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Aadarsha-Kutumbam Review

Aadarsha-Kutumbam Review

Movie Name : Aadarsha Kutumbam

Release Date : October 30, 2026
123telugu.com Rating : 3/5
Starring : Venkatesh, Srinidhi Shetty, Satya, Nara Rohith, Nivetha Pethuraj, and others
Director : Trivikram
Producer : S. Radha Krishna(Chinababu)
Music Director : Thaman S
Cinematographer : Ravi K Chandran
Editor : Navin Nooli

Related Links : Trailer

The big-ticket entertainer Aadarsha Kutumbam House No. 47 – AK47 hits theatres today. Director Trivikram Srinivas and “Victory” Venkatesh have worked together on three films before, but this is their first time teaming up as director and lead actor. Here is our review to see how the movie fares.

Story:

Chitti Babu Thotti (Venkatesh), his wife Swarna Thotti (Srinidhi Shetty), and their children struggle to manage their lives amid mounting debts. Their fortunes take a turn when they suddenly win a Rs. 100 crore lottery and buy a villa worth Rs. 20 crore. However, their happiness doesn’t last long as a Bihar-based dacoit gang, known for committing crimes for money, sets its sights on the newly wealthy family. What happens next forms the rest of the story.

Plus Points:

Venkatesh is in his element. A middle-class character with a mass appeal and a comic touch is a tailor-made role for him, and he delivers it effortlessly. He also shines in the action scenes. Srinidhi Shetty does a good job, especially with her comic timing. Trivikram’s writing also helps in shaping her character well.

The kids, Raja Prajwal and Yuvina Parthavi, are equally good. Satya’s comedy is another positive aspect that makes the movie enjoyable. Raghu Babu, Rao Ramesh, and others also do their parts well.

The first half is well-written and balances comedy and action nicely. The interval action sequence is a major highlight. The twist in the second half also clears the doubts about whether the story has similarities to a recent blockbuster.

Thaman’s background score works well, adding to the impact of important moments. The film takes the lead characters through an emotional journey in a fun way, which is another familiar touch of Trivikram’s writing.

Minus Points:

Coming to the characters, Nivetha Pethuraj has very little to do in the story. Seeing such a talented actress in a role with hardly any scope is a bit disappointing. Nara Rohith is just okay, but a more notable actor could have done better. Udaybir Sandhu gets a good role, but a stronger performance could have added more impact to the drama.

The story itself is not particularly engaging, though it manages to maintain a decent flow. The screenplay keeps things moving. However, the emotional scenes that the director tries to establish don’t work effectively and feel artificial. A stronger emotional background could have helped audiences connect with these moments.

The second half opens with a twist but doesn’t maintain the same flow, with a few hiccups along the way. It manages to hold together, but doesn’t match the impact of the first half. The songs also don’t add much to the movie.

Technical Aspects:

Director and writer Trivikram delivers the film in his familiar style, with his trademark comedy and action blended into the story. However, a little more focus on the emotional portions could have taken the movie to another level.

Navin Nooli’s editing is surprisingly good in the first half but stumbles in the second half. Overall, his work is decent. Thaman scores well with the background music, but his songs don’t add much charm to the film. The ‘Narayanamma’ song, in particular, feels unnecessary.

Kevin Kumar’s action choreography in the interval sequence gives a satisfying feel. Ravi K Chandran’s cinematography is decent, and so are the production values.

Verdict:

On the whole, Aadarsha Kutumbam House No. 47 is a decent entertainer. The first half works really well, thanks to the healthy comedy from Venkatesh, Srinidhi Shetty, and Satya. The interval episode is a major highlight. However, the less impressive second half, underwritten characters, and lack of strong emotional moments make the film a bit dull in places. Despite these shortcomings, it is an entertaining family watch, offering a decent mix of fun and action.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

 

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Don't Trouble The Trouble


Movie Name : Don’t Trouble The Trouble

Release Date : October 2, 2026
123telugu.com Rating : 2.75/5
Starring : Fahadh Faasil, Ssara Palekar, Saurabh Sachdeva and Others
Director : Shashank Yeleti
Producer : Shobu Yarlagadda, Prasad Devineni, S. S. Karthikeya
Music Director : Kaala Bhairava
Cinematographer : Brad Francis
Editor : Praveen Anthony

Related Links : Trailer

Don’t Trouble the Trouble marks the maiden Telugu outing of Mollywood star Fahadh Faasil as the solo lead. Joining him on screen is young talent Ssara Palekar in a central role. Presented by SS Rajamouli and backed by his family banner, the film has gathered substantial pre-release attention ahead of its theatrical debut. Let us see whether this fantasy comedy manages to deliver on its interesting promises.

Story:

Soori (Fahadh Faasil) is an orphan willing to pull off any scheme to make quick money. After duping local gangster Aslam Bhai (Mahesh Manjrekar), he is cornered with an ultimatum to deliver Rs. 25 lakh in just two days. In his scramble for cash, he crosses paths with Divya (Ssara Palekar), a runaway child from a wealthy background who mistakes him for a master magician and seeks his help. Realising she could be his ticket out of debt, Soori agrees to tag along, setting off a quirky journey that unravels her true motives and tests his own conscience.

Plus Points:

Fahadh Faasil has repeatedly proved his mettle across hard-hitting dramas, lighthearted rom-coms, and edge-of-the-seat thrillers. Stepping into a full-fledged fantasy comedy is a refreshing departure for him, and his commitment shows in every frame. His comic timing, expressive face, and sincere Telugu dialogue delivery elevate even the ordinary sequences.

Child artist Ssara Palekar delivers an endearing performance and matches Fahadh step for step in her Telugu debut. Her natural innocence brings warm humour, while her sudden fiery reactions create genuine, fun surprises. The inclusion of a lively beagle adds visual charm and warmth to their road adventure. Most combination scenes featuring this trio turn out to be the film’s most entertaining portions.

Mahesh Manjrekar has limited screen time, yet his seasoned presence gives weight to his brief appearances. Casting Saurabh Sachdeva in an unconventional character part also sparks interest whenever he takes the screen. The rest of the supporting cast perform adequately within the boundaries of their respective roles.

Minus Points:

Any fantasy adventure driven by a child protagonist must anchor itself in a strong emotional foundation. Unfortunately, the promotional trailers already revealed the crux of the plot, leaving very little novelty for the audience in the cinema hall. While a few standalone moments work well, the overarching screenplay struggles to sustain genuine interest.

The emotional core intended for the climax has sincerity, but it arrives only after the film severely tests the audience’s patience. Because the central conflict is paper-thin, the narrative becomes predictable far too early. Consequently, the dramatic tension dips significantly right when the narrative should be picking up speed.

An uninspired police inquiry track derails the momentum in the second half, which is already weighed down by repetitive gags and noticeable logical slips. Key supporting figures are also underutilised, depriving the central journey of meaningful dramatic friction. These narrative shortcomings prevent the comedy from reaching its true potential.

Technical Aspects:

Debutant director Shashank Yeleti shows ambition, but his execution alongside Hamza Ali’s writing leaves ample room for improvement. The whimsical, fairy-tale charm that might have seemed delightful on paper does not translate effectively onto the screen. Cinematographer Brad Francis ACS provides visuals that capture the urban setting decently.

Kaala Bhairava’s background score injects much-needed energy and keeps the lighter portions afloat. On the other hand, Praveen Antony’s editing could have been considerably crisper, as several dragging sequences should have been left on the cutting floor. The production values across the board remain standard and respectable.

Verdict:

On the whole, Don’t Trouble the Trouble is a fantasy comedy that works only in bits and pieces. Fahadh Faasil shoulders the film with immense effort, and young Ssara Palekar makes a delightful impression. However, a dragging second half, predictable writing, and weak emotional stakes pull the film down significantly. Children will likely enjoy the lighthearted magical premise, but adult viewers will find it interesting only in a few select pieces. Keep your expectations well within limits before planning a watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Hi

Release Date : August 28, 2026
123telugu.com Rating : 2.25/5
Starring : Nayanthara, Kavin, Bhagyaraj, Radhika Sarathkumar and Others
Director : Vishnu Edavan
Producers : Vignesh Shivan, Nayanthara, SS Lalit Kumar
Music Director : Jen Martin
Cinematographer : Rajesh Shukla
Editor : Philomin Raj

Related Links : Trailer

Hi is the latest Tamil film of Nayanthara, who has doubled up as the actress and producer. Kavin shares the screen with her in the film, which was released today in both Tamil and Telugu. Here is the review to know how it fares.

Story:

Subrahmanyam (Kavin), a gentle and timid young man from Rajahmundry, has faced rejection from girls at every stage of his life. When his parents arrange his marriage, he decides to run away from home. Meanwhile, Devasena (Nayanthara), a brave and determined woman from Bhimavaram, escapes from an arranged marriage she never wanted. Their paths cross in Hyderabad, and what unfolds between them forms the crux of the story.

Plus Points:

Nayanthara, following her outing in Toxic, appears in a familiar role and does her best to deliver what the film demands. Kavin, who is quite different from her in terms of his character, also puts in a decent performance.

The lead pair looks okay together, and a few of their scenes work to an extent. Apart from the lead actors, the late legend Bhagyaraj makes an impression in his limited screen time. A few comedy scenes work here and there, while the music remains one of the better aspects of the film.

Minus Points:

The rom-com offers nothing particularly new, as the story closely resembles several movies that audiences have seen before. Even with a predictable plot, the story could have been handled more effectively with better writing and execution.

The film loses steam in the second half. Although there are a few gags, the narrative feels stretched in several places. What could have been a better romantic drama falls short because of the weak writing.

Even veterans like Radhika Sarathkumar, Prabhu, and VTV Ganesh have no substantial roles and are largely underutilised. The runtime feels lengthy for a familiar story like this, making it another drawback.

Technical Aspects:

Vishnu Edavan fails to make Hi an engaging watch. He could have done a better job with his directorial debut. He could have handled the story more effectively with a more engaging screenplay. If the scenes involving the lead pair had been written and presented better, the film could have at least been a passable watch.

The cinematography by Rajesh Shukla and Leon Britto is just about adequate, while Jen Martin’s music is a satisfactory aspect. Editing by Philomin Raj needed sharper editing, as several scenes could have been cut to maintain a better pace. The production values are decent, and the Telugu dubbing is fine.

Verdict:

On the whole, Hi offers a very predictable and outdated romantic drama with decent performances from Nayanthara and Kavin. A few comedy scenes work, but the notable supporting actors are largely underutilised. The film fails to make the most of its genre and does not create the intended emotional impact. Overall, Hi is not a film to add to your watchlist, and you can look for better alternatives.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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