Technical Aspects:

Debutant director Shashank Yeleti shows ambition, but his execution alongside Hamza Ali’s writing leaves ample room for improvement. The whimsical, fairy-tale charm that might have seemed delightful on paper does not translate effectively onto the screen. Cinematographer Brad Francis ACS provides visuals that capture the urban setting decently.

Kaala Bhairava’s background score injects much-needed energy and keeps the lighter portions afloat. On the other hand, Praveen Antony’s editing could have been considerably crisper, as several dragging sequences should have been left on the cutting floor. The production values across the board remain standard and respectable.

Verdict:

On the whole, Don’t Trouble the Trouble is a fantasy comedy that works only in bits and pieces. Fahadh Faasil shoulders the film with immense effort, and young Ssara Palekar makes a delightful impression. However, a dragging second half, predictable writing, and weak emotional stakes pull the film down significantly. Children will likely enjoy the lighthearted magical premise, but adult viewers will find it interesting only in a few select pieces. Keep your expectations well within limits before planning a watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Drishyam The Conclusion

Release Date : October 02 , 2026
123telugu.com Rating : 3.5/5
Starring : Ajay Devgn, Tabu, Shriya Saran, Jaideep Ahlawat, Prakash Raj, Rajat Kapoor, and Others
Director : Abhishek Pathak
Producers : Alok Jain, Ajit Andhare,Kumar Mangat Pathak, Abhishek Pathak
Music Directors : Ravi Basrur, Rochak Kohli, Karma
Cinematographer : Sudhir Kumar Chaudhary
Editor : Sandeep Francis

Related Links : Trailer

One of the most popular franchises in Hindi cinema, Drishyam, has now come up with its final chapter, Drishyam: The Conclusion. While the Malayalam version is yet to conclude, Bollywood has taken a separate route with a new story altogether. Let’s see if the much-hyped Ajay Devgn starrer lives up to expectations.

Story:

After the events of Drishyam 2, Meera Deshmukh (Tabu) is completely disturbed and decides to take her own life. Her husband, Mahesh (Rajat Kapoor), stops her and convinces her to reopen the case and bring Vijay Salgaonkar (Ajay Devgn) behind bars for their son’s death mystery. They team up with Crime Branch S.P. Rajveer Singh Tomar (Jaideep Ahlawat) to bring Vijay down. The rest of the film follows the cat-and-mouse game between Vijay Salgaonkar and his enemies.

Plus Points:

Probably, this hasn’t happened in Indian cinema before. The predecessors of Drishyam: The Conclusion are remakes of the Malayalam Drishyam films created by Mohanlal and Jeethu Joseph, and this is an open fact. However, the Hindi Drishyam makers took a big risk by going ahead with an original script, and it paid off big time.

Drishyam: The Conclusion has a completely new narrative and is in no way connected to Malayalam Drishyam 3. The way the threequel’s story has been designed is brilliant, and kudos to Abhishek Pathak and team for cooking up something like this on the content front.

Drishyam 2 (Hindi) itself had some good changes from the original, and this time, the approach the makers have taken to keep it connected to the second part is fabulous. The pacing is solid for the most part, and there are many edge-of-the-seat moments that will keep us deeply immersed.

The first half is a neat mix of tension, comedy, and police investigation, with Jaideep Ahlawat going up against Ajay Devgn. Their face-off scene during the interval is brilliant. What comes across as surprising is how well the comedy is written into such a crime subject and how seamlessly it blends with the narrative. Gaitonde character will leave us in splits with his fun banters.

The second half moves into the courtroom zone, and the film gets even more impressive here. The courtroom scenes are exhilarating, and the twists are too good. Ajay Devgn is solid once again as a protective family man, and the subtle emotions he displays show how great an actor he is.

The best thing that has happened to the film is the casting choice of Jaideep Ahlawat. He nails the role to the tee and takes the impact several notches higher. Prakash Raj, Shriya Saran, Ishita Dutta, Kamlesh Sawant, and others are pretty good in their roles.

Minus Points:

Since this is the final chapter of the franchise, we can guess who will end up on the winning side, and that takes away some of the surprise factor. The film does maintain the tension neatly, but we can understand what will happen in the climax eventually.

It’s all about how the film reaches that point, and in that regard, the makers have done a solid job. Tabu’s role is relegated to the background, while Prakash Raj and Jaideep Ahlawat take charge of the proceedings to fight against Ajay Devgn.

Technical Aspects:

Ravi Basrur’s background score is good in the second half, but he could have done a better job in the first half. Some moments needed a more electrifying score.

Sudhir Chaudhary’s cinematography is splendid, while the editing by Sandeep Francis is flawless. Production values are neat, while the dialogues carry a spark.

The writing and direction by Abhishek Pathak make Drishyam: The Conclusion what it is. There was an apprehension about how the third part would turn out, but he has done a fantastic job.

Verdict:

On the whole, Drishyam: The Conclusion is a befitting finale to one of the best franchises in Indian cinema. Where the Malayalam Drishyam 3 makers fumbled, Bollywood delivered big time. When a good story is dragged needlessly, it loses its magic, and the Hindi Drishyam 3 makers understood this assignment clearly. An interesting original story, neat screenplay, situational comedy, and enthralling moments make this Ajay Devgn starrer a highly satisfactory watch. The climax isn’t a surprise, as we can guess who will win the battle eventually, making things slightly predictable, but the movie does a solid job of maintaining the momentum throughout. This one will tear apart the box office. Recommended.

123telugu.com Rating: 3.5/5

Reviewed by 123telugu Team

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