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Pati Patni Aur Woh Do

Pati Patni Aur Woh Do

Movie Name : Pati Patni Aur Woh Do

Release Date : May 15, 2026
123telugu.com Rating : 2.25/5
Starring : Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi, Rakul Preet Singh and Others
Director : Mudassar Aziz
Producers : Bhushan Kumar, Renu Ravi Chopra, Krishan Kumar, Juno Chopra
Music Directors : Rajesh Roshan, Rochak Kohli, Tanishk Bagchi,Neelkamal Singh,Tony Kakkar, Lijo George, Badshah, Devv Sadaana
Cinematographer : Jishnu Bhattacharjee
Editor : Ninad Khanolkar

Related Links : Trailer

Bollywood has now come up with the comedy drama Pati Patni Aur Woh Do. Ayushmann Khurrana, Sara Ali Khan, Rakul Preet Singh, and Wamiqa Gabbi play the leads. Let’s see if the movie actually brings the laughs or leaves the audience disappointed.

Story:

Prajapati Pandey (Ayushmann Khurrana) works as a forest officer in Prayagraj and shares a quiet, peaceful life with his wife, Aparna (Wamiqa Gabbi). Things take a wild turn when two other women (Sara Ali Khan and Rakul Preet Singh) crash into his routine for entirely different reasons. How does their sudden arrival throw Prajapati’s life off balance? What kind of trouble does he land in, and how does he try to save his marriage? This forms the crux of the story.

Plus Points:

Ayushmann is an expert at playing the everyday middle-class man. He tries his best to carry the film on his shoulders with his signature comic timing. Sara Ali Khan and Rakul Preet Singh look great on screen and bring a solid dose of glamour to the proceedings. Meanwhile, Wamiqa Gabbi holds her own and delivers an impressive performance.

Minus Points:

Even with three heroines driving the drama, the core plot just feels empty and lacks enough meat. We get a string of scenes that feel completely recycled from older movies.

The first half is somewhat fine, but the screenplay slows down painfully after the interval. Some unnecessary sequences stretch the runtime beyond a point and eventually make things boring.

Director Mudassar Aziz struggles to land the jokes this time around. The dialogues lack the usual punch, and the emotional moments don’t really connect with the audience.

Technical Aspects:

The script is surprisingly flat, and the narrative moves forward without any real engaging twists. Tanishk Bagchi’s soundtrack leans way too heavily on remixes, while the background score is just okay.

Tighter editing could have easily fixed the pacing issues and saved the second half to an extent. On the bright side, the production values match the scale of the cast and look perfectly fine on screen.

Verdict:

On the whole, Pati Patni Aur Woh Do doesn’t deliver the entertainment you expect from it. Ayushmann Khurrana’s performance and the screen presence of the three heroines are the main positives. However, a flat story, dragged-out screenplay, and weak comedy make the film a disappointing experience. If you’re looking for a solid comedy entertainer this weekend, this one probably won’t work for you.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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Bhoot-Bangla

Movie Name : Bhoot Bangla

Release Date : April 17, 2026
123telugu.com Rating : 2.25/5
Starring : Akshay Kumar, Paresh Rawal, Rajpal Yadav, Tabu, Wamiqa Gabbi, Jisshu Sengupta, Manoj Joshi, Mithila Palkar, Asrani Ji, Rajesh Sharma
Director : Priyadarshan
Producers : Akshay Kumar, Shobha Kapoor, Ektaa R. Kapoor
Music Director : Pritam
Cinematographer : Divakar Mani
Editor :  Aiyappan Nair M.S

Related Links : Trailer

The highly anticipated reunion of Bollywood star Akshay Kumar and director Priyadarshan is finally here with Bhooth Bangla. Given their legendary track record, expectations were naturally high for this horror comedy. Let’s see if the film manages to live up to the hype.

Story:

The plot kicks off when Akshay Kumar’s character returns to India from London. His plan is simple: host his sister’s wedding at their grand ancestral bungalow. However, things quickly take a turn when he experiences a series of unexpected events on the property. He soon uncovers a shocking secret tied to the house. What exactly is hiding inside the bungalow? Will the wedding still happen there? The rest of the movie answers these questions.

Plus Points:

Akshay Kumar is easily the biggest strength of the film. His signature comic timing is still intact, and he manages to pull off some genuine laughs. Seeing Rajpal Yadav and Paresh Rawal share the screen again brings back great memories from their classic hits, and their performances give the audience some much-needed relief. On the visual side, cinematographer Diwakar Mani does a fine job. The bungalow set design looks grand, and the camera work captures the scale nicely.

Minus Points:

The biggest problem with Bhoot Bangla is the core story. It feels like a recycled script from decades ago, offering absolutely nothing fresh in the screenplay. A good horror comedy needs to either scare you or make you laugh out loud, but the spooky scenes here fall completely flat.

Instead of feeling thrilling, they just drag on. The comedy in the second half feels forced and awkward. To make matters worse, the climax is incredibly predictable and ends on a dull note.

Technical Aspects:

Director Priyadarshan unfortunately fails to recreate the magic of his earlier blockbusters. Because the core story lacks depth, even his vast directing experience isn’t enough to save the film. Pritam’s music is okay, but the songs pop up at the wrong times and interrupt the flow of the narrative. The editing by Aiyappan Nair also needed tighter work, as trimming down the second half would have made a big difference.

Verdict:

On the whole, Bhooth Bangla is a horror comedy that fails to impress. Aside from Akshay Kumar’s comedy and very few fun moments, there isn’t much to keep you hooked. The outdated narrative and boring horror sequences heavily weigh the movie down significantly. Hence, it ends up as a disappointing watch.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team 

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Movie Name: Baby John
Release Date : December 25, 2024

Rating: 2.75/5
Starring : Varun Dhawan, Keerthy Suresh, Wamiqa Gabbi, Jackie Shroff, Rajpal Yadav, Zara Zyanna

Director: Kalees
Music Director: Thaman S
Editor: Ruben
Producers: MuradKhetani, Priya Atlee, Jyoti Deshpande
Cinematographer: Kiran Koushik
Related Links:Trailer

Story:

John D’Silva (Varun Dhawan) is living a peaceful life with his daughter, Khushi (Zara Zyanna), in Alappuzha, Kerala. His world changes when he grows close to Tara (Wamiqa Gabbi), Khushi’s teacher, and an unexpected incident reveals his true identity. Tara discovers that John is actually DCP Satya Verma, a powerful officer from Mumbai who faked his own death. But why did he do it? What is he running from? Who is Nanaji (Jackie Shroff), and what caused their rift? These answers will unfold in the main movie.

Plus Points:

Varun Dhawan delivers a memorable performance as both a police officer and a caring father who runs a bakery. His looks and physique suit the role, and he uses them effectively. In several scenes, he gives a solid performance.

Wamiqa Gabbi is a pleasant surprise. While she plays Amy Jackson’s role from Theri, her character is given more depth in this version. She looks great and performs well, despite having limited screen time.

Keerthy Suresh is charming. Her acting is simple, but her role, though small, leaves an impact. Jackie Shroff adds weight to the film.

Other actors like Zara (the child) and Rajpal Yadav entertain in their respective roles. Thaman’s score is another highlight, especially in the action scenes, which add intensity to the movie.

Minus Points:

It’s been eight years since Vijay’s Theri made its mark, both emotionally and action-wise. When remaking a film like that, the story should’ve been more developed, and the characters should’ve been stronger, especially with a big budget. Sticking to the same plot with a frame-by-frame remake, even using similar camera angles, raises the question of what’s new in this version.

The original had a perfect balance of action and emotion. While both elements are present here, the way they are told doesn’t hit as hard. Atlee handled the emotional depth in the original, making the audience feel the pain. In this version, some emotional scenes fall flat because they lack that same impact.

Varun Dhawan is good in his role, but he could’ve brought more depth to the emotional scenes to make them truly impactful. The love track between him and Keerthy Suresh also feels underdeveloped.

Jackie Shroff’s character is built up at the start, but as the story moves forward, his performance doesn’t match the earlier buildup. He comes across more as a powerful don than a complex, corrupt politician. A couple of songs work, but they don’t add much to the overall experience.

The biggest letdown is the failure to capture the emotional intensity of the girl’s death and the minister’s son’s death—key turning points in the story. The original nailed these moments with Atlee’s direction and GV Prakash Kumar’s score, but here, the emotional punch falls flat.

Technical Aspects:

Kalees directed Baby John with care, but he missed a key element: maintaining the emotional depth that made the original film so powerful. If he had focused on this more, the movie could’ve been a big hit. However, the writing team deserves credit for developing the character arcs of Wamiqa Gabbi, Rajpal Yadav, and Jackie Shroff, which were lacking in the original.

Thaman’s background score is solid, but if you’re familiar with his earlier work, you might notice some recycled tunes and sounds. Still, it fits the mood of the movie. The cinematography by Kiran Koushik is good, and the production values are solid. Editing is crisp in the first half, but the second half could’ve used some trimming.

Verdict:

On the whole, Baby John is an action-packed emotional drama that has its moments. Varun Dhawan does a solid job balancing both sides of his character, and Keerthy Suresh is charming in her small role. Wamiqa Gabbi does well, but Jackie Shroff doesn’t meet expectations. While Thaman and Kalees do their part, the film, being a carbon copy of Vijay’s Theri, doesn’t quite match the original, even with a bigger budget. If you’re in the mood for a formulaic story with mass action and some emotional moments, Baby John might work for you. Otherwise, you can explore other options.

PS: Salman Bhai, please save the cameos for when they actually make sense.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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