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Vanda-Devullu-Review

Vanda-Devullu-Review

Movie Name : Vanda Devullu

Release Date : June 19, 2026
123telugu.com Rating : 2.75/5
Starring : Vijay Antony, Swasika, Ajay Dhishan, Lijomol Jose, Karunaas, Sakthi, Kavya Anil
Director : Sasi
Producer : Meera Vijay Antony
Music Director : Balaji Sriram
Cinematographer : Viji Satheesh
Editor : Harish Yuvaraj

Related Links : Trailer

Vanda Devullu (Nooru Saami) marks the reunion of Bichagadu (Pichaikkaran) actor Vijay Antony and director Sasi. Their previous collaboration earned appreciation from audiences, creating a fair amount of curiosity around this film. With the movie hitting theatres today, let’s find out whether it lives up to the expectations.

Story:

Vaasavi (Swasika) is a middle-aged single mother raising her two sons, Baskar (Ajay Dhishan) and Vivek (Sakthi). As the sole breadwinner of the family, she shoulders every responsibility on her own. At one stage in her life, she wishes to remarry and start afresh. However, Baskar strongly opposes the idea, believing that marriage at her age would be inappropriate and socially unacceptable. Years later, Baskar undergoes a change of heart and realises that his mother deserves companionship and happiness. He begins encouraging her to remarry, but by then, Vaasavi herself is unwilling to take that step. This emotional conflict becomes the foundation of the story. Will she eventually agree to remarry, or will she spend the rest of her life alone? How do the villagers react when they learn about the situation? What is the response from her relatives? And how is Yedu Kondalu (Vijay Antony) connected to these developments? The film answers these questions as the narrative unfolds.

Plus Points:

Swasika delivers a remarkable performance and proves to be the film’s biggest strength. At first, one may wonder why she chose to portray a character much older than her real age. However, as the story progresses, it becomes evident why she accepted the role. The character is emotionally demanding and carries the weight of the entire narrative. Swasika embraces the challenge wholeheartedly and delivers a performance filled with conviction, maturity, and emotional depth. Her expressions, body language, and dialogue delivery elevate several scenes.

The film’s central premise is engaging. While the concept itself is not entirely new, the fact that it is inspired by a real-life incident involving a mother from a conservative village adds authenticity and emotional weight. Director Sasi presents the struggles faced by Vaasavi and the reactions of her relatives in a realistic manner. Many situations feel genuine because they mirror how people in similar circumstances might actually behave.

Ajay Dhishan performs adequately in his role and does what is required. Vijay Antony enters the narrative in the latter half and brings noticeable energy to the proceedings. His scenes with Swasika are among the film’s highlights and contribute significantly to the emotional impact. The second half, in particular, succeeds in keeping the audience invested, as the film effectively builds curiosity about how Vaasavi’s journey will ultimately conclude.

Minus Points:

The biggest drawback of Vanda Devullu is its sluggish first half. The narrative repeatedly circles around the same emotional conflict between the mother and her sons, making the proceedings feel repetitive. Instead of creating anticipation about where the story is heading, several scenes give the impression that the film is moving in circles. As a result, the audience is left waiting for the story to progress meaningfully before the interval.

The drama also needed stronger writing. Given the emotional potential of the subject, the film could have explored the conflicts with greater intensity and generated stronger emotional stakes. While the core idea is compelling, the screenplay often settles for a surface-level treatment instead of extracting maximum impact from crucial moments.

Another issue is the underutilisation of several supporting characters. The film introduces multiple characters who appear important initially but ultimately have very little influence on the narrative. Better usage of these roles could have added more depth to the story.

A number of scenes in the first half and a few in the second half feel stretched beyond necessity. Tighter narration and sharper editing would have significantly improved the overall pace. Additionally, the frequent insertion of comedy during emotionally charged moments weakens the dramatic impact. This tonal inconsistency affects several scenes that could have otherwise landed with greater effectiveness.

Technical Aspects:

Director Sasi deserves credit for handling the emotional core of the story with sincerity. His strength lies in portraying human relationships and social realities with authenticity. However, the screenplay lacks the urgency required to keep the audience consistently engaged, especially during the first half. Stronger writing and a more focused narrative could have elevated the film considerably.

Darshan Kirlosh’s cinematography effectively captures the rural setting and lends authenticity to the proceedings. The village atmosphere feels natural and believable throughout. Harish Yuvaraj’s editing is one of the weaker aspects of the film, as several sequences could have been trimmed for better impact. Balaji Sriram’s music serves the narrative reasonably well, though portions of the background score occasionally evoke a sense of familiarity. The Telugu dubbing is decent and blends well with the narrative. Bhashyasree’s Telugu dialogues are sharp and suit the emotional nature of the story.

Verdict:

the whole, Vanda Devullu works to an extent, thanks to its emotionally driven storyline and Swasika’s outstanding performance. She is the film’s biggest strength, while the second half delivers several engaging moments and emotional payoffs, with Vijay Antony adding value through his presence. However, a slow and repetitive first half, underutilised supporting characters, and an uneven screenplay hold the film back from reaching its full potential. Despite these flaws, its strong emotional core and realistic portrayal of a sensitive subject make it just a passable watch for fans of character-driven dramas.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Mareechika Review

Movie Name : Mareechika

Release Date : May 29, 2026
123telugu.com Rating : 2.25/5
Starring : Viraj Ashwin, Regena Cassandrra, Anupama Parameswaran and Others
Director : Satish Kasetty
Producers : Rajiv Chilaka, Meghhaa Chilakka
Music Director : Ilaiyaraaja
Cinematographer : Arvind Kannabiran
Editor : Junaid Siddiqui

Related Links : Trailer

Mareechika, starring Anupama Parameswaran, Regena Cassandrra, and Viraj Ashwin, has hit the big screens today. Let’s see how the film is.

Story:

Venkatalaxmi (Anupama Parameswaran), a college student, adores Sanju a.k.a. Sanjay (Viraj Ashwin) deeply. He is the son of a corporator, but chooses to stand on his own for self-respect and runs a coffee shop. Venkatalaxmi never confesses her feelings for Sanju, and she makes friends with NRI Mareechika (Regena Cassandrra). To Venkatalaxmi’s shock, Mareechika and Sanju get closer and eventually get married. One day, Mareechika kills Sanju, after which Venkatalaxmi approaches the police. Why did Mareechika kill Sanju? Who is she exactly? What happened next? This forms the crux of the story.

Plus Points:

The director’s vision should be appreciated. He intended to deliver a different film without sticking to the routine beats. Mareechika, at the ideation stage, is on the lines of Mahesh Babu’s One: Nenokkadine. The film blends psychological, romantic, and mystery elements.

The interval block and the final act are engaging. Especially, the sequence during the last few minutes involving Ajay Ghosh, Regina, and Anupama came out pretty well. It generates laughs with Ajay Ghosh’s character getting confused (and so do the viewers). Performances by Regina, Anupama, and Viraj Ashwin are neat. Regena is apt as an NRI woman, while Anupama impresses in an innocent role. Viraj Ashwin looked dapper and played his part well.

Minus Points:

Lately, a common issue with most small-budget films is a good idea paired with underwhelming narration. Unfortunately, Maricheeka also falls into the same league. If the narration doesn’t support the intriguing idea, the whole purpose gets lost. The disappointment becomes greater when a film attempts something new but fails to live up to its potential.

The first half moves at a snail’s pace and also tests the viewers’ patience. The first hour is crucial to the latter half in terms of connecting the dots, but the execution could have been way better. The proceedings simply aren’t engaging.

The second half also starts on a dull note, but it gets better as the film reaches its fag end. In the process of untying the knots, the film creates a certain amount of confusion, but it eventually provides answers. The complicated narration, at times, isn’t the actual problem; rather, the police investigation related to the crime is poorly handled. The cops hardly put in any effort to find out what exactly happened, and this ultimately undoes the good idea the film contains.

Technical Aspects:

Music by Ilaiyaraaja is decent, while the background score works effectively in some crucial moments. Aravind Kannabiran’s cinematography is fine, and the production values are satisfactory. The editing could have been sharper.

Lakshmi Bhupala’s story is interesting, but it wasn’t translated compellingly onto the screen. Only a few moments work in this psychological thriller, while the rest of the portions feel bland.

Verdict:

On the whole, Mareechika is a disappointing psychological thriller that gets lost in translation. The story, with its psychological and mystery elements, had enough substance, but the treatment fails to pack a punch. Regina, Anupama, and Viraj Ashwin did well, but the sluggish narration, poorly handled investigation track, and the overall blandness in the proceedings make Mareechika a dull outing.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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Telugu audiences are undoubtedly among the best in the country when it comes to encouraging films. Hyderabad, in particular, stands out in this aspect, as moviegoers here support films irrespective of language or star cast. However, Hyderabad currently doesn’t have a single IMAX screen, which has been disappointing movie buffs for quite some time. Earlier, Prasads Theatre in Hyderabad housed an IMAX screen, but it was later removed due to a few issues.

Here’s a piece of news that is sure to bring an instant smile to movie lovers. Asian Suniel Narang, in an interview, confirmed that an IMAX screen is coming up at one of his properties in Hyderabad. The popular producer added that an official announcement will be made in another four to five days.

For those wondering what IMAX and aspect ratio actually mean, here’s some clarity. IMAX screens display more visual information than regular screens. They offer brighter picture quality and a superior sound experience. The IMAX digital format (1.90:1) provides up to 26% more image area than the standard scope ratio (2.39:1). Meanwhile, IMAX 70mm (1.43:1) offers an even taller and more immersive viewing experience compared to digital IMAX and standard screens.

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