Home Tags Posts tagged with "OTT Review"

OTT Review

Movie Name : Panchanama
Streaming Date : September 11, 2026
Streaming Platform : ZEE5
123telugu.com Rating : 2.25/5
Starring : Bharath Niwas, Shivaji Raja, Medha Reddy, Charan Babu and others
Director : Mohan Srivatsa
Producers : Midde Vijayendra Mouli, Udaya Bhanu
Music Directors : Naresh Kumaran
Cinematographer  : Sandeep Kanth.N
Editor : Srinivas Bainaboyina

Related Links : Trailer

Premisthe fame Bharath Srinivasan makes his Telugu OTT debut with Panchanama, which has Udaya Bhanu, a senior television host as its showrunner. The six-episode series is now streaming on ZEE5. Here’s our review.

Story:

Adhi (Charan Babu) shares a brother-like bond with CI Jairam (Bharath Srinivasan). When Adhi is found dead in his hostel, Jairam takes up the case and begins investigating. But things take a shocking turn when he discovers that Adhi’s fingerprints match those of two other people who are also dead – and all three deaths happened on the same day. How can three dead people have the same fingerprints? Who is behind these mysterious deaths, and what is the motive? Can Jairam crack the case and catch the killer? The series reveals the answers.

Plus Points:

Panchanama gets off to an intriguing start. The fingerprint mystery and the seemingly unrelated deaths immediately raise several questions, leaving viewers to speculate about the connection between the victims. This initial setup creates curiosity and gives the series a promising foundation.

Bharath Srinivasan maintains the seriousness required for the role throughout the series. He fits the part of a police officer well and delivers a satisfactory performance, with a few moments where he manages to make an impression.

Minus Points:

Crime thrillers with a medical backdrop are not new to Telugu audiences. With a familiar premise, the writing and execution need to offer something compelling to keep viewers invested. Unfortunately, this is where Panchanama begins to falter.

The initial mystery raises enough questions, but the screenplay fails to sustain that curiosity. The investigation gradually loses momentum, and the proceedings rarely generate the suspense or tension that a crime thriller of this nature demands. The team attempts to build intrigue, but the weak screenplay repeatedly gets in the way. The emotional layer also fails to make the desired impact.

A crime thriller needs to keep the audience invested as the investigation progresses, and Panchanama struggles to achieve that for most of its runtime. By the time the villain is revealed, the impact is considerably diminished because the story has already lost much of its momentum. The revelation therefore fails to deliver the excitement one would expect from such a crucial moment.

Bharath Srinivasan could have done better. While he maintains the seriousness expected of a police officer, his performance often feels too stiff, with limited emotional variation. The character needed more ease and stronger emotional depth, particularly as the investigation becomes increasingly personal.

The story also introduces several characters and connections as it progresses, making the narrative somewhat difficult to follow at times. The supporting actors have their respective roles, but none of them delivers a standout performance. Once again, the writing limits what the actors can bring to their characters.

Technical Aspects:

Director Mohan Srivatsa fails to turn the promising premise into an engaging crime thriller. The biggest problem lies in the screenplay, which needed to be tighter and more effective in building suspense. With stronger writing and a more focused treatment, the series could have been a much more gripping watch.

Naresh Kumaran’s score feels repetitive in places, while certain gaps in the background score give the impression of an unfinished treatment. Srinivas Bainaboyina’s editing could have been sharper and more precise, particularly in maintaining the pace of the investigation. Sandeep Kanth N’s cinematography is adequate but does not add much to the atmosphere of the thriller. The production values are passable.

Verdict:

On the whole, Panchanama is a disappointing series that starts on an okay note but loses its grip as it progresses. Bharath is okay among the actors, while the screenplay could have been tighter and more engaging. The series has an interesting premise, but the execution doesn’t fully do justice to it. You can look for other options this weekend.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

0 FacebookTwitterWhatsappCopy Link

Movie Name : Babita Singh Reporting
Streaming Date : August 28, 2026
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 3/5
Starring : Nimisha Sajayan, Barun Sobti, Anshuman Pushkar, Rajesh Kumar, Sunita Rajwar, and others
Director : Ambiecka Pandit
Producers : Saurabh Malhotra, Manoj Mittra, Tina Tharwani
Music Directors : Ajay Jayanthi
Cinematographer  : Sunil Ramakrishna Borkar
Editor : Tanya Chhabria

Related Links : Trailer

Babita Singh Reporting is the latest OTT release that has become a talking point ever since it landed on Amazon Prime Video. Directed by Ambiecka Pandit, the film mixes a murder mystery with family drama and has Nimisha Sajayan in the lead role. Read our detailed review to find out if the film lives up to the hype created.

Story :
Babita Singh(Nimisha Sajayan), aka Baby, is a sub-inspector working in the Madhya Pradesh police department. One fine day, Babita returns to her hometown to only find out that her childhood friend, Bansi, is no more. What initially looks like a personal tragedy slowly turns into a brutal murder. As the local police, husband, and in-laws offer little support, Baby begins her own investigation, and how she solves the case is the basic story of the film.

Plus Points :

Nimisha Sajayan is the biggest strength of the film. She plays Baby, who is vulnerable, confused, and determined, so well. Nimisha does not overplay the emotional moments and brings a natural quality to the character. The best part of her performance is the way she has put on weight for her character, and the emotions she generates as a woman who is handling in-laws, a non-supportive husband, and the system. Her act in the climax is just amazing

Barun Sobti has limited screen time but makes his presence count as Bansi. Anshuman Pushkar is effective as Sharad, Baby’s husband, while Sunita Rajwar is particularly good as the mother-in-law. Rajesh Sharma is dependable as SI Sethi and fits comfortably into the world of the film.

The most interesting aspect of Babita Singh Reporting is that the murder investigation is not treated as the only story. The film is equally interested in Baby’s life and the environment surrounding her. The film also deserves credit for not turning her into a typical heroic police officer. She makes mistakes, doubts herself, and has to fight several battles simultaneously. Her professional investigation slowly becomes a personal transformation.

Minus Points :

The familiar nature of the crime-procedural template prevents the film from becoming something truly special. Viewers who regularly watch OTT thrillers may figure out certain developments early. The second half also loses some momentum, with repetitive portions affecting the overall impact.

One of the biggest drawbacks of the film is the climax, which ends on a simple note. When everyone is expecting something big to be revealed about the murder case, things end on a dull note. Several doubts about the case still linger in the minds of the audience. The investigation is not overloaded with twists, and that does not work in favour of the last few minutes.

Technical Aspects :

The cinematography complements the mood, while the background score quietly supports the tension rather than dominating the proceedings. The screenplay moves at a controlled pace for most of the film, allowing the characters and relationships to develop naturally. The major technical drawback is the editing. At around two-and-a-half hours, the film feels longer than necessary. Several scenes could have been shortened or removed without affecting the main story.

Coming to the director Ambiecka Pandit, she keeps the presentation realistic and avoids unnecessary cinematic exaggeration. The film spends enough time establishing Baby’s personal world before fully diving into the murder mystery. The comments about her appearance, especially her weight, the attitude of her in-laws, and the lack of emotional support from her husband are handled well.

Verdict :

On the whole, Babita Singh Reporting is a grounded crime drama that relies more on its characters and performances than sensational twists. Nimisha Sajayan carries the film with a stunning performance, and those who love slow-burn thrillers can give this film a shot, which balances thrills and women’s empowerment.

123telugu.com Rating: 3/5
Reviewed by 123telugu Team 

0 FacebookTwitterWhatsappCopy Link

Movie Name : Ikka
Streaming Date : July 10, 2026
Streaming Platform : Netflix
123telugu.com Rating : 2.75/5

Starring : Sunny Deol, Akshaye Khanna, Dia Mirza , Tillotama Shome
Director : Siddharth P Malhotra
Producers : Sapna Malhotra ,Siddharth P Malhotra
Music Directors : Mithun, Julius Packiam
Cinematographer  : Jishnu Bhattacharjee
Editor : Shweta Venkat

Related Links : Trailer

Several direct-to-OTT films and series have dropped on various streaming platforms this week alongside theatrical releases. Leading digital platform Netflix has now premiered Ikka, a legal thriller featuring big names like Sunny Deol and Akshaye Khanna. Let’s see how the film is.

Story:

Shauryaman Gaur (Akshaye Khanna), the son of a prominent businessman, finds himself entangled in an attempt-to-murder case involving a young woman. The high-profile case threatens his family’s reputation. Desperate for a win, they approach Arjun Mehra (Sunny Deol), a brilliant defense lawyer nicknamed ‘Ikka’ who hasn’t lost a single case yet.

Arjun is known for his strict professional ethics and initially turns down the case due to past friction with Shaurya. However, unexpected circumstances force him to reconsider. Standing opposite him in court is Madhura Banerjee (Tillotama Shome), a small-time lawyer. Why did Arjun initially say no, and what changed his mind? Who actually attacked the girl? The answers to these questions form the crux of the courtroom battle.

Plus Points:

Fans of legal thrillers will find Ikka to be engaging to some extent. The film cuts straight to the chase within the first few minutes without wasting time on unnecessary buildup. As the investigation unfolds, the screenplay picks up well initially, delivering some decent moments and timely twists.

Some verbal duels between the opposing lawyers and their sharp counter-arguments serve as a major strength. The legal drama generated in these scenes is fair. Sunny Deol and Tillotama Shome fit their roles perfectly. Sunny brings a dignified and commanding presence to his character, while Tillotama delivers a highly grounded performance as a middle-class housewife and struggling lawyer. Her portrayal of helplessness in specific court scenes feels remarkably authentic.

After Dhurandhar, Akshaye Khanna delivers a powerful performance here as well, especially during his opening courtroom sequence. The remaining cast members support the narrative well. The real highlight of the film is its climax. The final portions unfold beautifully, revealing smart twists.

Minus Points:

While watching Ikka, one particular aspect becomes glaringly obvious, especially for Telugu cinema lovers. The core storyline heavily resembles Nagarjuna’s version in the movie Kubera. Since Sunny Deol’s character is designed on similar lines within a legal setup, the narrative gives a strong sense of predictability.

Additionally, the film introduces a sensitive plot twist involving the birth of Sunny’s daughter. However, the way it’s handled might make viewers wonder if the makers are trying too hard to normalize such complex social issues.

The pacing also drops in the middle sections, making the narrative feel sluggish at times. Even though it’s a dedicated courtroom drama, the film misses out on intense legal arguments backed by specific law sections, which we usually see in this genre. Including such detailed legal exchanges with sections could have added more authenticity and value alongside the entertainment.

Technical Aspects:

The production values are good, and the makers haven’t compromised on the visual setup required for a legal thriller. The background score and cinematography complement the mood of the film effectively. The editing lacks sharpness. The Telugu dubbing is neat and holds up well.

Director Siddharth P. Malhotra takes a somewhat familiar story written by Altheia Kaushal and peppers the screenplay with some fine moments. His ability to create a few tense situations and extract quality performances from the lead cast works in the film’s favour. However, the film doesn’t rise above the bare minimum, making the overall experience underwhelming.

Verdict:

On the whole, Ikka is just an okayish legal drama that has some decent moments. Strong performances from Sunny Deol, Tillotama Shome, and Akshaye Khanna, combined with some twists, are the film’s primary strengths. On the flip side, a predictable storyline and occasional pacing issues reduce the overall impact.

123telugu.com Rating: 2.75/5
Reviewed by 123telugu Team 

0 FacebookTwitterWhatsappCopy Link
Newer Posts