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Latest Telugu Movie Review

Drishyam 3

Drishyam 3

Movie Name : Drishyam 3

Release Date : May 21, 2026
123telugu.com Rating : 2.75/5
Starring : Mohanlal, Meena, Siddique, Asha Sharath, Murali Gopy, Ansiba Hassan, Esther Anil and others
Director : Jeethu Joseph
Producer : Antony Perumbavoor
Music Director : Anil Johnson
Cinematographer : Satheesh Kurup
Editor : Vinayak VS
Related Links : Trailer

The widely acclaimed crime thriller franchise Drishyam headlined by Mohanlal and created by Jeethu Joseph has returned with the third part. Amidst solid hype, the movie hit the big screens today. Let’s see how it is.

Story:

Georgekutty (Mohanlal) finally makes the film Drishyam, which he had been planning to produce for a long time. Superstar Arun Kumar (Biju Menon) plays the lead role in it, and the movie becomes a box office blockbuster. As a result, media attention shifts towards Georgekutty and his family. Two media reporters closely follow Georgekutty’s movements, hoping to find clues about Varun’s (Roshan Basheer) mortal remains and gain mileage in the industry. This also happens to be the time George plans to marry off his daughter Anju George (Ansiba Hassan) into a good family. What happens next forms the crux of the story.

Plus Points:

The Complete Actor Mohanlal has portrayed many fantastic and challenging roles in his career, and playing Georgekutty once again is just a walk in the park for him. The subtle expressions he gives during tense moments show how great an actor he is. As a person trying to save his family from a haunted past, Mohanlal is flawless.

The second half is where the film gets going with neat momentum, and there are some interesting portions that hold attention. Georgekutty lands in trouble as the cops manage to find some clues about his past actions, and the tension is maintained for a while in the second half, making the experience mildly engaging. Others did a satisfactory job. Fun moments featuring Esther Anil click decently.

Minus Points:

Every good franchise will have a saturation point if the conflicts get repetitive. When a new dimension or story is explored, it offers something fresh for the audience, and the franchise’s popularity helps the film commercially. But when the same problem is explored time and again, one may experience fatigue. The climax of Drishyam 3 leaves exactly a similar impression.

The screenplay pattern of Drishyam 3 is largely identical to the second installment. The first half is used as the primary set-up for the threats the protagonist faces in the second half. The second half in Drishyam 3 does manage to engage to an extent, but the climax lacks the wow factor and magic that the previous films delivered.

We know Georgekutty will somehow get away using his tricks, and hence we get a been-there-seen-that feeling. Neither do the twists take us by surprise, nor is the emotional part strong. These twists might have worked better in another film, but with each Drishyam installment, Jeethu Joseph has raised the benchmark for the genre to such a level that Drishyam 3 doesn’t meet the gold standard he himself set.

Since the first half is slow-paced and doesn’t have much to offer, a viewer expects a lot from the second half, especially the climax. The finale is not only less impactful, but it is also portrayed in a slightly confusing manner.

Technical Aspects:

The Telugu dubbing is decent. Anil Johnson’s background score is in sync with the film’s tone. The cinematography by Satheesh Kurup is good, and so are the production values. The editing could have been sharper in the first half.

Jeethu Joseph doesn’t quite meet expectations this time around, as the film works only in parts and doesn’t leave a lasting impression like its predecessors. The emotional depth is clearly missing in the threequel. It may not be a wise option to continue the franchise further, as it could affect the reputation it has built over the years.

Verdict:

On the whole, Drishyam 3 doesn’t match the brilliance of the first and second installments of the franchise and works only in bits and pieces. The first half starts slow, the interval is decent, and the second half initially engages, but as the film moves towards the climax, the impact drops considerably due to the similar screenplay structure experienced before. The twists aren’t solid, and the emotions aren’t presented well. Drishyam 3 is not a bad film, but it doesn’t entirely meet expectations due to the standard that Jeethu Joseph himself set with the past two films.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Godari-Gattupaina-1

Godari-Gattupaina-1

Movie Name : Godari Gattupaina

Release Date : May 08, 2026
123telugu.com Rating : 2.75/5
Starring : Sumanth Prabhas, Nidhi Pradeep and others
Director : Subash Chandra
Producer : Abhinav Rao
Music Director : Naga Vamshi
Cinematographer : Saai Santosh
Editor :  Anil Pasala
Related Links : Trailer

Sumanth Prabhas has now come up with the romantic drama Godari Gattupaina. Let’s see how the film is.

Story:

Raju (Sumanth Prabhas) belonging to Velpuru is an auto driver. He accidentally meets engineering student Maaya (Nidhi Pradeep) and falls in love with her. Initially, Maaya hates Raju, but slowly she develops feelings for him. However, Maaya doesn’t do anything that her father Sam Babu (Jagapathi Babu) dislikes. How Raju wins Maaya’s hand in marriage forms the rest of the story.

Plus Points:

Music is the quintessential aspect of any love story, and Godari Gattupaina gets this element right. The first half almost feels like a musical entertainer with back-to-back songs that are soothing to listen to and pleasant to watch. Music drives the proceedings for most of the first half.

Sumanth Prabhas did a fine job in Godari Gattupaina. His effort to ace the Godavari slang is visible. As Sumanth stated in the interviews, the film tries to portray an auto driver as innocent and a good soul, avoiding the usual mass angle, which adds freshness to the character.

Debutant Nidhi Pradeep is neat in her role. She displayed conviction in her performance and appeared confident throughout the film. The drama during the last half-an-hour is decent. Sudarshan evokes some laughs here and there with his comic timing.

Minus Points:

Apart from the love story, Godari Gattupaina also aims to showcase a father-daughter bond, but the movie doesn’t do proper justice to this aspect. More scenes highlighting the bond could have been included to bring the desired impact at the end. Jagapathi Babu’s screen time should have been increased by reducing some unnecessary scenes.

There isn’t anything fresh or magical about the love story, with the scenes being quite normal in nature. The conflict point between the lead pair comes suddenly and should have had proper establishment beforehand. Given the plot, Godari Gattupaina feels too long, and it could have been easily 20 minutes shorter.

There is a block that revolves around a false rape accusation, and the entire sequence isn’t treated sensibly. A dialogue by the hero’s father casually brushes aside the damage a false accusation can cause to a man while only treating the woman’s reputation as serious. These lines come across as disrespectful, and this portion should have had a more balanced approach.

Technical Aspects:

Naga Vamshi’s music is the heart and soul of Godari Gattupaina, with almost every song striking a chord. The euphonious soundtrack, backed by Saai Santosh’s cinematography depicting the Godavari backdrop, makes the film somewhat work. The editing is below-par.

The production values are neat. Direction by Subash Chandra could have been much better. The culmination happens well, but the scenes leading up to the finale are underwhelming.

Verdict:

On the whole, Godari Gattupaina is a regular love story with only a few moments clicking, but it does have a very good album. Sumanth Prabhas and female lead Nidhi Pradeep did well in their respective roles, and the pre-climax to climax stretch works. However, the routine love scenes, prolonged duration, and some problematic portions work against the film.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Sathi-Leelavathi

Sathi-Leelavathi

Movie Name : Sathi Leelavathi

Release Date : May 08, 2026
123telugu.com Rating : 2.5/5
Starring : Lavanya Tripathi Konidela, Dev Mohan, Naresh, VTV Ganesh, Sapthagiri, Motta Rajendran, Jaffer Sadiq, Tagubothu Ramesh, Joshi and others.
Director : Tatineni Satya
Producer : Nagaa Mohan
Music Director : Mickey J Meyer
Cinematographer : Binendra Menon
Editor :  Sathish Surya
Related Links : Trailer

Lavanya Tripathi has now come up with the family drama Sathi Leelavathi. Let’s see how the film is.

Story:

Sathi Leelavathi follows Leela (Lavanya Tripathi), a film director who marries Ram Sethu (Dev Mohan), whom she has known since childhood. However, their married life runs into problems, forcing Leela to take a shocking step. What is it? Did the lead pair separate, or did they solve their issues? The rest of the story unfolds around these questions.

Plus Points:

Lavanya Tripathi did a very fine job as Leela. The first half showcases the crazy and eccentric side of the female lead, and these scenes are mildly engaging. The witty face-off scenes between the lead pair work decently.

Comparatively, the first half of the film is bearable, and a few fun scenes work well here. Jaffar Sadiq generates some laughs, and the movie begins on a promising note.

Minus Points:

Sathi Leelavathi attempts to portray the issues in married life, but the film loses steam after the midway mark. The first half revolves largely around the lead pair, but the focus shifts to multiple subplots and comedy tracks in the latter hour, deviating from the primary point.

The fun episodes hardly work in the second half, making the film difficult to sit through. The entire episode featuring Saptagiri fails to create the intended impact, while Motta Rajendran’s track involving adult web shows turns irritating.

The emotional angle that emerges towards the end lacks both depth and logic. However, the biggest issue with the film is that it is made to appease family audiences, yet several dialogues carry double-meaning humor, defeating the very purpose the film tries to serve.

Dev Mohan looked neat, but his Telugu dubbing feels completely off and ends up affecting his performance. Madonna Sebastian is wasted in a poorly written role. VTV Ganesh and Naresh don’t have much to do.

Technical Aspects:

Micky J Meyer did a decent job, and the wedding song in the first half is good. Cinematography by Binendra Menon is effective, and production values are neat. Some portions could have been shortened in the second half.

Tatineni Satya chose a relevant subject, but his narration is neither entertaining nor engaging. After a point, the film runs out of ideas and drifts into unnecessary portions, taking away from the decent premise.

Verdict:

On the whole, Sathi Leelavathi turns out to be an underwhelming family entertainer. Despite dealing with a relevant subject, the film is weighed down by unnecessary comedy tracks in the second half. Lavanya Tripathi delivers a good performance, and the film starts on a promising note with some fun moments. However, the chaotic second half deviates from the core theme and ultimately weakens the overall impact.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team 

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