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Baahubali The Epic

Baahubali The Epic

When Baahubali: The Epic arrived in theatres, Telugu audiences were among its strongest supporters. Unlike a routine re-release, the film was presented as a reimagined version of the Baahubali saga, bringing together the story of the two blockbuster films in a new format. Fans embraced the experiment and turned up in good numbers to experience the epic in a different way.

Naturally, many expected that enthusiasm to continue when the film made its digital debut. But when Baahubali: The Epic arrived on Netflix, Telugu viewers were met with an unexpected disappointment: the Telugu version was missing.

At first, fans did not make much of it. Language versions often arrive later on streaming platforms, and delays are not uncommon. Many assumed the Telugu version would eventually find its way to OTT.

A few weeks passed.

Then a few months.

Yet there was still no sign of a release.

Now, nearly eight months later, Telugu audiences are still waiting.

Just when fans were beginning to wonder what had happened to the Telugu version, another development made the situation even more puzzling. Baahubali: The Epic expanded beyond India and was released in Japan, where it reportedly found a positive response from audiences. A Japanese Blu-ray release followed and brought with it a surprise that few expected.

The Blu-ray included a Telugu audio track!

Suddenly, the question became impossible to ignore.

If a Telugu version was available for a Japanese home-video release, why was it still unavailable on OTT in its home market?

For most viewers, importing a Blu-ray from Japan is hardly a practical solution. It is expensive, inconvenient, and beyond the reach of the average moviegoer. Yet that became one of the few ways for fans to legally access the Telugu audio version of Baahubali: The Epic.

The prolonged wait has also led to an unfortunate consequence. Enthusiastic fans reportedly began syncing Telugu DTS audio sourced from Blu-ray releases with the video version available online, creating unofficial versions that quickly spread across social media and piracy circles. Ironically, the absence of an official Telugu OTT release may have encouraged the very thing the industry has long tried to combat.

Despite all this, a large section of fans continues to wait for an official release. They want to watch the film legally, in the best possible quality, and on a platform that is easily accessible.

What has frustrated many viewers most is not simply the delay, but the silence surrounding it.

Nearly eight months have passed, yet there has been no public clarification from the makers regarding the Telugu OTT release. Whether the delay is the result of rights issues, platform negotiations, or other complications remains unclear.

The silence feels even more noticeable as attention shifts toward the future of the franchise. The makers are actively developing Baahubali: The Eternal War, an animated feature currently targeted for release in 2027. Fans are excited to see the world of Baahubali expand further, but many also feel that the unanswered questions surrounding Baahubali: The Epic deserve equal attention.

After all, Telugu audiences were instrumental in turning Baahubali into a cultural phenomenon long before it became a global success story.

That is why the question refuses to go away:

If a Telugu audio track can be included on a Japanese Blu-ray release, why is the Telugu OTT version of Baahubali: The Epic still missing after all these months?

More importantly, will the makers finally address the audience that has been waiting patiently for an answer?

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Review: Dulquer Salmaan's Kaantha

Review: Dulquer Salmaan's Kaantha

Movie Name : Kaantha

Release Date : Nov 14, 2025
123telugu.com Rating : 2.75/5
Starring : Dulquer Salmaan, P. Samuthirakani, Bhagyashri Borse, Rana Daggubati and others
Director : Selvamani Selvaraj
Producers : Rana Daggubati, Dulquer Salmaan
Music Director : Jakes Bejoy, Jhanu Chanthar
Cinematographer : Dani Sanchez-Lopez
Editor :  Llewellyn Anthony Gonsalvez

Related Links : Trailer

Kaantha is the latest Tamil film that features Dulquer Salmaan, Samuthirakani, Rana Daggubati, and Bhagyashri Borse in the lead roles. Debutant filmmaker Selvamani Selvaraj directs the film. It has also released in Telugu today along with the Tamil version. Read on to see how it turned out.

Story:

Set in the 1950s, Kaantha follows Ayya (Samuthirakani), a talented director who turns T. K. Mahadevan (Dulquer Salmaan) from an ordinary man into the star known as Nata Chakravarthy. A decade later, their relationship breaks down, yet they reunite for Ayya’s dream project titled Shaantha. Mahadevan’s ego disrupts the process when he changes the title to Kaantha and takes control of the direction. The debut heroine Raja Kumari (Bhagyashri Borse) listens only to Ayya, which increases the tension on the set. Conflicts grow every day, and during the climax shoot, a murder occurs. Who was killed? Who is responsible? Why did the murder happen on the set? Are the actor or the director involved? And what role does Phoenix (Rana Daggubati) play in this story? These questions unfold in the main film.

Plus Points:

Dulquer Salmaan gives a steady and convincing performance as T. K. Mahadevan and brings a controlled intensity to the role. Samuthirakani, as Ayya, maintains a consistently serious tone and his expressions work reasonably well throughout.

The emotional core of the film lies in Bhagyashri Borse’s portrayal of Raja Kumari. She gets good scope to perform, and her naturally expressive presence is a clear advantage. Her scenes with Dulquer and Samuthirakani are handled neatly and form some of the more engaging moments in the film.

Rana Daggubati adds moderate relief with his sarcastic delivery during the film’s serious moments. The supporting cast performs adequately.

A few sequences, such as Dulquer’s mirror-smashing scene, Samuthirakani’s emotional breakdown, and Bhagyashri’s innocence-driven moments, are fairly effective and leave some impact.

Minus Points:

The main drawback of Kaantha is its uneven execution and outdated narrative style. Although the film starts with the tone of an artistic drama, the emotional engagement drops quickly. Several scenes feel repetitive and come across as variations of the same conflict.

The second half turns noticeably sluggish, and the nearly three-hour runtime makes the screenplay issues more apparent. Even though the lead actors deliver competent performances, the slow pacing overshadows much of their work.

Casting choices like Ravindra Vijay and Gayathrie in underdeveloped roles feel misplaced, and Rana’s character becomes slightly exaggerated at certain points.

As the story moves forward, the drama loses impact, and viewers begin waiting for the climax instead of staying connected to the narrative. This reduces the effect of even the stronger performances.

Technical Aspects:

Director Selvamani Selvaraj brings together a capable cast, but the writing and direction do not make full use of their potential. A more focused narrative and stronger emotional layering could have given the film greater depth.

Jakes Bejoy’s background score gives an occasional lift to key scenes. Dani Sanchez Lopez’s cinematography is clean and visually stable. Editing by Llewellyn Anthony Gonsalves needed to be much tighter, especially for a slow-paced narrative. Jhanu Chanthar’s songs are pleasant but not very memorable due to the uneven flow of the screenplay.

Verdict:

On the whole, Kaantha is a somewhat functional crime investigation drama. The performances by Dulquer Salmaan, Bhagyashri Borse, and Samuthirakani are decent, and Rana Daggubati offers some timely relief. However, the flat writing, dull second half, repetitive scenes, and stretched pacing prevent the film from reaching its full potential. If you watch it mainly for the performances, the film works to some extent. If you expect a tight screenplay, strong character arcs, or consistent engagement, the experience might feel underwhelming. It is acceptable as long as expectations remain low.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Kothapallilo Okappudu Movie Review

Movie Name : Kothapallilo Okappudu

Release Date : July 18, 2025
123telugu.com Rating : 2.75/5
Starring : Manoj Chandra, Ravindra Vijay, Monika T, Usha Bonela, Benerjee, Bongu Satti, Phani, Premsagar
Director : Praveena Paruchuri
Producers : Gopalakrishna Paruchuri & Praveena Paruchuri
Music Directors : Mani Sharma, Varun Unni
Cinematographer : Petros Antoniadis
Editor :  Kiran R

Related Links : Trailer

Critically acclaimed C/o Kancharapalem producer Praveena Paruchuri has made her directorial debut with the new Telugu movie Kothapallilo Okappudu. Presented by Rana Daggubati, the village drama was released in theaters today. Here is our review.

Story:

Set in 1997 in the village of Kothapalli, near Paderu, Andhra Pradesh, a greedy financier, Appanna (Ravindra Vijay), is introduced. Ramakrishna (Manoj Chandra) works under him, an easygoing man who loves Savitri (Monika T), a rich girl from the same village. However, a couple of events occur – one of them turns Ramakrishna’s life upside down. What is the other event? What exactly happened in the village? That’s what the story gradually reveals on the big screen.

Plus Points:

The surprise package here is the fine performances from newcomers Manoj Chandra and Usha Bonela, who play Ramakrishna and Aadhi Lakshmi, respectively. Both perform with ease, as if they’re no strangers to the camera. Their dialogue delivery and expressions feel natural and grounded, making their characters feel real.

The most crucial character in the film is Appanna, played by Ravindra Vijay. After a long time, he gets a strong, impactful role and doesn’t miss a beat. He excels every time he appears on screen. Even though his character is mostly absent in the second half, his influence continues in some form and keeps the story moving forward.

Other actors such as Benarji, Prem Sagar, and Praveena Paruchuri herself are given meaningful scenes that contribute to the narrative.

Minus Points:

The entire film is built around one central idea: “We see the world, not as it is, but as we are,” a quote by Anaïs Nin. It’s a great quote, and the story certainly has the potential to explore this idea deeply. Unfortunately, the execution stumbles, and the message doesn’t come through as powerfully as intended.

The first half, which leans into comedy, works reasonably well. But when a major turning point occurs, the tone doesn’t shift with it. Trying to maintain the same light tone even after serious developments undermines the film’s emotional impact, and that’s exactly what happens in Kothapallilo Okappudu.

The lead character eventually voices the seriousness and meaning behind the central quote, but by then, the viewer’s emotional connection has already faded. Some scenes are totally unnecessary to the plot.

The heroine, Savitri, played by Monika T, has very little to contribute to the film, and several of her scenes feel pointless. The inclusion of a recording dance sequence, though reflective of real practices in the region, feels unnatural when performed by the heroine. Expecting her to rehearse and sing for it feels awkward and out of place.

Technical Aspects:

Director Praveena Paruchuri gives it an honest try, but she could have made the film much more effective by conveying the core theme with more clarity and the right emotions at the right time. Had the second half been shaped more thoughtfully, the film might have succeeded more.

Mani Sharma contributes little as the composer of the songs, and Varun Unni’s background score is passable. Petros Antoniadis’s cinematography is decent; he presents the village and its atmosphere naturally and convincingly. Kiran R’s editing needed to be sharper for a more gripping narrative. The production values are okay.

Verdict:

On the whole, Kothapallilo Okappudu is a rural drama that entertains in parts. Ravindra Vijay and Manoj Chandra’s performances are noteworthy, but the film falls short due to its unclear messaging, weak execution in the second half, unnecessary scenes, and underdeveloped characters. If you’re still interested in watching it, make sure to keep your expectations in check.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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