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Mahasakthi Review

Mahasakthi Review

Movie Name : Mahasakthi

Release Date : November 6, 2026
123telugu.com Rating : 2/5
Starring : Nayanthara, Duniya Vijay, Regina Cassandra, Urvashi, Yogi Babu, Garuda Ram and Others
Director : Sundar C
Producer : Ishari K Ganesh
Music Director : Hiphop Tamizha
Cinematographer : Gopi Amarnath
Editor : Fenny Oliver

Related Links : Trailer

Mookuthi Amman 2 (Mahasakthi), the spiritual sequel to Nayanthara’s Mookuthi Amman has now arrived in theatres. While RJ Balaji directed the first film, the second installment is helmed by Sundar C. Let’s see how the movie is.

Story :

Sakthi (Nayanthara) is a cop who lives with her adopted mother, Balamma (Urvashi). Sakthi keeps getting bizarre dreams in which a few people constantly ask her to visit Mylanchi. She keeps wondering why she is having these nightmares. This is when an opportunity knocks on her door, with Sakthi opting for a voluntary transfer to Mylanchi. Little does she know that the evil force Bhairi (Regena Cassandrra) is waiting for her there. The rest of the movie is all about the battle between Sakthi and Bhairi.

Plus Points :

Initially, the movie draws attention with moments revolving around the protagonist’s bizarre dreams. The incarnation theme involving a village deity is an interesting idea on paper.

Nayanthara is fine as Sakthi, but there isn’t much scope for her to stand out. A couple of elevations work decently. Regena Cassandrra does well as the antagonist and gets meaty screen time.

Minus Points :

The makers boasted that Mookuthi Amman 2 was made on a whopping three-digit budget, but the visuals are a far cry from their claims. The VFX work is terrible, to say the least, leaving an eyesore. The problem is that the movie is filled with cheap CGI throughout, making it difficult to look past the shoddy visuals.

Also, AI has been used considerably, and the forest sequences seem artificial throughout. Even if we keep the visual effects aside, the narrative remains largely boring and dull. The screenplay choices are heavily outdated.

The second half is completely unbearable. The war sequences in this hour are poorly executed. The interesting theme is also reduced to a routine fare towards the end. The cameos of veteran actresses don’t work either.

To make matters worse, there is an irritating and lengthy comedy sequence featuring Yogi Babu in the second half. The background score is unnecessarily loud. Duniya Vijay, Sunil, and Ramachandra Raju are wasted in their roles.

Technical Aspects :

Hiphop Tamizha’s songs and background score are weak, and the cinematography by Gopi Amarnath isn’t any better. Even with a runtime of under two and a half hours, the movie feels excessively long, leaving a lot to be desired in terms of editing.

The screenplay by Venkatt Raghavan is unexciting, and the direction by Sundar C is ineffective. Sundar C’s films usually offer decent entertainment even with clichés, but that is also missing here.

Verdict :

On the whole, Mahasakthi is an outdated and boring devotional fantasy drama that suffers from poor execution despite an interesting theme. The sloppy visuals, horrendous VFX, and unbearable second half make it an extremely poor fare. You can skip this film.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team

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Movie Name : Hi

Release Date : August 28, 2026
123telugu.com Rating : 2.25/5
Starring : Nayanthara, Kavin, Bhagyaraj, Radhika Sarathkumar and Others
Director : Vishnu Edavan
Producers : Vignesh Shivan, Nayanthara, SS Lalit Kumar
Music Director : Jen Martin
Cinematographer : Rajesh Shukla
Editor : Philomin Raj

Related Links : Trailer

Hi is the latest Tamil film of Nayanthara, who has doubled up as the actress and producer. Kavin shares the screen with her in the film, which was released today in both Tamil and Telugu. Here is the review to know how it fares.

Story:

Subrahmanyam (Kavin), a gentle and timid young man from Rajahmundry, has faced rejection from girls at every stage of his life. When his parents arrange his marriage, he decides to run away from home. Meanwhile, Devasena (Nayanthara), a brave and determined woman from Bhimavaram, escapes from an arranged marriage she never wanted. Their paths cross in Hyderabad, and what unfolds between them forms the crux of the story.

Plus Points:

Nayanthara, following her outing in Toxic, appears in a familiar role and does her best to deliver what the film demands. Kavin, who is quite different from her in terms of his character, also puts in a decent performance.

The lead pair looks okay together, and a few of their scenes work to an extent. Apart from the lead actors, the late legend Bhagyaraj makes an impression in his limited screen time. A few comedy scenes work here and there, while the music remains one of the better aspects of the film.

Minus Points:

The rom-com offers nothing particularly new, as the story closely resembles several movies that audiences have seen before. Even with a predictable plot, the story could have been handled more effectively with better writing and execution.

The film loses steam in the second half. Although there are a few gags, the narrative feels stretched in several places. What could have been a better romantic drama falls short because of the weak writing.

Even veterans like Radhika Sarathkumar, Prabhu, and VTV Ganesh have no substantial roles and are largely underutilised. The runtime feels lengthy for a familiar story like this, making it another drawback.

Technical Aspects:

Vishnu Edavan fails to make Hi an engaging watch. He could have done a better job with his directorial debut. He could have handled the story more effectively with a more engaging screenplay. If the scenes involving the lead pair had been written and presented better, the film could have at least been a passable watch.

The cinematography by Rajesh Shukla and Leon Britto is just about adequate, while Jen Martin’s music is a satisfactory aspect. Editing by Philomin Raj needed sharper editing, as several scenes could have been cut to maintain a better pace. The production values are decent, and the Telugu dubbing is fine.

Verdict:

On the whole, Hi offers a very predictable and outdated romantic drama with decent performances from Nayanthara and Kavin. A few comedy scenes work, but the notable supporting actors are largely underutilised. The film fails to make the most of its genre and does not create the intended emotional impact. Overall, Hi is not a film to add to your watchlist, and you can look for better alternatives.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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Toxic Review

Toxic Review

Movie Name : Toxic: A Fairy Tale for Grown-ups

Release Date : August 26, 2026

123telugu.com Rating : 2.5/5

Starring : Yash, Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, Huma Qureshi and Others
Director : Geetu Mohandas
Producers : Venkat K. Narayana and Yash
Music Directors : Ravi Basrur, Vishal Mishra, and Others
Cinematographer : Rajeev Ravi
Editor : Ujwal Kulkarni

Related Links : Trailer

Toxic marks Rocking Star Yash’s big-screen return after four years, following KGF 2. Directed by Geetu Mohandas, the film arrived amid massive expectations and strong advance bookings. Whether it lives up to the hype is what this review explores.

Story:

Set in Goa in 1947, Raya (Yash) continues to dominate the illegal trade alongside his sister Ganga (Nayanthara), working for Salvador. Salvador gets his daughter Rebecca (Tara Sutaria) married to Raya. However, Raya falls in love with Nadia (Kiara Advani), a circus performer, and has a child with her. Circumstances eventually force him to leave Nadia. Later, unexpected events unfold, bringing Raya face-to-face with his son, Ticket (Yash). What happens next forms the crux of the story.

Plus Points:

Expectations are naturally high for Toxic, given that it is Yash’s next film after a string of major successes. As expected, the team has created enormous hype around the movie, and that itself is a big win.

Coming to the film, Yash carries the same swag and style that he displayed in the KGF franchise. His screen presence remains strong, and his dialogue delivery follows a similar tone. However, his other role, Ticket, is different in terms of looks and performance. It is interesting to see Yash explore another side of his performance, and he pulls it off well.

Among the five female leads, Kiara Advani gets one of the more substantial roles to perform. Her eyes speak more than her words, and her scenes with Yash work better than most of the film’s emotional portions. She carries the character well.

Huma Qureshi is adequate in her role, though more could have been explored through her character. Nayanthara, too, delivers a restrained performance. Her character has depth, but the writing could have elevated her role further.

Minus Points:

The biggest problem with Toxic is its story and screenplay. The basic story is quite simple, which is not necessarily a problem by itself, but the makers stretch it across 194 minutes without providing enough narrative or emotional development to justify the runtime.

If a scene is going to be stretched, it should have a purpose, whether it is world-building, character development or emotional progression. Unfortunately, Toxic often prolongs scenes without achieving any of these. The first half spends considerable time on violence, intimacy and preachy dialogues, while the actual story barely moves forward. The second half fares no better, with several prolonged episodes that severely test the audience’s patience. In the process, the message and the twist Geetu Mohandas intends to convey get diluted – and eventually lose much of their impact.

The film is undoubtedly stylish, but its visual grandeur repeatedly comes at the expense of substance. At times, you can also spot parallels with a few major films. There are glimpses of interesting ideas, but they are not developed strongly enough to leave a lasting impact.

The star cast is huge, but only a handful of actors get meaningful material. Nayanthara once again delivers a restrained performance, and her character has depth, but she could have been utilized better. Rukmini Vasanth has very little to contribute, while Tara Sutaria also has limited scope. Sudheev Nair gets a role, but even his character could have been utilised better. The rest of the ensemble barely makes an impact. It feels like a waste of such a large and talented cast.

The dialogues sound preachy and unnecessary for much of the runtime. Instead of allowing the characters and situations to speak for themselves, the writing often spells things out.

The film is also packed with violence and intimacy, but their excessive use doesn’t always add value to the narrative. More importantly, the face-offs between Raya and Ticket fail to develop the emotional weight expected from a father-son conflict. Considering that Yash plays both characters, this relationship had the potential to become one of the film’s biggest strengths, but the writing never gives it enough depth.

Technical Aspects:

Geetu Mohandas attempts to tell a story on a massive canvas, and the ambition is clearly visible. However, the direction needed a firmer hand. The inclusion of excessive violence and several scenes that add little to the story ultimately hurt the film’s pacing and impact.

Music by Ravi Basrur and others feels like heavy metal being played right next to your head. The background score is excessively loud in several places, while the characters often seem to scream as though they are miles apart. The songs are also not particularly impressive. Rajeev Ravi’s cinematography is satisfactory and complements the film’s grand scale. The production design and visuals are among the film’s stronger aspects.

Ujwal Kulkarni’s editing is uneven. At certain places, the editing works well, while at others, the film desperately needed tighter cuts. The prolonged sequences contribute heavily to the feeling that the 194-minute runtime is far longer than necessary.

The production values are fine, and the makers clearly haven’t held back in terms of scale. The massive sets, lavish houses, action sequences and overall production design look rich and grand, reflecting the effort and money invested in the film. Unfortunately, the visual grandeur cannot compensate for the weaknesses in the writing.

Verdict:

On the whole, Toxic is not even the fairy tale for grown-ups it promises to be. Yash does his part and remains the film’s biggest strength, but the simple story is stretched far beyond what it can sustain. The emotional impact is diluted by excessive violence, intimate scenes and prolonged sequences, while the preachy dialogues become tiresome. Several characters and their arcs are underdeveloped, weakening the intended impact, and the father-son conflict never gains the emotional depth needed to make their relationship compelling. Toxic looks stylish and expensive, but beneath all the spectacle lies a screenplay too thin to justify its 194-minute runtime. Yash fans and a section of action-film lovers may find it appealing, but the rest can look for better alternatives.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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