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Papam Prathap Review

Papam Prathap Review

Movie Name : Papam Prathap

Release Date : April 17, 2026
123telugu.com Rating : 2.75/5
Starring : Thiruveer, Ajay Ghosh, Raasi, Payal Radhakrishna, Devi Prasad, Goparaju Ramana, Ravi Anthony, Raghu Babu, Prasad Behra, Basha
Director : S.P. Durga Naresh
Producer : Gaddam Rakesh Reddy, Rudradev Madhi Reddy
Music Director : K.M. Radha Krishna
Cinematographer : Vishweshwar S.V
Editor :  Anwar Ali

Related Links : Trailer

Thiruveer who gained reputation among the audiences with his choice of scripts has now come up with the village drama Papam Prathap. The movie is now out in theatres. Let’s see how it is.

Story:

Prathap (Thiruveer), who belongs to a rich family, marries the love of his life Bujjamma (Payal Radhakrishna) against his father’s (Ajay Gosh) wishes. Their married life starts on a great note, but things take a turn when Bujjamma leaves her in-laws, citing that Prathap has a significant health condition during sleep. What exactly is this problem? How long has Prathap been suffering from it? Is there a solution? Did the couple reunite? This forms the crux of the story.

Plus Points:

Thiruveer once again is impressive in a role filled with innocence. His gestures in the initial portions, along with the combo scenes with Ajay Gosh, offer some entertainment in the first half. His performance in emotional moments is fair enough.

Ajay Gosh is effective as the protagonist’s father. The senior elicits laughs with his frustration towards his son’s character. There are a few decent fun moments featuring him that make the first half passable to an extent.

Minus Points:

Initially, the director tries to create curiosity about the hero’s disorder, but when the revelation finally happens, it makes us wonder why the female lead hid it from the hero’s family for so long. The reason behind her silence isn’t convincing, and it makes the film feel unnecessarily dragged. The entertainment angle in the first half is also somewhat undone by heroine’s approach to the issue.

In the second half, the director shifts focus to emotions and drama, but unfortunately, nothing works here, and this portion is dull for the most part. The written material lacks logic and conviction, and hence the desired impact doesn’t land.

Payal Radhakrishna is good as a performer, but her role could have been written better. The way Ajay Gosh’s character behaves in the latter half doesn’t feel reasonable. The hero’s issue should have been depicted in a more detailed manner, along with its solution, since it is closely connected to the lead pair’s bonding.

Technical Aspects:

K.M. Radha Krishna’s music and Suresh Bobbili’s background score are okay. Vishweshwar’s cinematography is decent, and the production values are fine. The editing isn’t quite satisfactory, especially as the second half feels slow-paced and dragged.

Director S.P. Durga Nagesh came up with a relatively lesser known health disorder, but the screenplay needed more weight to make the film an engaging experience. The second half is where the actual drama begins but the scenes just don’t work.

Verdict:

On the whole, Papam Prathap is an okayish village drama where a few fun moments work. The makers should have come up with better execution to make the emotional angle around the hero’s health disorder more effective. Thiruveer is good in his role, while Ajay Gosh generates some laughs. The first half is passable, but the second half loses grip once the drama kicks in. With better writing, Papam Prathap could have gone to the next level.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Bad-Boy-Karthik

Movie Name : Bad Boy Karthik

Release Date : April 17, 2026
123telugu.com Rating : 2/5
Starring : Nagashaurya, Vidhi Yadav, Samuthirakani, Naresh, Saikumar, Vennela Kishore and others
Director : Ramesh
Producers : Srinivasa Rao Chintalapudi, Vijaya Kumar Chintalapudi,
Dr. Ashok Kumar Chintalapudi
Music Director : Harris Jayaraj
Cinematographer : Rasool Ellore
Editor :  Kotagiri Venkateswara rao

Related Links : Trailer

Bad Boy Karthik is the least promoted film of Naga Shaurya. After many delays, the film has finally hit the big screens, and let’s see how the movie is.

Story:

Karthik (Naga Shaurya) is very fond of his sister Kasturi (Sridevi Vijayakumar), a reputed lawyer in Vizag. As Karthik roams around aimlessly and picks up fights with random goons, Kasturi decides to send him abroad. However, Karthik comes up with a plan to get his visa rejected so that he can stay with his sister.

Meanwhile, Kasturi locks horns with Govindappa (Mime Gopi), a dreaded goon from Kadiri who has affected the lives of many farmers. Enraged by this, Govindappa decides to kill Kasturi, and the rest of the film is about how Karthik saves his sister.

Plus Points:

Naga Shaurya delivers a sincere performance as a brother who goes all out to protect his sister. Even though the writing doesn’t offer much support, the actor does his best to elevate the proceedings. He also looks charming and stylish on screen. Sridevi Vijaykumar performs very well in her role. The interval fight sequence set against the backdrop of the Kadiri Jathara is well-shot and effectively choreographed, featuring massive crowds.

Minus Points:

The concept of ruthless villains trying to establish authority by affecting the lives of poor and innocent people, and the hero stepping in to save them, has been showcased in umpteen Tollywood films so far. Some recent films have also succeeded with this formulaic storyline. Audiences are fine with these done-to-death plot points, but what matters most is how they are presented. Bad Boy Karthik is very weak in this aspect.

From the word go, the film feels heavily outdated in almost every frame. The makers have visibly spent well, but perhaps they should have paid more attention to the writing, too. The farmers’ track lacks any emotional connect and doesn’t evoke much feeling. The screenplay lacks a proper flow and wanders around without much progression.

The love track between the lead pair is both boring and confusing. The film doesn’t even attempt to show when the female lead started having feelings for the hero. The episodes involving Saikumar and his wife try to evoke laughs, but they hardly land.

While the romantic track takes the center stage in the first half and causes boredom, the second half goes on and on with endless action that severely tests the patience levels. The villain characters are routine in nature and don’t have any freshness.

Technical Aspects:

Even Harris Jayaraj disappoints with his songs and background score, further weakening the overall experience. The cinematography by Rasool Ellore is good in some action episodes. The editing is weak, as the film drags on.

Coming to director Ramesh, he has taken up an old-fashioned concept and presented it in an equally old-school manner, making the overall film highly boring.

Verdict:

On the whole, Bad Boy Karthik is an outdated and disappointing action drama, with both halves failing to make any impact. Naga Shaurya and Sridevi Vijayakumar try their best to save this sinking ship, but the actors can’t make much difference when both the storyline and screenplay are weak and lack a contemporary touch. The emotions fail to connect, and the heavy action in the second half turns into a patience-tester. You can skip this film and look for better options.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team 

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Bad-Boy-Karthik

Bad-Boy-Karthik

Naga Shaurya’s long-delayed film Bad Boy Karthik finally hit theatres today, but the opening response has been far from encouraging.

The film arrived with minimal buzz, and surprisingly, many audiences were unaware of its release altogether. As a result, occupancy remained below 40% across most centres on day one.

Adding to the woes, early talk surrounding the film has been largely negative, further dampening its prospects at the box office. With weak word of mouth and low initial footfalls, the film now heavily depends on the weekend to show any signs of recovery.

However, if the current trend continues, Bad Boy Karthik risks a short theatrical run and could disappear from cinemas sooner than expected.

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