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Movie Name : Ramani Kalyanam

Release Date : May 22, 2026
123telugu.com Rating : 2.5/5
Starring : Deepshikha Chandran, Surya Vashistta, Srinivasa Reddy, Chaitu Jonnalagadda, Shyamala, Prabhavathi
Director : Vijay Adireddy
Producer : Kites Creatives
Music Director : Sooraj S Kurup
Cinematographers : Vijay Polaki, Sherif.M
Editor : Raviteja Girijala
Related Links : Trailer

Ramani Kalyanam is the latest Telugu film starring Surya Vashistta and Deepshikha Chandran in the lead roles. Directed by Vijay Adireddy, the film hit the big screens today. Here’s our review to find out how it fares.

Story:

Sanjana (Deepshikha Chandran) loses her eyesight in a car accident during her childhood. Meanwhile, Raj (Surya Vashistta), who dreams of playing cricket at the national level, loses his legs in a tragic incident just after getting selected. How do these two fall in love, and how does their relationship evolve? What is the other medical condition Raj suffers from? Did the two eventually get married or not? And what is the shocking truth Sanjana discovers toward the end? The rest of the film revolves around these questions.

Plus Points:

The two young lead actors deliver decent performances in the film. As the story progresses, there is visible improvement in both of their performances. Deepshikha Chandran looks beautiful on screen and carries her role well throughout the film. Surya Vashistta also performs well in a challenging role and maintains a decent screen presence.

Srinivasa Reddy, Shyamala, and the rest of the supporting cast perform well within the scope of their roles. Compared to the emotional portions earlier in the film, the final few minutes are handled in a better manner. A couple of twists planned toward the end also work reasonably well.

Another major highlight of the film is its music. The songs have been composed very well, and the credit clearly goes to the music director for enhancing the overall experience.

Minus Points:

With two differently abled lead characters at its core, the film had good scope for a much stronger emotional narrative that could have kept audiences emotionally invested throughout. However, that aspect is largely missing here. Though the makers designed a love story between the lead pair, the emotional connection between them does not come across effectively.

Except for the climax portion, the film hardly offers emotionally moving moments. Some dialogues delivered by the hero in the first half, along with a few illogical scenes, end up feeling silly. The basic storyline also gives shades of the film Anand.

Apart from that, the narrative remains predictable for the most part. Many scenes can easily be guessed by the audience within the first few minutes, and the film continues in a similar fashion. Had the love track between the lead pair been written with stronger emotions, the chemistry between them would have worked much better.

The second half also feels stretched in several places. A scene involving the heroine driving a car comes across as unnatural. Such moments turn out to be disappointing factors in the film.

Technical Aspects:

The production values in the film are fine. Suraj S. Kurup’s music turns out to be one of the biggest strengths of the film. All the songs composed by him are impressive and blend well with the narrative. Aravind Theerthakovel’s cinematography is adequate, while Ravi Teja Girijala’s editing is passable.

Coming to director Vijay Adireddy, he handled the casting and characterisation of the lead roles fairly well. However, the drama surrounding those characters needed to be much stronger. Except for the climax portion, the rest of the narrative feels flat. The film neither delivers strong emotions nor presents the love story in a refreshing manner. Considering the potential of the premise, his work could have been much better.

Verdict:

On the whole, Ramani Kalyanam is a routine drama that has a few passable elements in the form of its music and lead performances, but the film largely suffers from a flat and predictable narrative. Despite having a premise with emotional potential, the director fails to explore it in an engaging manner and instead settles for a simplistic treatment. Barring a few scenes towards the end, the film struggles to leave an impact.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Mr. Work From Home

Mr. Work From Home

Movie Name : Mr. Work From Home

Release Date : May 15, 2026
123telugu.com Rating : 2/5
Starring : Trigun, Payal Radhakrishna, Anish Kuruvilla, Satya Krishnan, Harshavardhan, Shivaji Raja, Venu Yeldandi
Director : Madhudeep Chelikaani
Producer : Arvind Mandem
Music Director : Arun Chiluveru
Cinematographer : Ravi Kumar.V
Editor : Kotagiri Venkateshwararao

Related Links : Trailer

Trigun and Payal Radhakrishna teamed up for an emotional family drama titled Mr. Work From Home. The film hit the screens today. Let’s see how it is.

Story:

Aravind (Trigun) firmly believes that managing life entirely through a “work from home” setup is the true mark of success. His routine gets a major shake-up when Mahi (Payal Radhakrishna) enters his life. Soon, Aravind’s work-from-home lifestyle triggers unexpected challenges regarding his family relationships and personal beliefs. How do things change for him after marriage? What exactly causes the friction between Aravind and Mahi, and where does his life end up? The rest of the movie answers these questions.

Plus Points:

The film manages to get a few family and romantic emotions right. The scenes leading up to the interval are decent and hold a bit of promise.

Trigun fits his role well, maintaining good looks and a suitable physique for the character of a home-bound professional. Payal Radhakrishna also delivers a neat performance as the female lead. The supporting cast, including Anish Kuruvilla, Satya Krishnan, Harshavardhan, and Shivaji Raja, does justice to their respective roles.

Minus Points:

The biggest issue with Mr. Work From Home is its incredibly slow screenplay, which fails to keep us engaged. The core conflict lacks depth, making it hard to connect with the main characters despite good performances. Additionally, the hero’s character arc feels poorly written and flat.

It’s highly doubtful that today’s generation will show interest in such a routine, old-school emotional drama. The story simply lacks freshness. While the director handles a few scenes decently, he completely ignores the heavy lag that plagues the narrative.

The lack of novelty, a dragged second half, and too many unnecessary scenes heavily dilute the plot. Even with a few okay comedy and romantic bits scattered around, the movie completely misses out on holding the attention as a whole.

Technical Aspects:

The core emotional idea is okay, but the execution is highly uninteresting. Prakash Cherukuri’s music is strictly average and doesn’t add much value. However, the cinematography by Ravi Kumar V stands out, capturing the natural visuals and indoor setups beautifully. The editing is fine, though the pacing needed a much tighter trim. Producer Aravind Mandem ensures good production values, making the film look visually pleasing despite its flaws.

Verdict:

Overall, Mr. Work From Home is a slow, predictable, and old-school emotional family drama. With a dragged-out narrative, uninteresting elements in the second half, and lack of depth in the core conflict, the movie becomes a tiresome watch. You can safely skip this one.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team

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Nawab Cafe

Nawab Cafe

Movie Name : Nawab Cafe

Release Date : Feb 20, 2026
123telugu.com Rating : 2.25/5
Starring : Shiva Kandukuri, Teju Ashwini, Rajeev Kanakala
Director : Pramod Harsha
Producers : Radha V Papudippu & Venkat R Papudippu
Music Director : Prashanth R Vihari
Cinematographer : Kranthi Varla
Editor :  Pavan Narava

Related Links : Trailer

Shiva Kandukuri has now come up with the emotional drama Nawab Cafe. Initially the movie was titled Chai Wala, but due to censor board objection, the title was changed later. The movie hit the big screens today, and let’s see how it is.

Story:

Ranganath (Rajeev Kanakala) owns a cafe named “Nawab Cafe” in the Old City of Hyderabad, which carries a legacy of over four centuries. Raja (Shiva Kandukuri), the son of Ranganath, dislikes his father’s business and wishes to settle abroad. However, unexpected circumstances force Raja to take over the cafe, where he is confronted with hidden challenges.

Plus Points:

Rajeev Kanakala is a gem of an actor who slips into any character effortlessly, and he is at his usual best in Nawab Cafe too. As a man who wants to protect his family’s legacy and as a father trying to put some sense into his son’s mind, the senior actor does a solid job.

Shiva Kandukuri portrayed his role neatly. There are two variations in his character. Till the midpoint, he is shown as a fun-loving youngster who loves to live life to the fullest, while he becomes a completely responsible son in the second half. Performance-wise, the actor did well. A few moments before the interval, where the hero gets involved in an argument with his father and the female lead, explaining his life goals to them, came out well.

Minus Points:

The main problem with Nawab Cafe is its screenplay, which remains boring for the most part. The narrative feels outdated, and there is absolutely no urgency in the proceedings, with the director taking all the time in the world to arrive at the conflict point.

The first half tries hard to evoke laughs, but the comedy tracks are pale, poorly designed, and fall flat entirely. The romantic drama between the lead pair also isn’t appealing. The movie closely resembles Dhanush’s latest film Idli Kadai in crucial scenes, and the drama isn’t captivating enough to look beyond the resemblance.

The director places emphasis on emotion in the second hour, but here things get even more tiresome, with scenes failing to leave an impact. The dialogues are badly written, giving a sense of outdatedness in many scenes.

The antagonist’s character and his motive offer nothing new and have been beaten to death. Hence, Chaitanya Krishna’s role hardly makes any difference. The same goes for the female lead’s characterization. Teju Ashwini doesn’t have much to shine and is largely restricted to the background.

Technical Aspects:

Prashanth R Vihari’s music is okay, with one song looking good on screen. The cinematography by Kranthi Varla is fine, and the production values are decent. The production design team did an effective job, and the Old City setting is neatly presented. The editing is not satisfactory, as the movie drags on.

Pramod Harsha is both the writer and director of Nawab’s Cafe, and he has done an okayish job. Some moments are fine like the pre-interval portions, but more care should have been taken with the emotional moments in the second half. The story isn’t fresh, and the screenplay brings fatigue due to the lack of engaging moments. More care should have been taken with the emotional scenes.

Verdict:

On the whole, Nawab Cafe is a disappointing emotional drama that suffers from a routine story and a tiresome narrative. Rajeev Kanakala and Shiva Kandukuri are good in their respective roles, but the rest of the cast hardly had any scope. Both halves are filled with boring moments, and the film has very little to offer.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team 

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