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Movie Name : Haiwaan

Release Date : 11 September, 2026
123telugu.com Rating : 2.5/5
Starring : Akshay Kumar, Saif Ali Khan, Boman Irani, Shriya Pilgaonkar and Others
Director : Priyadarshan
Producers : Venkat K. Narayana (KVN),Shailaja Desai Fenn
Music Directors : Pritam Chakraborty
Cinematographer : Divakar Mani
Editor : Aiyappan Nair M.S.

Related Links : Trailer

Haiwaan marks the reunion of Akshay Kumar and Saif Ali Khan. Legendary director Priyadarshan directed this flick, and it is the official adaptation of the Malayalam film Oppam (2016). Despite several big names attached to the film, it created less excitement among the audience. Let’s see how the movie is.
Story:

Shyam (Saif Ali Khan) is a visually impaired man who works as a maintenance supervisor at an apartment complex. He shares a good bond with Pradhan (Boman Irani), a retired judge who lives in the same building. Under unexpected circumstances, Judge Pradhan is murdered, and the blame falls on Shyam. Who actually killed the judge? What risks does Shyam take to protect Pradhan’s daughter Nandini? What is Parashuram (Akshay Kumar), the killer’s connection with Pradhan? And why is Shyam determined to protect the little girl? That forms the crux of the story.

Plus Points:

Saif Ali Khan delivers a very mature performance as a visually impaired man. His screen presence stands out as one of the highlights of the film. Akshay Kumar surprises with his ruthless portrayal of the antagonist and a new look.

The second half moves at a faster pace compared to the first half. The cat-and-mouse game between the hero and the villain generates tension at times.

Some thrills suit the mood of the story and keep things moderately engaging. The hero’s efforts to protect the girl are effective. The star hero’s cameo in the climax is also appealing.

Minus Points:

Those who have already watched the Malayalam version or are familiar with the original story may not find much novelty here. Many scenes have been recreated almost exactly as they were in the original.

The film’s opening and first half move at a snail’s pace. The director takes his sweet time to establish Shyam’s character and introduce his backstory. Hence, Haiwaan offers very little in terms of engagement in the initial segments, causing boredom.

Some logical loopholes and the lengthy runtime can be tedious while watching the film. Crime thrillers should be crisp and avoid unnecessary elements. The songs are also unimpressive.

Technical Aspects:

Director Priyadarshan once again showcases his writing prowess. However, he misses his mark when it comes to the direction this time. A story like this deserved better treatment from him. Divakar Mani’s cinematography is good. Music by Preetham and Ralphie Raphael is disappointing. The editing needed more refinement.

Verdict:

On the whole, Haiwaan is a regular suspense crime thriller that falls short despite the Akshay Kumar-Saif Ali Khan-Priyadarshan combination. The basic premise and the performances are fine, but the routine remake format and slow-paced first half work against the film big time. Haiwaan has failed to generate interest among moviegoers, and hence, it will be tough for the film to survive at the box office.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Movie Name : Sardar 2

Release Date : September 10, 2026
123telugu.com Rating : 2.5/5
Starring : Karthi, Malavika Mohanan, S. J. Suryah, Ashika Ranganath, Yogi Babu, Rajisha Vijayan, and Others
Director : P. S. Mithran
Producers : S. Lakshman Kumar
Music Director : Sam C.S
Cinematographer : George C. Williams
Editor : Vijay Velukutty

Related Links : Trailer

Karthi has come up with Sardar 2, the sequel to his hit film Sardar. The spy action thriller directed by PS Mithran is now out in cinemas. Let’s see how the movie is.

Story:

The entire film revolves around Operation Doku, which has the capability to destroy the nation. India somehow manages to soften its impact, but Black Dagger (SJ Suryah) brings it back into use, posing a huge threat. How Sardar (Karthi), Vijay Prakash (Karthi), and other RAW agents try to stop Operation Doku, and what it actually means, forms the crux of the story.

Plus points:

Like every other film of his, Karthi delivers an impressive performance in Sardar 2 as well. He once again rocks the show both as a father and son. His performance in some emotional moments is pretty good.

The message that the film tries to deliver is very much relevant in today’s world. Sardar 2 talks about the over usage of antibiotics, and a few dialogues that come in this regard are meaningful. Ashika, Malavika, and SJ Suryah are fine in their roles.

Minus Points:

What made the first film work is its gripping narration, well-timed mass moments, and a solid social message. What Sardar 2 lacks is a taut screenplay. There are some interesting ideas, but they aren’t effectively presented.

The makers decided to amp up the scale and budget, but in doing so, they didn’t pay enough attention to the narrative. The approach isn’t grounded this time, the tension is missing in the proceedings, and there are some over-the-top moments that work against the film big time.

In the second half, there is a fun sequence featuring SJ Suryah, Yogi Babu, and Nizhalgal Ravi. The director might have included it to give a fun touch to the film. Not only does it look out of place, but it also makes us wonder how people with such little knowledge are appointed as RAW agents.

A few episodes along those lines look highly unconvincing and take away from the seriousness of the premise. The second half is lengthy, monotonous, and barely offers any thrills.

Technical Aspects:

Sam CS did just an okay job. The background score could have been much better. Cinematography by George Williams is neat, and some moments are well-shot. The production values are solid, while the editing could have done away with a few scenes.

PS Mithran’s intention to deliver a social message about the usage of antibiotics is good, but his execution isn’t strong this time. The film doesn’t deviate from the core plot, but it offers very little in terms of engagement. Sardar 2’s premise needed gripping storytelling to click.

Verdict:

On the whole, Sardar 2 is an underwhelming follow-up to Sardar, with only a few scenes working in its favor. The film features a relevant social message, but the narration lacks the spark needed for the film to reach its potential. Karthi is good in his role, but the lack of a compelling screenplay, lengthy runtime, unconvincing episodes, and dull moments make it a below-par watch.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Movie Name : Mandaadi

Release Date : September 10, 2026
123telugu.com Rating : 2.75/5
Starring : Soori, Suhas, Mahima Nambiar, Sathyaraj and Others
Director : Pugazhendhi Mathimaran
Producer : Elred Kumar
Music Director : G. V. Prakash Kumar
Cinematographer : S. R. Kathiir
Editor : Pradeep E. Ragav

Related Links : Trailer

Mandaadi is the latest Tamil drama to blend competitive sport with raw human emotion. Tamil actor Soori and Telugu actor Suhas play the primary roles in this film, which released in cinemas today. Here is an overview of how this coastal rivalry fares on the big screen.

Story:

Twenty years ago, Muthukaali (Soori) and Sattapuli (Suhas) from Kalingapatnam were thick friends and skilled traditional boat sailors. A bitter fallout shatters their bond, turning the companions into lifelong adversaries who dominate opposite sides of the village. The core narrative traces why Muthukaali abandoned the sport, the roots of Sattapuli’s local hegemony, and the high-stakes boat race that forces them to clash again.

Plus Points:

Tamil cinema explores yet another rural drama grounded in gritty realism. The lives of traditional seafaring communities and their rugged lifestyle are depicted with refreshing authenticity. Furthermore, competitive boat sailing is a rare theme on the big screen, making the sports aspect an immediate asset.

Soori has been making bold acting choices lately, and accepting this nuanced script is easily among his finest decisions. His performance is admirably subtle, allowing heavy emotional restraint and quiet presence to carry the weight. His silence throughout several crucial stretches proves far more impactful than lengthy dialogues.

Suhas proves to be an equally compelling counterpart in an intense antagonist role. Stepping into a menacing gray character is a sharp addition to his versatile filmography. His commanding vocal delivery and fiery screen presence make Sattapuli a magnetic figure to watch.

The psychological friction and war of words between the leads generate solid dramatic tension. The narrative gathers steady momentum through a well-staged exposition, peaking with a gripping pre-interval stretch and an interesting climax. Backed by solid action choreography and an energetic musical score, supporting performances from Mahima Nambiar, Sathyaraj, and Ravindra Vijay anchor the narrative.

Minus Points:

Despite several strong technical and dramatic elements, the narrative falters noticeably during the middle act. While the first half moves with purpose, the second half succumbs to formulaic predictability. The scenes advance on familiar genre beats, gradually dampening the viewing momentum.

The hostility between Soori and Suhas is well-established, yet the writing fails to dig deep into their fractured emotional history. Exploring their lost camaraderie with more emotional depth in the later portions would have lent greater weight to the final showdown. Without that emotional resonance, some of the high-stakes drama feels superficial.

While the boat-racing sequences are neatly mounted, injecting a few more clever narrative twists would have made the competition far more electrifying. In addition, Sathyaraj’s character feels visibly underutilised despite his steady presence in a brief role. A tighter edit and richer secondary conflicts could have elevated these undercooked sequences.

Technical Aspects:

Director and writer Mathimaran Pugazhendhi takes a commendable creative swing with an unconventional sporting backdrop. He succeeds in staging the central rivalry, though his writing falters when sustaining intrigue across the latter half. A tighter, more inventive screenplay could have transformed a decent drama into an exceptional one.

The technical crew provides sturdy support to keep the coastal atmosphere vivid. GV Prakash Kumar’s background score infuses raw momentum into the aquatic action, while SR Kathir’s camera work captures the rugged seascape handsomely. Pradeep E. Ragav’s editing is largely functional despite a few lingering scenes, and the Telugu localisation team ensures seamless dubbing that retains the film’s regional flavour.

Verdict:

On the whole, Mandaadi works in parts, blending a traditional water sport with a clash of pride and ego. Committed performances from Soori and Suhas, energetic boat-racing episodes, and a thunderous score work in its favour. However, the film struggles to maintain the same impact throughout, with a predictable second half and uneven writing holding it back. Some stretches manage to engage, but the film never quite comes together as a consistently compelling watch. Go with expectations in check if you consider watching it.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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