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Patriot

Patriot

Movie Name : Patriot

Release Date : May 01, 2026
123telugu.com Rating : 2.75/5
Starring : Mammootty, Mohanlal, Fahadh Faasil, Kunchacko Boban, Nayanthara, Revathi and others
Director : Mahesh Narayanan
Producers : Anto Joseph, K. G. Anil Kumar
Music Director : Sushin Shyam
Cinematographer : Manush Nandan
Editors :  Mahesh Narayanan, Rahul Radhakrishnan
Related Links : Trailer

After nearly 18 years, Mollywood legends Mammootty and Mohanlal reunite for the spy action thriller Patriot. Directed by Mahesh Narayanan, the film arrives with high expectations. Here is how it fares.

Story:

Dr. Daniel Joseph (Mammootty), a research scientist at the Defence Research Wing, uncovers a covert spyware network operating through laptops distributed to underprivileged students. The devices, linked to Minister JP Sundaram’s (Rajiv Menon) son Shakti Sundaram (Fahadh Faasil), are embedded with a surveillance program called Periscope that tracks users relentlessly. When a young girl becomes a victim, the stakes escalate. Branded a threat, Daniel escapes to London to expose the truth. Captured and on the run, he navigates a web of deception as deeper layers of the conspiracy unravel. At a crucial juncture, Colonel Rahim Saheb (Mohanlal) enters the narrative, emerging as a key force whose connection to the operation adds weight to Daniel’s mission. The story ultimately follows Daniel’s fight to expose the company behind the spyware and the government backing it.

Plus Points:

The biggest strength of the film is watching Mammootty and Mohanlal share screen space again. Mammootty delivers a composed and authoritative performance, bringing weight to the film’s core theme of privacy and governance. His presence adds credibility and depth to several key moments.

Mohanlal appears in the latter half and makes a noticeable impact, even though his role is limited. The scenes featuring both legends are engaging and carry a certain emotional weight for fans.

Kunchacko Boban plays a significant role and leaves a good impression. Zarin Shihab is effective in her part. Fahadh Faasil, as the antagonist, brings a controlled performance, though the character itself lacks depth.

The film raises relevant and unsettling questions about digital surveillance. It effectively conveys how everyday devices can intrude into personal lives, and how systems meant for public welfare can be misused for control and political advantage. These portions feel grounded and thought provoking.

Minus Points:

Despite a strong premise, the film struggles with consistency. It opens well but loses grip midway, briefly regains momentum, and then falls into a similar uneven rhythm in the second half. This fluctuation affects immersion.

The narrative needed sharper writing and tighter execution. A more focused approach could have sustained the tension throughout.

The emotional layer remains underdeveloped, which limits the film’s impact. Nayanthara’s role feels underwritten and does not contribute meaningfully to the story. Fahadh Faasil’s character, while effective in parts, deserved a stronger arc to elevate the conflict.

Technical Aspects:

Mahesh Narayanan deserves credit for choosing a relevant subject and presenting it with intent. However, the screenplay could have been more refined and cohesive. More shared screen time between Mammootty and Mohanlal would have enhanced the experience.

Manush Nandan’s cinematography is functional. Sushin Shyam’s background score stands out and adds intensity to several sequences. Editing is serviceable but could have been tighter to avoid the dragging portions. Production values are solid and reflect the scale of the project.

Verdict:

On the whole, Patriot is a concept driven thriller that works in parts. Mammootty anchors the film with a strong performance, while Mohanlal adds value in a brief but effective role. The film’s take on privacy and surveillance is relevant, but uneven pacing and underwritten characters hold it back from being consistently engaging. It ends up as just an okay watch that might appeal more to those interested in its theme than its storytelling.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Drishyam 3 is one of Mohanlal’s most awaited crime investigation thrillers. Directed by Jeethu Joseph, the film is now scheduled to release on May 21, 2026.

In a major update, Pen Studios has invested a massive Rs. 100 crore in Aashirvad Cinemas through Panorama Studios for this highly anticipated project, signaling strong backing for the film.

Meena will reprise her role as Mohanlal’s wife, and the film is already generating significant buzz. More exciting details are expected to be announced soon. Stay tuned.

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Vrushabha

Vrushabha

Movie Name : Vrusshabha

Release Date : Dec 25, 2025
123telugu.com Rating : 1.75/5
Starring : Mohanlal, Samarjit Lankesh, Nayan Sarika, Ragini Dwivedi, Ajay, Neha Saxena, Vinay Varma and others
Director : Nanda Kishore
Producers : Shobha Kapoor, Ekta Kapoor
Music Director : Sam C. S.
Cinematographers : Antony Samson
Editor :  K. M. Prakash

Related Links : Trailer

Mollywood star hero Mohanlal’s latest film Vrusshabha, which was shot in Telugu and Malayalam simultaneously, hit the big screens today amidst very low buzz. Let’s see how the movie is.

Story:

Vijayendra Vrusshabha (Mohanlal), the King of Trilinga, is the protector of Aatma Linga. One day, when enemies attack the kingdom to seize the Aatma Linga, Vrusshbaha King retaliates along with his army. In the process, he unexpectedly kills a kid. The child’s mother curses Vijayendra, and it continues to haunt him even in his next birth.

Plus Points:

Vrusshaba explores a new emotion and dynamic, and this is the only aspect that serves as the film’s takeaway. This could probably be the reason why Mohanlal came on board.

A sword-fight sequence featuring Mohanlal and a crucial character in the second half is decent. This is the only stretch where the film becomes somewhat watchable, though it lasts only for a brief period.

Minus Points:

At the idea level, Vrusshaba is interesting and had the potential to become a compelling reincarnation drama with a fresh emotional core. However, an idea alone cannot guarantee a good film, and Vrusshaba fails on multiple fronts, making it one of the most boring outings in recent times.
It takes a great deal of incompetence to make a legendary actor like Mohanlal feel insignificant. The writing is consistently poor, with a screenplay that lacks structure and a proper flow. The script, screenplay, and direction are outright weak, leaving the actors clueless and lost in this forgettable mess.

Despite a runtime of just around 127 minutes, Vrusshaba bores the audience to death with its complete lack of conviction in storytelling. Below-par production values, poorly designed AI visuals, terrible dialogues, and a pointless love track turn the film into a tiresome watch. The cameo of Jeetendra doesn’t have any significance.

Samarjit and Nayan Sarika are completely wasted in badly written roles, and the blame entirely lies with the writing. Other actors don’t even get notable scenes. While attempting an ambitious film is not wrong, blindly relying on AI-driven visuals, taking the audience for granted, is something the filmmakers need to seriously rethink.

Technical Aspects:

Technically, Vrusshabha leaves a lot to be desired. The visuals in Mohanlal’s introductory episode, featuring a horse-chase sequence, give an early indication of what’s to come, and things only worsen as the film progresses. While the music and cinematography work in a couple of scenes, the other technical aspects are highly disappointing.

Unlike many bilingual films that merely claim to be shot in Telugu, Vrusshabha is genuinely filmed in Telugu, and this is one aspect that deserves appreciation despite the film’s overall quality. Naandda Kishore is the writer and director for Vrusshabha, and his work is a major letdown. He fails to do justice to “The Complete Actor,” resulting in a thoroughly lacklustre product.

Verdict:

On the whole, Vrusshabha is a forgettable reincarnation action drama that is tough to sit through. Almost everything about the film, including the story, screenplay, dialogues, and AI-driven visuals, is unimpressive. Except for the film’s core idea and a couple of scenes in the second half, Vrusshabha remains a painful watch. Even a great performer like Mohanlal cannot save this sinking ship, and it is advised to skip this film and opt for other alternatives this holiday season.

123telugu.com Rating: 1.75/5

Reviewed by 123telugu Team 

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