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Prithviraj Sukumaran

Movie Name : Daayra

Release Date : September 18 , 2026
123telugu.com Rating : 2.5/5
Starring : Prithviraj Sukumaran, Kareena Kapoor Khan, Jitendra Joshi, Kshitee Jog and Others
Director : Meghna Gulzar
Producers : Dhaval Jayantilal Gada
Music Directors : Amit Trivedi
Cinematographer : Saurabh Goswami ISC
Editor : Charu Shree Roy

Related Links : Trailer

Daayra is the latest investigative crime thriller starring Prithviraj Sukumaran and Kareena Kapoor Khan in the lead roles. The film, directed by renowned director Meghna Gulzar, is now out in cinemas. The movie is based on real incidents, and let’s see how it is.

Story:

A gruesome rape takes place, and the incident becomes the topic of discussion. Cops nab the four criminals, but outrage grows among the public demanding instant justice, after which DCP Raman Kumar (Prithviraj Sukumaran) and his team encounter them during the crime scene recreation. DCP Raman creates a narrative that they retaliated only after the criminals attacked them by taking away some of their weapons. Amid huge pressure from the Human Rights Department, a Special Investigation Team (SIT) is formed, and DCP Ajooni Kohli (Kareena Kapoor Khan) heads it. What happens next forms the crux of the story.

Plus Points:

Though the film starts on a slow note, things get interesting after a while. What works well about Daayra is that it creates and maintains a gloomy atmosphere throughout, which suits the serious nature of the story.

The first half works fairly thanks to its interesting moments. The way the cops chase down the criminals and capture them is depicted in a realistic manner. The scene where Kshitee Jog shouts at the cops for their careless attitude is emotionally effective. Prithviraj Sukumaran once again brings his A-game and delivers a stunning act as a cop who has his own interpretation of what justice means.

Minus Points:
Daayra aims to present a moral battle between Prithviraj and Kareena’s characters, distinguishing between instant justice and justice served through the judicial system. Given its premise and the first half, one would naturally expect the latter half to be full of face-off/confrontation moments between the leads, discussing their ideologies. Unfortunately, the movie features just one small moment involving the leads, and that too at the end. The payoff is extremely weak.

It is really disappointing to see the film not explore the subject matter fully, with more conversations around the contrasting opinions surrounding a staged encounter. Interestingly, Prithviraj’s own film Jana Gana Mana, also based on the Hyderabad Disha case, has shown the other side of the coin with more insightful episodes and revelations.

Kareena Kapoor Khan gets less screen time, which is one key reason why the film feels less convincing. Her role should have been designed strongly enough to deliver the intended impact. The whole second half goes around aimlessly and becomes boring too.

Technical Aspects:
The background score by Ketan Sodha is fine, while Saurabh Goswami impresses with his visuals. Some intercuts are neatly done, and the production values are good.

Direction by Meghna Gulzar isn’t at the expected level. Given her body of work, the film feels mediocre and falls well short of satisfactory levels. There aren’t enough combination scenes between Prithviraj and Kareena to fully immerse the audience in the moral battle that the film tries to present. More emphasis was needed on the conflicting nature of the leads.

Verdict:
On the whole, Daayra is an underwhelming film that doesn’t make the most of its intriguing premise and holds back when it needs to deliver. The first half is neatly built with some gripping moments, but just when the movie is expected to make a stronger impact, the second half runs out of steam and offers no significant moments. The ideological differences established between the leads in the first half should have eventually led to a powerful face-off and a strong climax, but Daayra disappoints in this regard.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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I Nobody Review

I Nobody Review

Movie Name : I, Nobody

Release Date : July 10, 2026
123telugu.com Rating : 2.75/5
Starring : Prithviraj Sukumaran, Parvathy Thiruvothu, Hakkim Shahjahan, and other
Director : Nisam Basheer
Producers : Supriya Menon, Mukesh R Mehta, CV Sarathi
Music Director : Jakes Bejoy
Cinematographer : Dinesh Purushothaman
Editor : Ramees Mb

Related Links : Trailer

I, Nobody is the latest Malayalam film starring Prithviraj Sukumaran in the lead role. Directed by Nisam Basheer, the movie also features Parvathy Thiruvothu in another key role. The film releases in Telugu today. Here’s our review to find out how it fares.

Story:

Rajeev (Prithviraj Sukumaran), a government employee, lives with his wife Meera (Parvathy Thiruvothu) and their two daughters. One day, he is taken hostage by three robbers who flee with Rs. 17 crore from a bank but die during their getaway. Soon, the police, his neighbours, colleagues, and everyone aware of the incident become convinced that Rajeev is linked to the heist and knows where the missing money is. Is he really involved in the crime, or is he being framed? What is the truth behind the missing money? The answers unfold in the rest of the film.

Plus Points:

The film conveys a simple yet meaningful message that no amount of money can replace peace of mind and a happy life. While the core idea is not new, the way it is woven into multiple subplots gives I, Nobody a refreshing touch. It also shows how social media shapes public perception and influences people’s behaviour in real life.

Prithviraj Sukumaran once again reminds everyone why he is regarded as one of the finest performers. His restrained performance and subtle expressions, especially during the emotionally intense scenes involving his family, leave a strong impact.

Parvathy Thiruvothu delivers a composed and effective performance, and her scenes with Prithviraj are well executed. Hakkim Shah is decent in his role, while Ashokan walks away with some of the film’s best moments. Aira, as the younger daughter, adds a few light-hearted moments whenever she appears.

Although the first half has its share of decent scenes, the opening portions of the second half are much tighter and keep the narrative moving at a better pace.

Minus Points:

The central premise may not be new, but the multiple subplots help the film stand apart to an extent. However, a thriller like this demands consistently engaging narration, and that is where it falls short despite the strong performances.

The first half progresses at a sluggish pace with several dragged-out scenes. Although the second half starts on a promising note, it gradually loses its grip. The pre-climax, where the Chief Minister enters the picture, feels forced and disconnected from the core narrative. It also raises the question of whether it is really that easy for the Chief Minister to get involved in such an issue, especially when it is not directly related to the bank heist.

The climax leaves the audience more confused than satisfied. Instead of delivering a memorable payoff, the open-ended climax only leaves viewers wondering, “What’s next after all this?”

A tighter screenplay and a shorter runtime would have made the film far more engaging. Several supporting characters also deserved better utilisation. In addition, a few scenes in the first half feel repetitive and could have been trimmed.

Technical Aspects:

Nisam Basheer comes up with an interesting premise and tries to keep the narrative engaging. However, sharper pacing and a more focused screenplay, particularly in the latter half, would have made a noticeable difference.

Dinesh Purushothaman’s cinematography is neat and complements the film’s mood well. Editor Ramees MB could have trimmed the repetitive portions to make the narrative crisper. Jakes Bejoy emerges as one of the film’s biggest strengths with an outstanding background score. His music consistently elevates several crucial scenes. The production values are good, and the action choreography by Nick Ben, Kalai Kingson, and Amith Jolly Bastin deserves appreciation.

The Telugu dubbing is decent. However, the opening and end credits reflect a lack of attention to detail and give the impression that the makers took the audience for granted. Even the signboards could have been translated into Telugu. A little more effort would have made a noticeable difference.

Verdict:

On the whole, I, Nobody is just an okay crime thriller that benefits immensely from Prithviraj Sukumaran’s compelling performance and Jakes Bejoy’s exceptional background score. However, the sluggish and repetitive first half, coupled with an underwhelming pre-climax and a confusing open-ended climax, prevent it from becoming a thoroughly satisfying watch. If you enjoy slow-burn thrillers, this film may appeal to you. However, it is best to keep your expectations in check.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Varanasi

Varanasi

SS Rajamouli, the Tollywood mastermind behind the globally famous Baahubali franchise and RRR, is now busy making Varanasi. Telugu superstar Mahesh Babu is leading the mega-budget movie, which is confirmed to release in theatres worldwide on April 7, 2027.

In one of his interviews with the international media, SS Rajamouli clarified many things about Varanasi, and one of them is the mythology element in the movie.

For those unaware, the movie is a blend of mythology, time-travel concepts, and divinity. The genre-bending movie will have around 25 minutes of mythological portions, said the RRR maker, who is known for blending mythological themes into his films.

Audiences who were already impressed by just the first glimpse of the movie are now waiting to witness the rest on the silver screen. This magnum opus is a joint collaboration between producer KL Narayana and SS Karthikeya, the director’s son.

Priyanka Chopra, Prithviraj Sukumaran, and Prakash Raj are part of the key cast in this biggie, which has Oscar winner MM Keeravaani on board to compose the music. The movie is currently in the production stage and is being filmed entirely for IMAX, offering a massive experience for audiences. More aggressive promotions will roll out soon.

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