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Mr. Work From Home

Mr. Work From Home

Movie Name : Mr. Work From Home

Release Date : May 15, 2026
123telugu.com Rating : 2/5
Starring : Trigun, Payal Radhakrishna, Anish Kuruvilla, Satya Krishnan, Harshavardhan, Shivaji Raja, Venu Yeldandi
Director : Madhudeep Chelikaani
Producer : Arvind Mandem
Music Director : Arun Chiluveru
Cinematographer : Ravi Kumar.V
Editor : Kotagiri Venkateshwararao

Related Links : Trailer

Trigun and Payal Radhakrishna teamed up for an emotional family drama titled Mr. Work From Home. The film hit the screens today. Let’s see how it is.

Story:

Aravind (Trigun) firmly believes that managing life entirely through a “work from home” setup is the true mark of success. His routine gets a major shake-up when Mahi (Payal Radhakrishna) enters his life. Soon, Aravind’s work-from-home lifestyle triggers unexpected challenges regarding his family relationships and personal beliefs. How do things change for him after marriage? What exactly causes the friction between Aravind and Mahi, and where does his life end up? The rest of the movie answers these questions.

Plus Points:

The film manages to get a few family and romantic emotions right. The scenes leading up to the interval are decent and hold a bit of promise.

Trigun fits his role well, maintaining good looks and a suitable physique for the character of a home-bound professional. Payal Radhakrishna also delivers a neat performance as the female lead. The supporting cast, including Anish Kuruvilla, Satya Krishnan, Harshavardhan, and Shivaji Raja, does justice to their respective roles.

Minus Points:

The biggest issue with Mr. Work From Home is its incredibly slow screenplay, which fails to keep us engaged. The core conflict lacks depth, making it hard to connect with the main characters despite good performances. Additionally, the hero’s character arc feels poorly written and flat.

It’s highly doubtful that today’s generation will show interest in such a routine, old-school emotional drama. The story simply lacks freshness. While the director handles a few scenes decently, he completely ignores the heavy lag that plagues the narrative.

The lack of novelty, a dragged second half, and too many unnecessary scenes heavily dilute the plot. Even with a few okay comedy and romantic bits scattered around, the movie completely misses out on holding the attention as a whole.

Technical Aspects:

The core emotional idea is okay, but the execution is highly uninteresting. Prakash Cherukuri’s music is strictly average and doesn’t add much value. However, the cinematography by Ravi Kumar V stands out, capturing the natural visuals and indoor setups beautifully. The editing is fine, though the pacing needed a much tighter trim. Producer Aravind Mandem ensures good production values, making the film look visually pleasing despite its flaws.

Verdict:

Overall, Mr. Work From Home is a slow, predictable, and old-school emotional family drama. With a dragged-out narrative, uninteresting elements in the second half, and lack of depth in the core conflict, the movie becomes a tiresome watch. You can safely skip this one.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team

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Movie Name : Razor

Release Date : May 08, 2026
123telugu.com Rating : 2.5/5
Starring : Ravi Babu, Tanish, Inaya Sultana, Baby Tejal Vikhyathi, Banerjee, Veeranna Chowdary, Ramaraju and others.
Director : Ravi Babu
Producers : Ravi Babu, Daggubati Suresh Babu
Music Director : Rajesh S S
Cinematographer : Bhalla Satyanarayana
Editor :  Rithvik Thammareddy
Related Links : Trailer

Ravi Babu is well-known as one of Tollywood’s most creative and underrated directors. Stepping away from his usual genres, his latest theatrical release is an action-packed film titled Razor. Let’s see if this movie helps him bounce back.

Story:

Home Minister Kanakaraju (Veeranna Chowdary) demands the Chief Minister’s seat from the current CM, Sitaramayya (Ramaraju). When Sitaramayya refuses, Kanakaraju and his sons assassinate him. A CCTV business owner named Vishnu (Tanish) accidentally gets hold of the murder footage. Because of this, Vishnu’s young daughter, Teju (Baby Tejal Vikhyathi), gets dragged into a deadly trap. Enter Rudra Pratap (Ravi Babu), a mobile pet groomer, who steps in as the little girl’s savior. Who exactly is Rudra Pratap? What is his dark past, and how does he stop the Home Minister? You have to watch the movie to find out.

Plus Points:

Ravi Babu’s action avatar is the biggest highlight of the film. His dynamic personality perfectly fits the heavy action sequences, and his hard work is clearly visible on screen. The gritty car shed fight sequence stands out as a major high point. He also surprises everyone with his emotional performance, especially during a hard-hitting family flashback in the second half.

The first half maintains a solid pace, blending intense action with an interesting mind game. Baby Tejal Vikhyathi delivers a wonderful performance, carrying the emotional weight of the film with her expressive face. Veeranna Chowdary, Tanish, and the rest of the supporting cast do a decent job in their respective roles.

Minus Points:

Despite a fast-paced start, the screenplay quickly falls into a highly predictable, routine format. Within the first few minutes, you can easily guess exactly where the story is heading.

The film suffers from glaring logical errors. For instance, a missing child creates a state-wide sensation, yet the police remain entirely clueless. Hiding crucial video evidence inside a child’s toy also feels incredibly outdated for a modern thriller.

After a somewhat engaging first half, the second half becomes noticeably dull. The energy of the action sequences drops, and the pacing drags. Furthermore, Ravi Babu’s dialogue delivery feels repetitive at times. During a serious gang meeting scene, his delivery style makes a tense moment feel unintentionally funny. Additionally, the heavy violence might make family audiences uncomfortable.

Technical Aspects:

The production values are decent, and the overall production design looks fine. However, the visual effects look weak in several frames. Rajesh SS provides a passable background score, though a few moments sound genuinely good. Bhalla Satyanarayana’s camerawork and Rithvik Thammareddy’s editing are adequate.

Coming to director Ravi Babu, this is a brave action attempt compared to his usual comedy and horror flicks. He designed his signature scenes well, but he severely compromised on logic. Satyanand’s screenplay works initially but loses steam entirely in the second half.

Verdict:

On the whole, Razor is an action-heavy drama that ends up as a below-average watch. Ravi Babu shines with his physical presence and stunts, but a highly predictable plot, major logical errors, and a sluggish second half pull the film down. It has very few Ravi Babu-mark scenes, and hence, audiences should keep their expectations very low if they plan to give it a try.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team 

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Thimmarajupalli TV Review

Movie Name : Thimmarajupalli TV

Release Date : April 17, 2026
123telugu.com Rating : 2.75/5
Starring : Sai Tej, Vedha Jalandharr, Pradeep Kotte, Swathi Karimireddy, Amma Ramesh, Satyanarayana, Lathish
Director : V. Muniraju
Producer : Kiran Abbavaraam
Music Director : Vamsikanth Rekhana
Cinematographer : Akshay Ram Podishetti
Editor :  V. Muniraju

Related Links : Trailer

Thimmarajupalli TV is a Telugu period drama produced by Kiran Abbavaram. Featuring debutants Sai Tej and Veda Jalandhar in the lead roles, the film arrives with a nostalgic premise set in a rural backdrop. Here’s how it fares.

Story:

Set in 1996 in the village of Thimmarajupalli, Satish (Sai Tej), a petty thief, is in love with Sharada (Veda Jalandhar). Every Maha Shivaratri, he arranges a television for the villagers, turning the occasion into a shared celebration. Meanwhile, village head Ramachandrayya (Amma Ramesh) dreams of being the first to own a TV, but Rajappa (Kotte Pradeep) beats him to it. What starts as a matter of pride soon turns into a burden, as Rajappa’s house becomes a constant gathering spot for the entire village. The situation escalates when a clash erupts between Satish and Rajappa, and the very next day, Rajappa’s TV goes missing, putting the blame on Satish. With the village council giving him two weeks to prove his innocence, Satish sets out to find the truth behind the missing TV, which forms the crux of the story.

Plus Points:

The film’s strongest aspect is its nostalgic premise. The idea of a single television bringing an entire village together is both relatable and interesting, and the film captures this innocence with sincerity. The reactions of villagers experiencing television for the first time feel organic.

Sai Tej puts in a sincere effort and manages to hold his part, especially in emotional scenes. Pradeep Kotte gets a more layered role and delivers a controlled performance that adds weight to the narrative. The supporting cast blends well into the setting and helps maintain the film’s grounded tone.

There are moments, particularly involving the mother-son relationship and the communal viewing scenes, that land effectively. These portions reflect the film’s potential and offer glimpses of emotional depth. The background score supports such scenes without becoming overpowering.

Minus Points:

Despite a promising setup, the film struggles with consistency. The narration frequently loses grip due to loosely written and unnecessary stretches that dilute the core conflict. This issue becomes more prominent in the second half, where the story demands urgency but moves at an uneven pace.

While the film introduces multiple characters, most of them remain underwritten. As a result, the performances, though sincere, do not translate into memorable moments.

The love story between the leads lacks depth and fails to create a strong emotional pull. Similarly, the exploration of village dynamics such as ego clashes, jealousy, and social tensions feels surface-level, limiting the overall impact of the drama.

Technical Aspects:

Director V. Muniraju chooses a rooted and interesting concept but does not fully capitalise on it due to an inconsistent screenplay. A tighter narrative structure and better scene transitions could have significantly improved engagement.

Vansikanth Rekhana’s music complements the film in key moments, particularly in emotional stretches. Akshay Ram Podishetti’s cinematography effectively captures the rural setting and enhances the nostalgic atmosphere. The production values are neat, and the art department does a commendable job in recreating the period setting authentically.

Verdict:

On the whole, Thimmarajupalli TV has a nostalgic core and a premise that holds genuine appeal, but uneven storytelling holds it back from reaching its full potential. While a few emotional and village-centric moments work well, the lack of narrative tightness and depth makes the experience inconsistent. It ends up as a partially entertaining watch rather than a truly engaging rural drama. Keeping expectations in check will help in appreciating its better moments.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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