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Mareechika Review

Movie Name : Mareechika

Release Date : May 29, 2026
123telugu.com Rating : 2.25/5
Starring : Viraj Ashwin, Regena Cassandrra, Anupama Parameswaran and Others
Director : Satish Kasetty
Producers : Rajiv Chilaka, Meghhaa Chilakka
Music Director : Ilaiyaraaja
Cinematographer : Arvind Kannabiran
Editor : Junaid Siddiqui

Related Links : Trailer

Mareechika, starring Anupama Parameswaran, Regena Cassandrra, and Viraj Ashwin, has hit the big screens today. Let’s see how the film is.

Story:

Venkatalaxmi (Anupama Parameswaran), a college student, adores Sanju a.k.a. Sanjay (Viraj Ashwin) deeply. He is the son of a corporator, but chooses to stand on his own for self-respect and runs a coffee shop. Venkatalaxmi never confesses her feelings for Sanju, and she makes friends with NRI Mareechika (Regena Cassandrra). To Venkatalaxmi’s shock, Mareechika and Sanju get closer and eventually get married. One day, Mareechika kills Sanju, after which Venkatalaxmi approaches the police. Why did Mareechika kill Sanju? Who is she exactly? What happened next? This forms the crux of the story.

Plus Points:

The director’s vision should be appreciated. He intended to deliver a different film without sticking to the routine beats. Mareechika, at the ideation stage, is on the lines of Mahesh Babu’s One: Nenokkadine. The film blends psychological, romantic, and mystery elements.

The interval block and the final act are engaging. Especially, the sequence during the last few minutes involving Ajay Ghosh, Regina, and Anupama came out pretty well. It generates laughs with Ajay Ghosh’s character getting confused (and so do the viewers). Performances by Regina, Anupama, and Viraj Ashwin are neat. Regena is apt as an NRI woman, while Anupama impresses in an innocent role. Viraj Ashwin looked dapper and played his part well.

Minus Points:

Lately, a common issue with most small-budget films is a good idea paired with underwhelming narration. Unfortunately, Maricheeka also falls into the same league. If the narration doesn’t support the intriguing idea, the whole purpose gets lost. The disappointment becomes greater when a film attempts something new but fails to live up to its potential.

The first half moves at a snail’s pace and also tests the viewers’ patience. The first hour is crucial to the latter half in terms of connecting the dots, but the execution could have been way better. The proceedings simply aren’t engaging.

The second half also starts on a dull note, but it gets better as the film reaches its fag end. In the process of untying the knots, the film creates a certain amount of confusion, but it eventually provides answers. The complicated narration, at times, isn’t the actual problem; rather, the police investigation related to the crime is poorly handled. The cops hardly put in any effort to find out what exactly happened, and this ultimately undoes the good idea the film contains.

Technical Aspects:

Music by Ilaiyaraaja is decent, while the background score works effectively in some crucial moments. Aravind Kannabiran’s cinematography is fine, and the production values are satisfactory. The editing could have been sharper.

Lakshmi Bhupala’s story is interesting, but it wasn’t translated compellingly onto the screen. Only a few moments work in this psychological thriller, while the rest of the portions feel bland.

Verdict:

On the whole, Mareechika is a disappointing psychological thriller that gets lost in translation. The story, with its psychological and mystery elements, had enough substance, but the treatment fails to pack a punch. Regina, Anupama, and Viraj Ashwin did well, but the sluggish narration, poorly handled investigation track, and the overall blandness in the proceedings make Mareechika a dull outing.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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lockdown

lockdown

Movie Name :  Lockdown
Streaming Date : Mar 11, 2026
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 2.25/5
Starring : Anupama Parameswaran, Charlie, Nirosha, Priya Venkat, Livingston, Indhumathi, Rajkumar, Shamji, Lollu Sabha Maran, Vinayaga Raj
Director : AR Jeeva
Producer : Subaskaran
Music Director : NR Raghunanthan & Siddharth Vipin
Cinematographer : Sherif & Sri Girish
Editor : V.J. Sabu Joseph

Related Links : Trailer

Anupama Parameswaran’s recent Tamil film Lockdown has made its OTT debut on Amazon Prime Video. Along with the original Tamil version, a Telugu dubbed version is also available. Here is our review of the film.

Story:

Set in 2020, Anitha (Anupama Parameswaran) is searching for a job and lives happily with her family. A friend promises to help her land a job and takes her to a party. Two months later, Anitha falls ill and discovers that she is pregnant. Shocked and with no one to turn to, she decides to secretly get rid of the unwanted pregnancy. Meanwhile, the COVID lockdown is imposed. What happens next forms the rest of the story.

Plus Points:

Anupama Parameswaran is a good actor. She can be bubbly and bold at times, and she can also pull off emotional characters effectively, which she has proven in many films. In this movie too, she convincingly portrays a girl who finds herself in a dilemma and chaos due to circumstances beyond her control. She fits well into the character and expresses the pain and helplessness effectively.

Minus Points:

The plot becomes predictable within the first few minutes, and such stories require engaging narration to keep the audience invested. Unfortunately, the drama required for the story, the family’s dilemma, and the emotional angles are barely explored.

The execution feels off because of unnecessary and repetitive scenes. At times, one wonders why certain scenes are stretched for so long when nothing significant is happening. These issues mainly arise from weak execution and ineffective screenplay.

Ironically, none of the supporting characters are utilised effectively except for the friend who supports Anupama’s character. Nirosha, Charle, and others do not get enough scope to showcase their performances. Once again, the writing team fails to create meaningful drama through these characters.

The climax contains a twist, but the way it is executed feels abrupt and ends without a proper conclusion. Additionally, the excessive use of songs becomes another hurdle for the film. Although the runtime is less than two hours, the movie still feels laggy due to the slow narration.

Technical Aspects:

Director AR Jeeva attempts to convey a message through the story, but the weak execution and underdeveloped storyline dilute its impact. Technically too, the film is not very impressive, and the production values appear below par. The Telugu dubbing could have been better.

Verdict:

On the whole, Lockdown is a disappointing drama. Except for Anupama Parameswaran’s passable performance, the film fails to impress in most aspects, making it a dull watch. With better execution and a tighter screenplay, the film could have turned out much better. As it stands, it is easily avoidable, and viewers are better off choosing other options for entertainment.

123telugu.com Rating: 2.25/5
Reviewed by 123telugu Team 

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Bison

Bison

Movie Name : Bison

Release Date : Oct 24, 2025
123telugu.com Rating : 2.75/5
Starring : Dhruv Vikram, Anupama Parameswaran, Rajisha Vijayan, Pasupathy
Ameer
Director : Mari Selvaraj
Producers : Sameer Nair, Deepak Seigal, Pa. Ranjith, Aditi Anand
Music Director : Nivas K. Prasanna
Cinematographer : Ezhil Arasu K.
Editor :  Sakthi Thiru

Related Links : Trailer

Dhruv Vikram’s Bison Kaalamaadan (simply Bison) released in Tamil during Diwali, and its Telugu version hit the screens today, a week later. Directed by Mari Selvaraj, the film blends sports and social commentary and check out the review to know how it is.

Story:

Set in the 1990s, Bison follows Kittayya (Dhruv Vikram), a student who dreams of excelling in kabaddi. His father Velusamy (Pasupathy) disapproves, fearing for his son’s future. Their village is divided by caste, and Kittayya’s family belongs to a marginalised community that has endured oppression for generations. Despite resistance, he pursues kabaddi but faces harsh challenges at every step. Whether he achieves his dream and breaks these barriers forms the crux of the story.

Plus Points:

Mari Selvaraj once again explores oppression and social inequality, this time with kabaddi as the backdrop. He narrates it effectively, depicting inequality from local playgrounds to the national stage.

Dhruv Vikram puts his blood and sweat into the role. His physical transformation and emotional depth stand out, marking him as a promising talent.

Pasupathy is equally impressive, portraying a father torn between fear and affection. The bond between him and Dhruv forms the film’s emotional core.

Among others, Lal, Ameer, and Rajisha Vijayan perform well. Anupama Parameswaran, however, appears for less than 15 minutes and has little scope to perform.

Minus Points:

Bison draws inspiration from the life of Arjuna Award–winning kabaddi player Manathi Ganesan, balancing realism and emotion. While the discrimination is portrayed effectively, many scenes feel overstretched.

The emotional impact of Mari Selvaraj’s earlier works, such as Karnan and Pariyerum Perumal, is missing in Bison. Its length, repetitive sequences, and predictable narrative weaken the film’s overall grip.

The sports drama angle feels underused, with kabaddi serving more as a metaphor for social inequality than as a dramatic core.

In the Telugu dubbed version, poor localisation hurts the experience. Tamil signboards, newspapers, and tattoos remain untranslated, leaving viewers puzzled. It’s a clear case of negligence. The raw violence might also alienate family audiences.

Technical Aspects:

As a writer and director, Mari Selvaraj delivers a decent outing but not one matching the power of his earlier films. Bison struggles with uneven pacing and repetition. Ezhil Arasu K’s cinematography beautifully captures the rural backdrop and kabaddi action.

Nivas K. Prasanna’s music is decent but occasionally mismatched and loud. Sakthi Thiru’s editing could have been sharper, as trimming repetitive portions would have made it tighter. Production values are fine overall.

Verdict:

On the whole, Bison Kaalamaadan is a sports drama that addresses oppression and inequality. It works to an extent, largely due to Dhruv Vikram’s dedication and Pasupathy’s heartfelt performance. However, Mari Selvaraj’s narration lacks the sharpness and emotional impact of his earlier works. The prolonged runtime, predictable writing, and uneven emotional flow make Bison a below average flick. The film may not appeal to everyone, especially given its raw tone, but if you’re curious, watch it with modest expectations.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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