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Balan-The Boy Review

Balan-The Boy Review

Movie Name : Balan-The Boy

Release Date : June 19, 2026
123telugu.com Rating : 3/5
Starring : Adhisheshan, Farzana Palathingal, Muhammed Zinaan, Dolly June, Tovino Thomas, Jean Paul Lal, Girish AD & Beena Antony
Director : Chidambaram
Producers : Venkat K Narayana, Shailaja Desai Fenn
Music Director : Sushin Shyam
Cinematographer : Shyju Khalid Isc
Editor : Vivek Harshan

Related Links : Trailer

Before its theatrical release, Balan: The Boy generated considerable excitement as it brought together two critically acclaimed filmmakers, Chidambaram as director and Jithu Madhavan as screenwriter. Their recent works have been widely appreciated, naturally raising expectations for the film. Today, Balan: The Boy has arrived in cinemas, including its Telugu dubbed version. Let us see how the film fares.

Story:

Set in Kannur, the story follows a mother (Farzana Palathingal) who serves a prison sentence for murder along with her young son (Adhisheshan KR) in a special sub jail. After her release, she begins living under different identities, moving from place to place and taking up various jobs. Her son has grown accustomed to this unusual lifestyle but remains unaware of the truth behind it. When she joins a household as the caretaker of a 70 year old woman, an inmate from her past discovers her whereabouts, setting off a series of unexpected twists. Why is she living this way? Will her son learn the truth? Who are they really? The answers form the rest of the story.

Plus Points:

The story itself is quite intriguing. While the core plot is relatively simple, Jithu Madhavan’s screenplay elevates it significantly. The narrative unfolds at a measured pace, gradually drawing the audience into the world of the characters. Much like the young boy who has become accustomed to his mother’s fabricated stories and shifting identities, the audience slowly settles into the film’s rhythm.

One of the film’s biggest strengths is its unpredictability. Several situations appear to be heading in a familiar direction, only to take an entirely different turn. The writers cleverly use character setups and audience expectations to create these surprises. The interval block, the police station episode early in the second half, and the climax twist are particularly impressive and well executed.

Adhisheshan KR delivers a remarkable performance. He convincingly portrays both the innocence and intelligence of his character. His expressive eyes and subtle reactions add considerable depth to several tense moments. Farzana Palathingal is equally outstanding as the mother. The film gradually reveals layers to her character, constantly altering the audience’s perception of her. Her behaviour and emotional complexity add an unsettling edge to the narrative, making her one of the film’s strongest assets.

Shyju Khalid’s cinematography and Sushin Shyam’s music significantly enhance the film’s atmosphere and keep the narrative engaging. Jean Paul Lal is effective in his role, while Tovino Thomas makes a noteworthy extended cameo that leaves an impact.

Minus Points:

The film’s biggest drawback is its pacing. While the deliberately paced narration suits the story, the leisurely progression may test the patience of some viewers. Despite the high stakes, the film demands considerable investment from the audience.

At nearly 147 minutes, the film occasionally feels stretched. A few scenes that could have conveyed the same information more concisely are prolonged unnecessarily. Tighter editing in these portions would have improved engagement and reduced the feeling of drag.

Technical Aspects:

Director Chidambaram delivers another commendable film after Manjummel Boys. Rather than functioning as a regular thriller, the film explores psychological trauma and emotional complexities, giving it a distinctive identity. Jithu Madhavan’s screenplay remains one of the film’s greatest strengths and plays a major role in keeping the audience invested.

From a technical standpoint, the cinematography, music, production design, and casting choices are impressive and contribute positively to the overall experience. The Telugu dubbing, which faced criticism when the trailer was released, has been improved considerably and works well in the final product. However, Vivek Harshan’s editing could have been sharper, especially in the film’s slower stretches.

Verdict:

On the whole, Balan: The Boy is a decent psychological thriller elevated by the outstanding performances of Adhisheshan KR and Farzana Palathingal. Jithu Madhavan’s screenplay and Chidambaram’s direction complement each other well to create an emotionally layered experience. However, the slow paced narration and a few unnecessarily prolonged sequences dilute the overall impact. Viewers who enjoy unconventional psychological thrillers and character focused storytelling are likely to appreciate the film, while others may find it a decent one time watch.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

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Vanda-Devullu-Review

Vanda-Devullu-Review

Movie Name : Vanda Devullu

Release Date : June 19, 2026
123telugu.com Rating : 2.75/5
Starring : Vijay Antony, Swasika, Ajay Dhishan, Lijomol Jose, Karunaas, Sakthi, Kavya Anil
Director : Sasi
Producer : Meera Vijay Antony
Music Director : Balaji Sriram
Cinematographer : Viji Satheesh
Editor : Harish Yuvaraj

Related Links : Trailer

Vanda Devullu (Nooru Saami) marks the reunion of Bichagadu (Pichaikkaran) actor Vijay Antony and director Sasi. Their previous collaboration earned appreciation from audiences, creating a fair amount of curiosity around this film. With the movie hitting theatres today, let’s find out whether it lives up to the expectations.

Story:

Vaasavi (Swasika) is a middle-aged single mother raising her two sons, Baskar (Ajay Dhishan) and Vivek (Sakthi). As the sole breadwinner of the family, she shoulders every responsibility on her own. At one stage in her life, she wishes to remarry and start afresh. However, Baskar strongly opposes the idea, believing that marriage at her age would be inappropriate and socially unacceptable. Years later, Baskar undergoes a change of heart and realises that his mother deserves companionship and happiness. He begins encouraging her to remarry, but by then, Vaasavi herself is unwilling to take that step. This emotional conflict becomes the foundation of the story. Will she eventually agree to remarry, or will she spend the rest of her life alone? How do the villagers react when they learn about the situation? What is the response from her relatives? And how is Yedu Kondalu (Vijay Antony) connected to these developments? The film answers these questions as the narrative unfolds.

Plus Points:

Swasika delivers a remarkable performance and proves to be the film’s biggest strength. At first, one may wonder why she chose to portray a character much older than her real age. However, as the story progresses, it becomes evident why she accepted the role. The character is emotionally demanding and carries the weight of the entire narrative. Swasika embraces the challenge wholeheartedly and delivers a performance filled with conviction, maturity, and emotional depth. Her expressions, body language, and dialogue delivery elevate several scenes.

The film’s central premise is engaging. While the concept itself is not entirely new, the fact that it is inspired by a real-life incident involving a mother from a conservative village adds authenticity and emotional weight. Director Sasi presents the struggles faced by Vaasavi and the reactions of her relatives in a realistic manner. Many situations feel genuine because they mirror how people in similar circumstances might actually behave.

Ajay Dhishan performs adequately in his role and does what is required. Vijay Antony enters the narrative in the latter half and brings noticeable energy to the proceedings. His scenes with Swasika are among the film’s highlights and contribute significantly to the emotional impact. The second half, in particular, succeeds in keeping the audience invested, as the film effectively builds curiosity about how Vaasavi’s journey will ultimately conclude.

Minus Points:

The biggest drawback of Vanda Devullu is its sluggish first half. The narrative repeatedly circles around the same emotional conflict between the mother and her sons, making the proceedings feel repetitive. Instead of creating anticipation about where the story is heading, several scenes give the impression that the film is moving in circles. As a result, the audience is left waiting for the story to progress meaningfully before the interval.

The drama also needed stronger writing. Given the emotional potential of the subject, the film could have explored the conflicts with greater intensity and generated stronger emotional stakes. While the core idea is compelling, the screenplay often settles for a surface-level treatment instead of extracting maximum impact from crucial moments.

Another issue is the underutilisation of several supporting characters. The film introduces multiple characters who appear important initially but ultimately have very little influence on the narrative. Better usage of these roles could have added more depth to the story.

A number of scenes in the first half and a few in the second half feel stretched beyond necessity. Tighter narration and sharper editing would have significantly improved the overall pace. Additionally, the frequent insertion of comedy during emotionally charged moments weakens the dramatic impact. This tonal inconsistency affects several scenes that could have otherwise landed with greater effectiveness.

Technical Aspects:

Director Sasi deserves credit for handling the emotional core of the story with sincerity. His strength lies in portraying human relationships and social realities with authenticity. However, the screenplay lacks the urgency required to keep the audience consistently engaged, especially during the first half. Stronger writing and a more focused narrative could have elevated the film considerably.

Darshan Kirlosh’s cinematography effectively captures the rural setting and lends authenticity to the proceedings. The village atmosphere feels natural and believable throughout. Harish Yuvaraj’s editing is one of the weaker aspects of the film, as several sequences could have been trimmed for better impact. Balaji Sriram’s music serves the narrative reasonably well, though portions of the background score occasionally evoke a sense of familiarity. The Telugu dubbing is decent and blends well with the narrative. Bhashyasree’s Telugu dialogues are sharp and suit the emotional nature of the story.

Verdict:

the whole, Vanda Devullu works to an extent, thanks to its emotionally driven storyline and Swasika’s outstanding performance. She is the film’s biggest strength, while the second half delivers several engaging moments and emotional payoffs, with Vijay Antony adding value through his presence. However, a slow and repetitive first half, underutilised supporting characters, and an uneven screenplay hold the film back from reaching its full potential. Despite these flaws, its strong emotional core and realistic portrayal of a sensitive subject make it just a passable watch for fans of character-driven dramas.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Peddi

Release Date : June 4, 2026
123telugu.com Rating : 3.25/5
Starring : Ram Charan, Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu, Divyendu Sharma
Director : Buchi Babu Sana
Producers : Venkata Satish Kilaru
Music Director : AR Rahman
Cinematographer : Ratnavelu ISC
Editor : Navin Nooli

Related Links : Trailer

Ram Charan’s much-awaited sports drama Peddi has finally arrived in theatres amid massive expectations. Directed by Buchi Babu Sana and featuring a star-studded cast, the film generated significant buzz through its promotional campaign. With promises of intense emotions, sports drama, and a powerful central performance, does Peddi live up to the hype? Let’s find out.

Story:

Set in 2016, the Ministry of Youth Affairs and Sports begins a search for exceptional sporting talent following India’s disappointing performance at the Olympics. During this mission, sports official Mr. Paiswal (Boman Irani) arrives in Vizianagaram and learns about Peddi (Ram Charan), a jaggery worker from an unrecognised village who has earned a reputation for excelling in multiple sports. Curious about the man and his extraordinary abilities, Paiswal sets out to uncover the story behind Peddi’s journey and his deep connection to his village.

Plus Points:

Ram Charan is undoubtedly the film’s biggest strength. After Rangasthalam, this is one of those rare roles that allows him to showcase both his acting prowess and emotional depth. He delivers a committed performance throughout and completely owns the character of Peddi. His portrayal is convincing and impactful, allowing the audience to connect with the character’s journey. The emotional maturity he displays during the pre-climax and climax portions stands out as one of the film’s major highlights.

Shiva Rajkumar plays an important role and leaves a strong impression with his screen presence. His scenes with Ram Charan are engaging and contribute significantly to the narrative. Jagapathi Babu, despite limited screen time, makes his presence felt with a powerful performance as Appalasoori. Boman Irani is effective in his role and performs with his usual ease.

The sports sequences are handled well, particularly the cricket episodes, which provide several entertaining moments. Ram Charan’s physical transformation and commitment to the demanding role deserve appreciation.

While several emotional scenes fall short of their potential, the climax delivers the emotional payoff effectively and stands out as one of the film’s strongest aspects.

Minus Points:

While Peddi aims to balance sports drama with strong emotional storytelling, a few emotional scenes do not achieve the desired impact. Although they have the potential to be deeply moving, the writing and execution make them feel somewhat ordinary. The film also follows a few familiar storytelling patterns seen in similar sports dramas, making certain portions predictable and reducing their overall effectiveness.

Although the casting choices are appropriate, many supporting characters are underutilised. Janhvi Kapoor has very little contribution to the narrative and is largely confined to songs and a romantic subplot that lacks emotional connection. Similarly, talented actors such as Rao Ramesh, John Vijay, Ajay Ghosh, and others are not given enough opportunities to leave a lasting impression.

Some viewers may find certain dialogues difficult to follow due to their presentation and the Uttarandhra dialect. Additionally, the placement of the special song Hallallallo feels forced and does not blend naturally into the narrative.

The promotional campaign also revealed more than necessary, reducing the impact of a few key moments that would have worked better as surprises.

Technical Aspects:

Director Buchi Babu Sana chooses an ambitious subject for his second feature and succeeds in delivering an engaging film for the most part. He understands Ram Charan’s strengths and utilises them effectively. However, a tighter screenplay and sharper narrative progression could have elevated the overall experience considerably.

A.R. Rahman’s music and background score enhance several important moments. While his work is effective overall, a few emotional scenes could have benefited from a more impactful score. Cinematographer Ratnavelu delivers visually appealing frames and captures both the rural backdrop and sports sequences with richness and scale.

Naveen Nooli’s editing is satisfactory, though a few portions could have been trimmed for a crisper narrative. The production values are impressive throughout, reflecting the film’s grand scale. The visual effects are decent but leave room for improvement in certain scenes.

Verdict:

On the whole, Peddi is an engaging and emotional sports drama elevated largely by Ram Charan’s outstanding performance. His portrayal of the titular character carries the film and delivers several memorable moments, particularly during the emotionally charged climax portions. Shiva Rajkumar, Jagapathi Babu, and the supporting cast perform their roles effectively. However, the film is not without flaws. Predictable narrative beats, underutilised supporting characters, and a few emotional sequences that fall short of their intended impact prevent it from reaching its full potential. Despite these shortcomings, Peddi remains an engaging watch, thanks to its blend of sports, emotion, and an inspiring story. Fans of Ram Charan and emotional sports dramas are likely to come away highly satisfied.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team

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