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Latest Telugu Movie Review

Ramayana Review

Movie Name : Ramayana

Release Date : Nov 05, 2026
123telugu.com Rating : 3.75/5
Starring : Ranbir Kapoor, Yash, Sai Pallavi, Ravi Dubey, Sunny Deol, Kajal Aggarwal, Rakul Preet Singh and others
Director : Nitesh Tiwari
Producers : Namit Malhotra, Yash
Music Directors : Hans Zimmer and A.R. Rahman
Cinematographers : Pankaj Kumar and Mahesh Limaye
Editor : Huzefa Lokhandwala

Related Links : Trailer

The biggest Indian film, Ramayana, headlined by Ranbir Kapoor, Yash, and Sai Pallavi, has hit the big screens today amid huge hype. The mythological action drama is directed by Nitesh Tiwari. Let’s see if the film lives up to the hype.

Story:

As everyone knows, Ramayana is a tale of Good vs Evil. The film begins by depicting Ravana’s (Yash) childhood and how he goes about acquiring Lanka from Kubera and obtaining a boon from Brahma. Later, Ravana even defeats Lord Indra (Kunal Kapoor). This is when Indra prays to Lord Vishnu, who then takes birth in human form as Lord Ram (Ranbir Kapoor), setting the stage for an epic battle.

Plus Points:

One of the biggest challenges for any filmmaker is narrating a story that has been deeply rooted in our lives for centuries. Making a movie on Ramayana is like walking on a double-edged sword, but Nitesh Tiwari showcases his mastery by handling the subject so impressively that the film could serve as a reference point for other filmmakers.

Huge shoutout to Namit Malhotra for backing a project of this scale without any limitations. Bringing an epic like Ramayana to life in its full glory required immense courage, and Namit deserves every ounce of respect for making this happen. He has instilled confidence in filmmakers to dream big without any boundaries.

Ranbir Kapoor as Lord Rama is the heartbeat of Ramayana. While he is excellent in the action sequences, his portrayal will tug at our heartstrings in the emotional segments. Ranbir Kapoor is one of the best talents in the country, if not the best. Initially, eyebrows were raised over his casting, but he is the mainstay of Ramayana. He exudes a divine aura and brings the character to life with utmost perfection.

The film’s impact increased manifold with Rocking Star Yash playing Ravana and brownie points to the casting team. Whenever Yash appears, he commands the marquee, bringing out the ferociousness of the character in full-blown manner. His swag, aura, monstrous screen presence, and scintillating performance will go down in the history books.

Sai Pallavi as Sita exhibits serenity and calmness, making her portrayal instantly likeable. There was also criticism surrounding her casting initially, but she has nailed the character. Ravie Dubey as Lakshman is fantastic and he got to entertain with some humor. Rakul Preet Singh is impactful as Shurpanaka.

The money-shot sequences are unlimited in number. The Indra-Ravana fight sequence, the Jatayu vs. Ravana action block, and the tornado sequence are worth the ticket price. The placement of Darthi Hai Ambar Hai is clap worthy.

Not just a spectacle, the movie is rich in soul too, which makes the experience truly fulfilling. The pre-Vanavaas sequence and the scenes showcasing Jatayu’s pain and death will hit us hard. Not many movies based on the epic have explored Ravana’s backstory, and hence, Namit Malhotra’s Ramayana also brings a sense of freshness.

Minus Points:

There aren’t many complaints about the film. The pace dips slightly in the post-interval portion, particularly during the sequence where Ravan battles Vidyutjihva. This block could have been shortened a bit.

A sound-mixing issue is noticeable in a couple of scenes, with a few dialogues not being clearly audible. The Jai Jai Ram song plays in the background, but the experience could have been better if the full version had been included.

Technical Aspects:

Ramayana is spectacular on the technical front. AR Rahman and Hans Zimmer’s score elevates the proceedings to a whole new level. The songs are fairly good too. The production design is fabulous, creating a world that presents the epic in breathtaking manner.

Pankaj Kumar and Mahesh Limaye’s cinematography is magnificent. The editing is satisfactory for the most part. The sound-mixing issues should have been taken care of in a couple of scenes.

Academy Award-winning DNEG shows why it is the best in the business. With several VFX-heavy sequences, DNEG pushes the envelope further, setting a new benchmark for Indian cinema. The intricate detailing of creatures is mind-blowing. The 3D version delivers big time, with exquisite visual effects.

Ramayana is what it is because of Nitesh Tiwari. You will be pleasantly surprised by the way Nitesh pulled off breathtaking mass moments in this epic. When it comes to emotions, which is basically his strong zone, the filmmaker hit all the right notes. There have been numerous versions and interpretations of Ramayana, which always keeps the expectation bar sky-high, and Nitesh Tiwari still reaches them comfortably.

Verdict:

On the whole, Namit Malhotra’s Ramayana is a faithful and compelling adaptation of the mythological epic. It is amazing in scale and visuals while also being rich in soul. The VFX work in crucial sequences sets a new benchmark for Indian cinema. Nitesh Tiwari ensures that the spectacle doesn’t overshadow the drama and emotions, making it a wholesome experience. Ranbir Kapoor is exceptional as Rama, Sai Pallavi is impressive as Sita, and Yash sets the screen on fire as Ravan. The pacing is slow in certain sequences, and there are minor sound-mixing issues. The presence of the full version of Jai Jai Ram could have further enriched the experience. Despite these shortcomings, the movie delivers a memorable theatrical experience and is worth watching on the biggest screen possible. The 3D version is recommended over the 2D version for a more immersive experience.

123telugu.com Rating: 3.75/5

Reviewed by 123telugu Team

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Anumana Pakshi

Anumana Pakshi

Movie Name : Anumana Pakshi

Release Date : September 25, 2026
123telugu.com Rating : 2/5
Starring : Rag Mayur, Merin Philip, Prince Cecil, Charith, Brahmaji, Raasi, Ajay, Mast Ali and Others
Director : Vimal Krishna
Producers : Rajiv Chilaka, Meghha Chilakka, Sneha Rajesh Jagtiani, Vihaan Dand
Music Director : Sricharan Pakala
Cinematographer : Sunil Kumar Nama
Editor : Chota K Prasad

Related Links : Trailer

After DJ Tillu, Vimal Krishna returns with Anumana Pakshi, with Rag Mayur in the lead. The film hit screens today, and here is our review.

Story:

Sunny (Rag Mayur) is a Vizag-based overthinker who is suspicious of almost everything. He runs a channel called Anumana Pakshi. When his friend Ananth (Charith Betha) calls from Kashmir and threatens suicide, Sunny travels there with his friends and meets Kanya Kumari (Merin Philip). Later, his friend Varma (Prince Cecil) dies under suspicious circumstances, making Sunny suspect that he could be responsible. This eventually leads him to cross paths with the police officer P Vasu (Ajay), and the rest of the story follows.

Plus Points:

Rag Mayur tries to bring some laughs as Sunny, and a few comedy moments work. But they are too few to make much of a difference.

The film is less than two hours long, which is a relief. Given the content, a longer runtime would have made the experience even more difficult.

Minus Points:

The “From the director of DJ Tillu” tag creates expectations, but Anumana Pakshi offers very little in return. Right from the beginning, the film struggles to engage, and the content keeps testing the audience’s patience.

The first question that comes to mind is what made Rag Mayur accept this script. Sunny’s overthinking and suspicious nature could have been used well for comedy, but the writing does very little with the idea. The other characters are also written strangely, making it difficult to connect with anyone.

The scenes feel randomly stitched together, with one situation leading to another without a proper flow. The film tries to be quirky, but the writing never controls that quirkiness. As a result, the situations feel random rather than funny or interesting. The comedy rarely works, and there are very very few moments that genuinely make you laugh.

The heroine’s character has very little to do, while her screen presence is also limited. Rashi, Ajay, Brahmaji, and the other actors fail to make much of an impression because their characters offer very little to work with.

Technical Aspects:

Vimal Krishna fails to deliver even a single stretch that genuinely works. The writing is weak, and the execution doesn’t give the actors enough to work with. It is difficult to believe this is the same director who made DJ Tillu.

Sunil Kumar Nama’s cinematography is just okay. Sricharan Pakala’s music helps understand the tone of the scenes, making it clear whether a particular scene is meant to be comedy, romance, or drama. Chota K Prasad’s editing is so-so, while the production values are adequate.

Verdict:

On the whole, Anumana Pakshi is a tedious watch from start to finish. The less-than-two-hour runtime is the only real relief, while Rag Mayur manages a very few laughs in an otherwise poorly written film. The scenes lack a proper flow, the comedy rarely lands, and the characters fail to make an impression. The film tries to be quirky, but the writing makes it feel random and tiresome instead. Coming from the director of DJ Tillu, this is a disappointing outing. Unlike Sunny, who is suspicious of everything around him, you can skip Anumana Pakshi without a second thought.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team

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The Paradise

The Paradise

Movie Name : The Paradise

Release Date : September 24, 2026
123telugu.com Rating : 2.75/5
Starring : Nani, Mohan Babu, Kayadu Lohar, Raghav Juyal,Sampoornesh Babu, Sonali Kulkarni and Others
Director : Srikanth Odela
Producer : Sudhakar Cherukuri
Music Director : Anirudh Ravichander
Cinematographer : Ch Sai
Editor : Navin Nooli

Related Links : Trailer

Natural Star Nani’s The Paradise directed by Srikanth Odela created massive pre-release buzz, and amidst huge fan frenzy it has now hit the big screens. Let’s see how the movie is.

Story:

The Paradise revolves around an oppressed tribe called Savaari. Even after India attaining independence, they continue to live without an identity in the country under the ruthless monarch Shikanja Malik (Mohan Babu). How Jadal (Nani) rises against Shikanja Malik and fights to bring an identity to his people forms the crux of the story.

Plus Points:

One of the main highlights of The Paradise is its well-designed action episodes. The makers have gone all out without compromising on the budget, and the efforts are clearly visible in this aspect.

The film opens well with a disturbing sequence around the protagonist’s birth, and it sets the tone nicely for what’s to come. The movie works occasionally in the first half, with the cafe fight and interval portions standing out.

Nani has been effectively portraying mass roles in his recent outings, and with The Paradise, he once again delivers a sincere performance. The actor underwent a physical transformation for the character and did pretty well in the demanding fight sequences. Aaya Sher and Yeshanagula provide some respite.

Minus Points:

The biggest gripe about The Paradise is undoubtedly Srikanth Odela. Not only did he opt for an age-old template, but he also added nothing exciting to the screenplay to make the goings-on interesting. Audiences have started looking past routine stories when the presentation is good. But when that element doesn’t work fully, it’s tough to hold the attention throughout.

After a while, one will start wondering if the director has any ideas up his sleeve apart from the bloodbath and massacres to keep the proceedings going. Apart from Nani, no other character registers strongly. Even Sonali Kulkarni’s role loses its impact after a point.

The Paradise follows a chapter-wise narration, but by the time the movie concludes, one can barely remember them. There is a resemblance to many popular mass films, but The Paradise struggles to recreate their magic. The references to a famous Telangana political leader might draw whistles in Telangana, but the rest might not relate to them much.

The second half, in particular, is mostly boring without any high moments. The climax face-off should have been between Nani and Mohan Babu, but instead, we get to see a routine showdown involving cops. The heroine track is absurdly written, and it will surely raise eyebrows. Mohan Babu gets very little to do, while Sampoornesh Babu and Raghav Juyal are completely wasted.

Technical Aspects:

Anirudh’s songs work, but when it comes to the background score, he too can’t do much with the lack of support from the writing department. The sound mixing is bad, and the dialogues at times are not audible. The editing is abrupt, lacking seamless transitions from scene to scene. Even before we could feel anything, the next scene jumps in. Some scenes make us feel that the post-production was rushed.

Cinematography by CH Sai is solid, while the production values are excellent. Efforts are put in to make a larger-than-life film, but similar endeavours were needed regarding the story and screenplay. When the first glimpse dropped, many expected Srikanth Odela to deliver a hard-hitting film, but his work is certainly below par.

Verdict:

On the whole, The Paradise is a routine mass action drama with the fight blocks coming out well. Nani’s sincere performance, the pre-interval to interval stretch, and the chartbuster songs work, but the rest isn’t anywhere near what the team promised. The template storyline has been told in an underwhelming manner. Expectations were massive for Srikanth Odela, but he didn’t meet them with this one. Hence, the film ends up being a below average watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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