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Yash

Movie Name : Ramayana

Release Date : Nov 05, 2026
123telugu.com Rating : 3.75/5
Starring : Ranbir Kapoor, Yash, Sai Pallavi, Ravi Dubey, Sunny Deol, Kajal Aggarwal, Rakul Preet Singh and others
Director : Nitesh Tiwari
Producers : Namit Malhotra, Yash
Music Directors : Hans Zimmer and A.R. Rahman
Cinematographer : Shiamak Davar
Editor : Huzefa Lokhandwala

Related Links : Trailer

The biggest Indian film, Ramayana, headlined by Ranbir Kapoor, Yash, and Sai Pallavi, has hit the big screens today amid huge hype. The mythological action drama is directed by Nitesh Tiwari. Let’s see if the film lives up to the hype.

Story:

As everyone knows, Ramayana is a tale of Good vs Evil. The film begins by depicting Ravana’s (Yash) childhood and how he goes about acquiring Lanka from Kubera and obtaining a boon from Brahma. Later, Ravana even defeats Lord Indra (Kunal Kapoor). This is when Indra prays to Lord Vishnu, who then takes birth in human form as Lord Ram (Ranbir Kapoor), setting the stage for an epic battle.

Plus Points:

One of the biggest challenges for any filmmaker is narrating a story that has been deeply rooted in our lives for centuries. Making a movie on Ramayana is like walking on a double-edged sword, but Nitesh Tiwari showcases his mastery by handling the subject so impressively that the film could serve as a reference point for other filmmakers.

Huge shoutout to Namit Malhotra for backing a project of this scale without any limitations. Bringing an epic like Ramayana to life in its full glory required immense courage, and Namit deserves every ounce of respect for making this happen. He has instilled confidence in filmmakers to dream big without any boundaries.

Ranbir Kapoor as Lord Rama is the heartbeat of Ramayana. While he is excellent in the action sequences, his portrayal will tug at our heartstrings in the emotional segments. Ranbir Kapoor is one of the best talents in the country, if not the best. Initially, eyebrows were raised over his casting, but he is the mainstay of Ramayana. He exudes a divine aura and brings the character to life with utmost perfection.

The film’s impact increased manifold with Rocking Star Yash playing Ravana and brownie points to the casting team. Whenever Yash appears, he commands the marquee, bringing out the ferociousness of the character in full-blown manner. His swag, aura, monstrous screen presence, and scintillating performance will go down in the history books.

Sai Pallavi as Sita exhibits serenity and calmness, making her portrayal instantly likeable. There was also criticism surrounding her casting initially, but she has nailed the character. Ravie Dubey as Lakshman is fantastic and he got to entertain with some humor. Rakul Preet Singh is impactful as Shurpanaka.

The money-shot sequences are unlimited in number. The Indra-Ravana fight sequence, the Jatayu vs. Ravana action block, and the tornado sequence are worth the ticket price. The placement of Darthi Hai Ambar Hai is clap worthy.

Not just a spectacle, the movie is rich in soul too, which makes the experience truly fulfilling. The pre-Vanavaas sequence and the scenes showcasing Jatayu’s pain and death will hit us hard. Not many movies based on the epic have explored Ravana’s backstory, and hence, Namit Malhotra’s Ramayana also brings a sense of freshness.

Minus Points:

There aren’t many complaints about the film. The pace dips slightly in the post-interval portion, particularly during the sequence where Ravan battles Vidyutjihva. This block could have been shortened a bit.

A sound-mixing issue is noticeable in a couple of scenes, with a few dialogues not being clearly audible. The Jai Jai Ram song plays in the background, but the experience could have been better if the full version had been included.

Technical Aspects:

Ramayana is spectacular on the technical front. AR Rahman and Hans Zimmer’s score elevates the proceedings to a whole new level. The songs are fairly good too. The production design is fabulous, creating a world that presents the epic in breathtaking manner.

Pankaj Kumar and Mahesh Limaye’s cinematography is magnificent. The editing is satisfactory for the most part. The sound-mixing issues should have been taken care of in a couple of scenes.

Academy Award-winning DNEG shows why it is the best in the business. With several VFX-heavy sequences, DNEG pushes the envelope further, setting a new benchmark for Indian cinema. The intricate detailing of creatures is mind-blowing. The 3D version delivers big time, with exquisite visual effects.

Ramayana is what it is because of Nitesh Tiwari. You will be pleasantly surprised by the way Nitesh pulled off breathtaking mass moments in this epic. When it comes to emotions, which is basically his strong zone, the filmmaker hit all the right notes. There have been numerous versions and interpretations of Ramayana, which always keeps the expectation bar sky-high, and Nitesh Tiwari still reaches them comfortably.

Verdict:

On the whole, Namit Malhotra’s Ramayana is a faithful and compelling adaptation of the mythological epic. It is amazing in scale and visuals while also being rich in soul. The VFX work in crucial sequences sets a new benchmark for Indian cinema. Nitesh Tiwari ensures that the spectacle doesn’t overshadow the drama and emotions, making it a wholesome experience. Ranbir Kapoor is exceptional as Rama, Sai Pallavi is impressive as Sita, and Yash sets the screen on fire as Ravan. The pacing is slow in certain sequences, and there are minor sound-mixing issues. The presence of the full version of Jai Jai Ram could have further enriched the experience. Despite these shortcomings, the movie delivers a memorable theatrical experience and is worth watching on the biggest screen possible. The 3D version is recommended over the 2D version for a more immersive experience.

123telugu.com Rating: 3.75/5

Reviewed by 123telugu Team

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Toxic Review

Toxic Review

Movie Name : Toxic: A Fairy Tale for Grown-ups

Release Date : August 26, 2026

123telugu.com Rating : 2.5/5

Starring : Yash, Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, Huma Qureshi and Others
Director : Geetu Mohandas
Producers : Venkat K. Narayana and Yash
Music Directors : Ravi Basrur, Vishal Mishra, and Others
Cinematographer : Rajeev Ravi
Editor : Ujwal Kulkarni

Related Links : Trailer

Toxic marks Rocking Star Yash’s big-screen return after four years, following KGF 2. Directed by Geetu Mohandas, the film arrived amid massive expectations and strong advance bookings. Whether it lives up to the hype is what this review explores.

Story:

Set in Goa in 1947, Raya (Yash) continues to dominate the illegal trade alongside his sister Ganga (Nayanthara), working for Salvador. Salvador gets his daughter Rebecca (Tara Sutaria) married to Raya. However, Raya falls in love with Nadia (Kiara Advani), a circus performer, and has a child with her. Circumstances eventually force him to leave Nadia. Later, unexpected events unfold, bringing Raya face-to-face with his son, Ticket (Yash). What happens next forms the crux of the story.

Plus Points:

Expectations are naturally high for Toxic, given that it is Yash’s next film after a string of major successes. As expected, the team has created enormous hype around the movie, and that itself is a big win.

Coming to the film, Yash carries the same swag and style that he displayed in the KGF franchise. His screen presence remains strong, and his dialogue delivery follows a similar tone. However, his other role, Ticket, is different in terms of looks and performance. It is interesting to see Yash explore another side of his performance, and he pulls it off well.

Among the five female leads, Kiara Advani gets one of the more substantial roles to perform. Her eyes speak more than her words, and her scenes with Yash work better than most of the film’s emotional portions. She carries the character well.

Huma Qureshi is adequate in her role, though more could have been explored through her character. Nayanthara, too, delivers a restrained performance. Her character has depth, but the writing could have elevated her role further.

Minus Points:

The biggest problem with Toxic is its story and screenplay. The basic story is quite simple, which is not necessarily a problem by itself, but the makers stretch it across 194 minutes without providing enough narrative or emotional development to justify the runtime.

If a scene is going to be stretched, it should have a purpose, whether it is world-building, character development or emotional progression. Unfortunately, Toxic often prolongs scenes without achieving any of these. The first half spends considerable time on violence, intimacy and preachy dialogues, while the actual story barely moves forward. The second half fares no better, with several prolonged episodes that severely test the audience’s patience. In the process, the message and the twist Geetu Mohandas intends to convey get diluted – and eventually lose much of their impact.

The film is undoubtedly stylish, but its visual grandeur repeatedly comes at the expense of substance. At times, you can also spot parallels with a few major films. There are glimpses of interesting ideas, but they are not developed strongly enough to leave a lasting impact.

The star cast is huge, but only a handful of actors get meaningful material. Nayanthara once again delivers a restrained performance, and her character has depth, but she could have been utilized better. Rukmini Vasanth has very little to contribute, while Tara Sutaria also has limited scope. Sudheev Nair gets a role, but even his character could have been utilised better. The rest of the ensemble barely makes an impact. It feels like a waste of such a large and talented cast.

The dialogues sound preachy and unnecessary for much of the runtime. Instead of allowing the characters and situations to speak for themselves, the writing often spells things out.

The film is also packed with violence and intimacy, but their excessive use doesn’t always add value to the narrative. More importantly, the face-offs between Raya and Ticket fail to develop the emotional weight expected from a father-son conflict. Considering that Yash plays both characters, this relationship had the potential to become one of the film’s biggest strengths, but the writing never gives it enough depth.

Technical Aspects:

Geetu Mohandas attempts to tell a story on a massive canvas, and the ambition is clearly visible. However, the direction needed a firmer hand. The inclusion of excessive violence and several scenes that add little to the story ultimately hurt the film’s pacing and impact.

Music by Ravi Basrur and others feels like heavy metal being played right next to your head. The background score is excessively loud in several places, while the characters often seem to scream as though they are miles apart. The songs are also not particularly impressive. Rajeev Ravi’s cinematography is satisfactory and complements the film’s grand scale. The production design and visuals are among the film’s stronger aspects.

Ujwal Kulkarni’s editing is uneven. At certain places, the editing works well, while at others, the film desperately needed tighter cuts. The prolonged sequences contribute heavily to the feeling that the 194-minute runtime is far longer than necessary.

The production values are fine, and the makers clearly haven’t held back in terms of scale. The massive sets, lavish houses, action sequences and overall production design look rich and grand, reflecting the effort and money invested in the film. Unfortunately, the visual grandeur cannot compensate for the weaknesses in the writing.

Verdict:

On the whole, Toxic is not even the fairy tale for grown-ups it promises to be. Yash does his part and remains the film’s biggest strength, but the simple story is stretched far beyond what it can sustain. The emotional impact is diluted by excessive violence, intimate scenes and prolonged sequences, while the preachy dialogues become tiresome. Several characters and their arcs are underdeveloped, weakening the intended impact, and the father-son conflict never gains the emotional depth needed to make their relationship compelling. Toxic looks stylish and expensive, but beneath all the spectacle lies a screenplay too thin to justify its 194-minute runtime. Yash fans and a section of action-film lovers may find it appealing, but the rest can look for better alternatives.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Toxic Teaser

Toxic Teaser

The most awaited day for Yash fans has finally arrived. The teaser of Toxic was released as a surprise, offering a glimpse into the story that had been kept under wraps for months. The crime action saga is directed by Geethu Mohandas.

For those who found the birthday glimpse intense, the teaser goes a step further. Set against the backdrop of a circus, it hints at a brutal war among powerful figures. Yash’s character, Fearless Raya, is presented in a darker and more violent avatar. Geethu Mohandas appears determined to unleash the beast within him, packing the teaser with high-octane action and bloodshed.

The teaser is a treat for fans, mounted on a massive scale and elevated by a powerful background score. Towards the end, Yash appears in a completely different look, marking a fresh reveal. This transformation hints at a possible dual role and even suggests that a sequel could be in the works.

The film features a strong ensemble cast including Nayanthara, Kiara Advani, Rukmini Vasanth, Huma Qureshi, and Tara Sutaria. Scheduled for a grand multi-language release on March 19, 2026, the film is riding high on expectations.

Toxic is jointly produced by Venkat K. Narayana and Yash under their respective banners, KVN Productions and Monster Mind Creations. Ravi Basrur has composed the music.

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