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Latest Movie Review

Movie Name : Happy Journey

Release Date : Sep 18, 2026
123telugu.com Rating : 2.75/5
Starring : Vamshidhar Goud, Payal Radhakrishna, Ravi Siva Teja, Sunaina Badam, Annapurnamma, Aamani and Others
Director : Abhiramm Naidu
Producer : Balaji Gutta
Music Director : Shekar Chandra
Cinematographer : Subramaniyan Manigandan
Editor : Chota K. Prasad

Related Links : Trailer

Happy Journey is a female-oriented film directed by Abhiramm Naidu. The film, starring Annapurnamma, Jhansi, Payal Radhakrishna, Aamani, and others, is now out in theatres. Let’s see how it is.

Story:

Multiple women from all walks of life: Savitri (Annapurnamma), Chamundeswari (Aamani), Nayana (Jinisha Alishetty), Srilatha (Jhansi), Tanvi (Payal Radhakrishna), Divya (Sunaina), and Vihaana (Roopa Srinivas), embark on a trip to Europe, which they win through a lucky draw. The trip is guided by Govind (Vamsi) and Apparao (Ravi Siva Teja), who run the travel agency Greatandhra Travels. What starts as a joyful vacation quickly turns into a journey of realizations and family reunions.

Plus Points:

Happy Journey has very good intentions, and the message that the director tries to convey, almost through the title, is something that has the ability to connect with a section of the audience.

Some fun moments spread across both halves work reasonably well. The conversations between Vamsi and the female leads bring a gentle smile to the faces, if not outright laughs. The climax twist is neat.

Veteran actress Annapurnamma brings her experience to the table, shining in a modern avatar, while she is ably supported by Aamani, Jhansi, Payal Radhakrishna, and Sunaina. Vamsi is hilarious with his comic timing, and he shares good chemistry with Ravi Siva Teja.

Minus Points:

Happy Journey doesn’t quite reach the level of excellence it aspires to because of its uneven screenplay, which results in a bumpy ride. The impact of the good moments is often undermined by some unnecessary scenes, preventing the film from maintaining a consistent flow. Some repetitive scenes could have been avoided.

The emotional depth that Happy Journey intends to achieve isn’t fully realized. The individual issues of the female leads should have been explored in greater detail, especially as the team was trying to deliver an emotional rollercoaster ride.

The balance between fun and emotions isn’t handled smoothly. The misunderstandings between the leads get resolved in a jiffy, giving the feeling that things were hurried in the final act. As a result, some moments come across as artificial, while a few scenes are preachy too.

Technical Aspects:

Except for one song that comes immediately after the halfway mark, the rest are neatly composed by Shekar Chandra. Visuals by Subramaniyan Manigandan are splendid, as the picturesque European locations are superbly captured. Editing is satisfactory. Production values are solid.

Hemant Dhome’s story is fine, but it needed a stronger screenplay. The transition between the fun and emotions should have been seamless. Abhiramm Naidu handled some comedy scenes well, but the narrative needed to be more cohesive.

Verdict:

On the whole, Happy Journey is an uneven ride, with some fun moments clicking well while some sequences are not up to the mark. The movie carries good intentions and has its share of entertaining stretches. But the inconsistent screenplay and the not-so-effective emotional payoffs hamper the overall impact. The performances of the leads are good, and the film manages to click in parts.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Sardar 2

Release Date : September 10, 2026
123telugu.com Rating : 2.5/5
Starring : Karthi, Malavika Mohanan, S. J. Suryah, Ashika Ranganath, Yogi Babu, Rajisha Vijayan, and Others
Director : P. S. Mithran
Producers : S. Lakshman Kumar
Music Director : Sam C.S
Cinematographer : George C. Williams
Editor : Vijay Velukutty

Related Links : Trailer

Karthi has come up with Sardar 2, the sequel to his hit film Sardar. The spy action thriller directed by PS Mithran is now out in cinemas. Let’s see how the movie is.

Story:

The entire film revolves around Operation Doku, which has the capability to destroy the nation. India somehow manages to soften its impact, but Black Dagger (SJ Suryah) brings it back into use, posing a huge threat. How Sardar (Karthi), Vijay Prakash (Karthi), and other RAW agents try to stop Operation Doku, and what it actually means, forms the crux of the story.

Plus points:

Like every other film of his, Karthi delivers an impressive performance in Sardar 2 as well. He once again rocks the show both as a father and son. His performance in some emotional moments is pretty good.

The message that the film tries to deliver is very much relevant in today’s world. Sardar 2 talks about the over usage of antibiotics, and a few dialogues that come in this regard are meaningful. Ashika, Malavika, and SJ Suryah are fine in their roles.

Minus Points:

What made the first film work is its gripping narration, well-timed mass moments, and a solid social message. What Sardar 2 lacks is a taut screenplay. There are some interesting ideas, but they aren’t effectively presented.

The makers decided to amp up the scale and budget, but in doing so, they didn’t pay enough attention to the narrative. The approach isn’t grounded this time, the tension is missing in the proceedings, and there are some over-the-top moments that work against the film big time.

In the second half, there is a fun sequence featuring SJ Suryah, Yogi Babu, and Nizhalgal Ravi. The director might have included it to give a fun touch to the film. Not only does it look out of place, but it also makes us wonder how people with such little knowledge are appointed as RAW agents.

A few episodes along those lines look highly unconvincing and take away from the seriousness of the premise. The second half is lengthy, monotonous, and barely offers any thrills.

Technical Aspects:

Sam CS did just an okay job. The background score could have been much better. Cinematography by George Williams is neat, and some moments are well-shot. The production values are solid, while the editing could have done away with a few scenes.

PS Mithran’s intention to deliver a social message about the usage of antibiotics is good, but his execution isn’t strong this time. The film doesn’t deviate from the core plot, but it offers very little in terms of engagement. Sardar 2’s premise needed gripping storytelling to click.

Verdict:

On the whole, Sardar 2 is an underwhelming follow-up to Sardar, with only a few scenes working in its favor. The film features a relevant social message, but the narration lacks the spark needed for the film to reach its potential. Karthi is good in his role, but the lack of a compelling screenplay, lengthy runtime, unconvincing episodes, and dull moments make it a below-par watch.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Movie Name : Mandaadi

Release Date : September 10, 2026
123telugu.com Rating : 2.75/5
Starring : Soori, Suhas, Mahima Nambiar, Sathyaraj and Others
Director : Pugazhendhi Mathimaran
Producer : Elred Kumar
Music Director : G. V. Prakash Kumar
Cinematographer : S. R. Kathiir
Editor : Pradeep E. Ragav

Related Links : Trailer

Mandaadi is the latest Tamil drama to blend competitive sport with raw human emotion. Tamil actor Soori and Telugu actor Suhas play the primary roles in this film, which released in cinemas today. Here is an overview of how this coastal rivalry fares on the big screen.

Story:

Twenty years ago, Muthukaali (Soori) and Sattapuli (Suhas) from Kalingapatnam were thick friends and skilled traditional boat sailors. A bitter fallout shatters their bond, turning the companions into lifelong adversaries who dominate opposite sides of the village. The core narrative traces why Muthukaali abandoned the sport, the roots of Sattapuli’s local hegemony, and the high-stakes boat race that forces them to clash again.

Plus Points:

Tamil cinema explores yet another rural drama grounded in gritty realism. The lives of traditional seafaring communities and their rugged lifestyle are depicted with refreshing authenticity. Furthermore, competitive boat sailing is a rare theme on the big screen, making the sports aspect an immediate asset.

Soori has been making bold acting choices lately, and accepting this nuanced script is easily among his finest decisions. His performance is admirably subtle, allowing heavy emotional restraint and quiet presence to carry the weight. His silence throughout several crucial stretches proves far more impactful than lengthy dialogues.

Suhas proves to be an equally compelling counterpart in an intense antagonist role. Stepping into a menacing gray character is a sharp addition to his versatile filmography. His commanding vocal delivery and fiery screen presence make Sattapuli a magnetic figure to watch.

The psychological friction and war of words between the leads generate solid dramatic tension. The narrative gathers steady momentum through a well-staged exposition, peaking with a gripping pre-interval stretch and an interesting climax. Backed by solid action choreography and an energetic musical score, supporting performances from Mahima Nambiar, Sathyaraj, and Ravindra Vijay anchor the narrative.

Minus Points:

Despite several strong technical and dramatic elements, the narrative falters noticeably during the middle act. While the first half moves with purpose, the second half succumbs to formulaic predictability. The scenes advance on familiar genre beats, gradually dampening the viewing momentum.

The hostility between Soori and Suhas is well-established, yet the writing fails to dig deep into their fractured emotional history. Exploring their lost camaraderie with more emotional depth in the later portions would have lent greater weight to the final showdown. Without that emotional resonance, some of the high-stakes drama feels superficial.

While the boat-racing sequences are neatly mounted, injecting a few more clever narrative twists would have made the competition far more electrifying. In addition, Sathyaraj’s character feels visibly underutilised despite his steady presence in a brief role. A tighter edit and richer secondary conflicts could have elevated these undercooked sequences.

Technical Aspects:

Director and writer Mathimaran Pugazhendhi takes a commendable creative swing with an unconventional sporting backdrop. He succeeds in staging the central rivalry, though his writing falters when sustaining intrigue across the latter half. A tighter, more inventive screenplay could have transformed a decent drama into an exceptional one.

The technical crew provides sturdy support to keep the coastal atmosphere vivid. GV Prakash Kumar’s background score infuses raw momentum into the aquatic action, while SR Kathir’s camera work captures the rugged seascape handsomely. Pradeep E. Ragav’s editing is largely functional despite a few lingering scenes, and the Telugu localisation team ensures seamless dubbing that retains the film’s regional flavour.

Verdict:

On the whole, Mandaadi works in parts, blending a traditional water sport with a clash of pride and ego. Committed performances from Soori and Suhas, energetic boat-racing episodes, and a thunderous score work in its favour. However, the film struggles to maintain the same impact throughout, with a predictable second half and uneven writing holding it back. Some stretches manage to engage, but the film never quite comes together as a consistently compelling watch. Go with expectations in check if you consider watching it.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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