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Newton's 3rd Law

Movie Name : Newton’s 3rd Law

Release Date : July 31, 2026
123telugu.com Rating : 2.5/5
Starring : Sumanth Yarlagadda, Jagapathi Babu, Avasarala Srinivas, Ravi Varma and Others
Director : Rajesh Karna
Producers : Harish Kohirkar
Music Director : Sinjith Yerramilli
Cinematographer : Veda Vyas Gottipati
Editor : Anil Pasala

Related Links : Trailer

Actor Sumanth’s latest film, Newton’s 3rd Law, hits theatres today. Directed by debutant Rajesh Karna, the crime thriller also stars Jagapathi Babu and Srinivas Avasarala in pivotal roles. Here’s our review to find out how it fares.

Story:

Set in 1999 in Hyderabad, Vasu Dev (Sumanth) begins investigating the death of a youngster named Vinay (Trinadh Varma). He soon discovers that it was no accident, but a murder. As the investigation progresses, Vasu uncovers a connection between the deceased and Stephen Mercury (Jagapathi Babu), a ruthless criminal and smuggler. How is a college student connected to the underworld? Who killed Vinay? And what circumstances led to the murder? The answers unfold in the rest of the story.

Plus Points:

The core idea of Newton’s 3rd Law is built around the philosophy that every action has an equal and opposite reaction – a concept that also mirrors the belief in karma. Building a crime investigation thriller around this premise is an interesting choice, and the team deserves appreciation for attempting something concept-driven.

Sumanth fits the role of a serious investigator well and delivers a convincing performance. His character arc is neatly written and contains a subtle twist that works in the film’s favour. While he anchors the narrative, Trinadh Varma, whose character drives the entire story, leaves a good impression with his sincere performance. Given the right opportunities, the young actor has the potential to emerge as a dependable performer.

Shelley N. Kumar is equally impressive as Vinay’s mother. She delivers a natural performance, expressing both grief and restraint with ease. Ravi Varma, Jagapathi Babu and Srinivas Avasarala perform their respective roles effectively despite being confined to limited character arcs.

The opening portions and the climax are among the film’s biggest strengths. Rajesh Karna executes both sequences neatly, ensuring they leave a positive impression.

Minus Points:

A compelling story alone isn’t enough to make an engaging thriller. Even a slow-burn narrative works when the screenplay consistently builds intrigue. Unfortunately, that’s where Newton’s 3rd Law falters. While the premise has genuine potential, the screenplay lacks the grip needed to keep audiences invested.

The investigation often feels stuck in a loop, repeatedly covering familiar ground instead of pushing the narrative forward. As a result, the first hour feels stretched, with the story unfolding in fragments rather than gathering momentum. Frequent flashbacks further interrupt the flow, making the narrative feel repetitive. The second half doesn’t improve matters either. It is weighed down by lengthy conversations that revisit the same points without adding much to the drama.

The supporting characters, too, could have been written with greater depth. Jagapathi Babu gets very little scope to showcase his calibre, and the same applies to Srinivas Avasarala. Though both actors perform well within their limitations, their characters lack the dramatic weight needed to leave a stronger impact. Neha Pathan is okay, but her role also misses the opportunity to surprise.

Although the climax neatly ties together the loose ends and is executed well, the film has already lost much of its momentum by then. Had the narrative been tighter in the initial portions, the overall impact would have been far more effective.

Technical Aspects:

For a debutant, Rajesh Karna deserves appreciation for choosing an interesting concept with good potential. However, the execution falls short of doing complete justice to the idea. A tighter screenplay and sharper narration could have elevated the film into a far more engaging investigative thriller.

Technically, the film is supported by decent cinematography and a neat background score, both of which complement the mood of the narrative. The editing, however, is one of the major drawbacks, as several scenes could have been trimmed to deliver a crisper viewing experience. The production values are adequate.

Verdict:

On the whole, Newton’s 3rd Law has an interesting premise but ends up as a disappointing investigative thriller due to its sluggish screenplay and uneven execution. Sumanth delivers a convincing performance, while Trinadh Varma and Shelley N. Kumar leave a positive impression with their performances. However, the repetitive narration and excessive lags make it difficult to stay invested. With a tighter screenplay and sharper pacing, the film could have delivered a far more compelling experience. As it stands, this turns out to be a tough watch even for fans of investigative thrillers.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

 

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Movie Name : Hrudhayam Murali

Release Date : July 11, 2026
123telugu.com Rating : 3/5
Starring : Atharvaa, Preity Mukhundhan, Kayadu Lohar, Fahadh Faasil, Natty, Thaman S, Niharika NM and Others
Director : Aakash Baskaran
Producers : Aakash Baskaran
Music Director : Thaman S
Cinematographer : Manoj Paramahamsa, CH Sai
Editor : Pradeep E Ragav

Related Links : Trailer

Hrudhayam Murali, starring Atharvaa, Preity Mukhundhan, and Kayadu Lohar in the lead roles, has hit the big screens today (Telugu version). Thaman played a key role. Let’s see how the film is.

Story:

Hrudhay (Atharvaa) is a shy person since his childhood, and because of his reserved nature, he misses out on many relationships as he fails to express his feelings. During his teenage years, he falls deeply in love with Samantha (Preity Mukhundhan) but never confesses his love to her. Later, Aamudha (Kayadu Lohar) enters his life. Although Hrudhay falls for her, he repeats the same mistake. Every woman who enters Hrudhay’s life eventually becomes a part of his memories. How does a person like Hrudhay navigate life? Whom does he finally marry? This forms the crux of the story.

Plus Points:

Atharvaa delivered an impressive performance in Hrudhayam Murali. He nailed both the comedy and emotional moments with ease. Especially, the way he portrayed his character with variations according to different situations is pretty good. His body language is also spot on. Atharvaa’s comic timing during the love track with Preity Mukhundhan is solid.

Kayadu Lohar performed her role to the tee. The actress did a superlative job in the heavy emotional scenes. Natti shines in a crucial role, while Fahadh Faasil’s cameo has turned out to be another asset. His scene with the protagonist came out very well. Thaman is effective as the hero’s friend.

Niharika NM, Rakshana, Dravid Selvan, Angelin, Anju Kurian, Sudhakar, Yashashree, Jonita Gandhi, and the remaining cast did very well in their respective roles. Akash Baskaran’s music, especially the theme, and some of the emotional and romantic moments are adorable. The film also nicely handles aspects like what happens when a reserved person falls in love and how his bonding with the girl evolves.

Minus Points:

The hero’s characterization and the emotional scenes are nicely written, but some aspects aren’t presented strongly. Especially, the screenplay in the second half could have been tighter and more interesting.

The establishment of the love track between Atharvaa and the main female lead could have been much stronger. Some scenes are slow, and the editing could have been better. The colorful visuals are sometimes undermined by a few ineffective moments.

Technical Aspects:

Direction by Akash Baskaran is decent. Though some scenes aren’t highly impressive, the film remains watchable for the most part. The emotions hold the key. Thaman’s background score is good, and so is the cinematography by Manoj Paramahamsa and CH Sai. Many scenes in the film look beautiful on screen. The editing leaves room for improvement. The production values are too good.

Verdict:

On the whole, Hrudhayam Murali is a decent romantic drama that benefits from Atharvaa’s performance, its main theme, and the emotional moments. The climax also clicks, but the narrative is stretched in the second half, and some routine scenes undermine the overall impact to an extent. Having said that, the film can be given a try by those who like rom-coms.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

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Gurram Paapi Reddy Review

Gurram Paapi Reddy Review

Movie Name : Gurram Paapireddy

Release Date : Dec 19, 2025
123telugu.com Rating : 2.75/5
Starring : Naresh Agastya, Faria Abdullah, Yogi Babu and others
Director : Murali Manohar
Producers : Venu Saddi, Amar Bura, Jayakanth
Music Director : Krishna Saurabh Surampalli
Cinematographers : Arjun Raja
Editor :  Karthika Srinivas

Related Links : Trailer

Despite the release of the Hollywood biggie Avatar: Fire And Ash, a Telugu crime comedy film titled “Gurram Papireddy” hit the big screens today. The movie stars Naresh Agastya and Faria Abdullah in the lead roles. Let’s see how the movie is.

Story:

Gurram Papireddy (Naresh Agastya) and Soudamini (Faria Abdullah), along with a three-member gang, Goyyi (Jeevan), Chilipi (Vamsidhar Goud), and Military (Raj Kumar Kasireddy), plan to bring a dead body from Srisailam and exchange it with another corpse at a crematorium in Srinagar Colony. Whose body is it? Why does the lead pair want to swap it?

On the other hand, members of a royal family, Haigreev (John Vijay) and Neelagreev (Pradeep Rudra), target Gurram Papireddy and begin searching for him. Who exactly is Gurram Papireddy? What did he do to them? Why are they after his property? To know the answers, one must watch the film.

Plus Points:

If there’s one element that worked very well in Gurram Papireddy, it definitely has to be comedy. The way the director designed the characters and the comedy tracks built around them generate decent laughs. Especially the fun moments in the initial thirty minutes are neatly presented.

The fun track involving Jeevan stood out from the rest. Though the actor has played similar comedy roles before as well, his portrayal of Goyyi is pretty impressive. Raj Kumar Kasireddy delivers entertainment as Military. The crematorium sequence and the comedy sequence involving Yogi Babu towards the end came out well.

Talented actor Naresh Agastya got a decent role, and he did justice to it. His comedy timing and the way he approached the humor scenes are pretty good. Faria Abdullah does well in her role, balancing glamor and performance. Both lead actors appearing in prosthetic makeup scenes show their dedication levels. Vamsidhar Goud also contributes well to the comedy department. Some twists in the film are decent.

Minus Points:

Though Gurram Papireddy has some entertaining moments and twists, the narrative is heavily dragged. Also, it tests our patience levels at times, and the editing should have been handled way better. The movie starts on a very good note in the first 30 minutes, but post that, it loses steam.

The story isn’t anything new, and it also reminds us of crime-centric entertainers like Bluff Master and Swag. Hence, if people expect anything fresh as far as content is concerned, they will be disappointed.

Additionally, the songs interrupt the flow. One song in the first half and another in the pre-climax could have been totally avoided. This would have made the film tighter. Because of these songs, the movie feels longer than it actually is. Also, the quick and convenient plans made by the lead characters after facing setbacks appear unrealistic and illogical.

Comedians like Yogi Babu and Brahmanandam are grossly underutilized. On the whole, the film has its share of aspects going in its favour, but the boring and dragged portions outweigh them.

Technical Aspects:

The production values are decent, and the budget spent by the makers is clearly visible on screen. The production design is satisfactory. Krishna Saurabh’s music is good, and Arjun Raja’s cinematography is effective. The editing is one aspect that lets down the film heavily. Some of Niranjan Ramireddy’s dialogues work well, especially the fun moments.

Director Murali Manohar handled the comedy tracks effectively, but the core plot remains too simplistic in nature, lacking depth. Emotional moments don’t land as intended, and the dragged narration brings down the film’s overall impact. With sharper editing, this crime comedy could have been more impactful.

Verdict:

On the whole, Gurram Papireddy features a few good comedy scenes backed by solid performances from the cast, but the plot is too simple and lacks depth. The dragged narration and dull moments prevent the movie from offering a satisfactory experience.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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