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Latest Telugu Movie Review

Kara

Kara

Movie Name : Kara

Release Date : April 30, 2026
123telugu.com Rating : 3/5
Starring : Dhanush, Mamitha Baiju, K.S. Ravikumar, Karunas, Jayaram, Prithvi Pandiarajan, Suraj Venjaramoodu, M.S. Baskar, Sreeja Ravi & Others.
Director : Vignesh Raja
Producer : Dr. Ishari K. Ganesh
Music Director : GV Prakash Kumar
Cinematographer : Theni Eswar ISC
Editor :  Sreejith Sarang
Related Links : Trailer

Dhanush has now come up with the rural heist thriller Kara. The film is directed by Vignesh Raja of Por Thozhil fame. Let’s see how the movie is.

Story:

Karasaami (Dhanush), a thief, leaves his family behind and marries Malli (Mamitha Baiju). The duo works at a small hotel in Renigunta, Andhra Pradesh, to make a living. However, Karasaami is not satisfied with his financial situation. He returns to his father, Kandhasaamy (K. S. Ravikumar), seeking financial support. There, he learns that his father is trapped in a debt spiral after taking a bank loan. Karasaami realizes that banks are exploiting innocent farmers and decides to rob them. The rest of the story follows Karasaami’s attempts at robbery.

Plus Points:

The best part about Kara is that it sticks to its core theme from the beginning without deviating from the storyline. Even during the ordinary scenes, we stay glued to the screen since the narrative remains focused.

The heist episodes are designed superbly and are sure to keep us on the edge of our seats. Especially, the interval sequence is brilliantly executed and whistle-worthy. What makes these sequences more engaging is that the film initially portrays the protagonist’s failed attempts and vulnerability rather than presenting him as an unstoppable force, making the character arc feel natural. The cat-and-mouse game between Dhanush and the cops is nicely written and delivered.

To avoid a repetitive feel, Vignesh Raja constantly throws new challenges at the hero, making each theft sequence distinct from the other. Dhanush is a gem of an actor who can never go wrong with his performance. With Kara, he once again proves why he is hailed as an actor par excellence. Be it his intensity in the thrilling robbery scenes or his subtlety in emotional moments, Dhanush delivers his A-game throughout.

The emotional moments between the father and son work well in the first half. GV Prakash Kumar’s background score is scintillating and aligns perfectly with the narrative. His score elevates the impact effectively in several key moments. Suraj Venjaramoodu is stunning as a cop, highly determined to catch the thief. KS Ravi Kumar is solid in the father role, while Jayaram is too good as the regional bank manager. Karunas and others did well, too.

Minus Points:

The heist moments are undoubtedly brilliant, but the driving force behind the robbery scenes is the exploitation by banks through high interest rates and other charges. This theme has been explored multiple times in mainstream cinema, with the recent example being Shah Rukh Khan’s Jawan. While the core idea isn’t entirely new and may remind viewers of older films at times, the presentation keeps the proceedings engaging.

The director takes his time establishing the key characters and the central conflict, which makes parts of the first half feel slow-paced. The Telugu dubbing could have been better, as the dialogues occasionally sound a bit odd.

Mamitha Baiju appears convincing as a village belle, but she is underutilized. She gets limited screen time, and the emotional scenes in the latter half needed more impact to elevate the narrative further. In the end, Kara enters a Robin Hood-esque zone, which could have been avoided.

Technical Aspects:

GV Prakash Kumar’s songs may not have worked well as standalone tracks, but they fit the narrative effectively. As mentioned earlier, the background score is one of the main highlights. Theni Eswar’s cinematography is impactful, as he neatly captures the rustic setting of the film. The editing is in sync with the director’s vision. The production design is impressive, showcasing the 90s vibes.

Director Vignesh Raja delivers on the screenplay front, even though the chosen premise isn’t unique. The rural setup and the consistent storytelling throughout the film keep us engaged for the most part.

Verdict:

On the whole, Kara is a satisfactory period heist thriller set against a rural backdrop. The subject isn’t fresh and has been explored several times before, but Vignesh Raja’s grounded narration and well-executed heist episodes keep the proceedings engaging. Dhanush is extraordinary and is well supported by Jayaram and Suraj Venjaramoodu. Mamitha Baiju has a limited scope, and the emotional moments in the second half needed more punch. If you like watching heist thrillers, this film can be given a try.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Dacoit

Dacoit Review

Movie Name : Dacoit

Release Date : April 10, 2026
123telugu.com Rating : 3.25/5
Starring : Adivi Sesh, Mrunal Thakur, Anurag Kashyap, Prakash Raj, Sunil, Atul Kulkarni, Zayn Marie Khan, Kamakshi Bhaskarla
Director : Shaneil Deo
Producer : Supriya Yarlagadda
Music Director : Bheems Ceciroleo
Cinematographer : Danush Bhaskar
Editor :  Kodati Pavan Kalyan

Related Links : Trailer

Adivi Sesh and Mrunal Thakur’s romantic action drama Dacoit has now hit the big screens. The film marks the directorial debut of Shaneil Deo. Amidst good expectations, the film hit the big screens and let’s see how it is.

Story:

Haridas a.k.a Hari (Adivi Sesh) and Juliet a.k.a Saraswati (Mrunal Thakur) are lovers who wish to stand by each other through thick and thin. However, destiny has other plans for them. Hari lands in jail, while Saraswati marries someone else. How the two cross paths again and become important in each other’s lives forms the crux of Dacoit.

Plus Points:

Unlike Adivi Sesh’s usual thrillers, this one doesn’t rely on a complicated plot. Dacoit is straightforward in that sense, but the screenplay sprinkles arresting moments across both halves, keeping the narrative engaging.

There are two solid twists in the second half that will genuinely catch you off guard. They arrive just when the story seems to be heading in a simple, predictable direction, making the film more impactful.

The second half features well-designed action blocks with engaging chase sequences, good emotions, and twists that work fairly well. The Kannepettaro song remix, coupled with the title card sequence, delivers goosebumps.

Adivi Sesh and Mrunal Thakur carry the film almost entirely. It’s their chemistry, confrontations, and actions that drive most of the narrative. Adivi Sesh shows noticeable improvement in emotional scenes, while he continues to impress with his trademark style.

Mrunal Thakur delivers a very good performance in a role that changes paths in different situations. With Dacoit, she once again proves she’s not just a beauty but a good performer with strong acting talent. Among the supporting cast, Anurag Kashyap and Kamakshi Bhaskarla leave an impact.

Minus Points:

There are twists in Dacoit for which Sesh is synonymous, but the kind of newness he brings to his films through stories is missing here. If you are looking for an out-of-the-box concept, then you might be a bit disappointed, as Dacoit is all about two estranged lovers who reunite to achieve a common goal.

There are certain slow moments here and there which diminish the overall feel. The first half takes more time to establish the characters and the conflict point, and here the editing could have been better.

The special song featuring Bhojpuri star Pawan Singh and singer Jonita Gandhi was much-hyped, but it doesn’t land as effectively as the makers intended. The Rayalaseema slang by Sesh isn’t impressive and has scope for improvement. Certain dialogues were not conveyed properly.

Technical Aspects:

Songs by Bheems Ceciroleo are decent, while the background score by Gyaan is appealing in the action part. Danush Bhaskar’s cinematography is splendid. The way the chase and action sequences are designed is excellent. The production values are first rate.

Debut director Shaneil Deo did a satisfactory job with Dacoit. He along with Sesh worked on the screenplay part, and this aspect makes the film engaging despite the regular nature of the plot. Some scenes needed more clarity as they feel incomplete.

Verdict:

On the whole, Dacoit is a compelling romantic action drama that has a fair share of good moments. Adivi Sesh and Mrunal Thakur shoulder the film with their impressive performances. The story isn’t fresh, but the screenplay hooks us for the most part, and the twists work in the film’s favour. There are certain slow moments here and there, and dubbing issues at times reduce the overall impact. If you are looking for an intense action drama, Dacoit will work for you.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team 

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Court Telugu Movie Review

Movie Name : Court

Release Date : March 14, 2025
123telugu.com Rating : 3.25/5
Starring : Priyadarshi, Harsh Roshan, Sridevi, Sivaji, Sai Kumar, Harsha Vardhan, Rohini, Subhalekha Sudhakar, Surabhi Prabhavathi, Rajasekhar Aningi
Director : Ram Jagadeesh
Producer : Prashanti Tipirneni
Music Director : Vijai Bulganin
Cinematographer : Dinesh Purushothaman
Editor : Karthika Srinivas R
Related Links : Trailer

Court: State Vs. A Nobody is the latest Telugu courtroom drama featuring Priyadarshi as the lead. With its intriguing trailer, the film garnered significant expectations. Now that it has hit the theatres, let’s see how it fares in our review.

Story:

Set in 2013 in Visakhapatnam, Mettu Chandrashekar (Harsh Roshan), also known as Chandu, is the son of a watchman and earns his living by doing various jobs. Jabilli (Sridevi Apalla), a student from a respectable family in the same city, crosses paths with him. An incident leads her to tease Chandu, and they gradually start talking over the phone. One day, Jabilli’s uncle Mangapathi (Shivaji), a caste fanatic blinded by honour, discovers that she is in Chandu’s house. Enraged, he gets Chandu arrested and attempts to ruin his life by falsely applying the POCSO Act against him. As the case intensifies, the victim’s family seeks the help of Vijayawada lawyer Surya Teja (Priyadarshi), an assistant to the senior advocate Mohan Rao (Sai Kumar). What happens next? Does Surya Teja prove Chandu’s innocence? Why is Mangapathi so ruthless towards Chandu? How does the courtroom battle unfold? Does Chandu get justice? The answers lie in the main film.

Plus Points:

Director Ram Jagadeesh deserves appreciation for crafting a meaningful courtroom drama. Despite this being his directorial debut, he handles the narrative well, particularly in the courtroom sequences, which are well-written and engaging.

The next highlight is the performances. The director has written the character of Mangapathi exceptionally well. Shivaji, in the role of a caste-driven and cruel man willing to go to any extent for his family’s honour, delivers one of the finest performances of his career. His portrayal is so convincing that many might relate it to real-life figures.

Young actor Harsh Roshan gets another interesting role, and the movie revolves around his character. His performance in the love scenes and his conversations with Sridevi Apalla, who plays Jabilli, are commendable. On the other hand, Sridevi looks beautiful and carries her role with charm.

The main highlight of the movie is Priyadarshi, who plays Surya Teja, a competent lawyer. Once again, he gets an interesting role and delivers a compelling performance. His dialogue delivery is neat, and during the courtroom proceedings, his expressions speak louder than words. It is a remarkable role in his career.

Actor Harshavardhan is equally impressive alongside Priyadarshi. His courtroom sequences are impactful. Other supporting actors, including Surabhi Prabhavati, Sai Kumar, and Rajasekhar Anigi, fit their roles well and do justice to their characters.

The climax is one of the most well-written scenes, where the director effectively presents the public’s perspective on law and emphasises the importance of legal awareness in a thought-provoking manner.

Minus Points:

Though the film presents an important subject, particularly shedding light on the POCSO Act, the director overlooks certain details. The movie was set in 2013, but some props and locations, such as Ola bikes which were not present at that time, appear in the film. While minor, such factual errors should have been avoided in a serious drama to maintain authenticity.

The core story actually picks up only in the middle of the first half. Before that, the teenage love story might not appeal to everyone, as some scenes feel repetitive. The first half is somewhat less engaging, while the second half is much better executed.

The courtroom proceedings are well-written, making the audience applaud at key moments when Priyadarshi wins his arguments. However, the film lacks intense verbal exchanges between Priyadarshi and Harshavardhan, which are typically expected in courtroom dramas. Additionally, the proceedings could have been made more gripping to keep the audience on edge.

While the casting is undeniably excellent, it’s clear that some actors, like Sai Kumar, Surabhi Prabhavati, and Roshini Molleti, are not utilised to their full potential. Their characters deserve greater emotional depth and development, which would have significantly enhanced the overall impact of the story.

Technical Aspects:

Director Ram Jagadeesh does a commendable job in his debut. He chooses a unique subject that has not been explored recently. His writing and direction are solid, though there is still room for improvement.

On the technical front, the movie is decent. Dinesh Purushotham’s cinematography is good, while Vijay Bulganin’s background score elevates several emotional scenes.

Karthika Srinivas R’s editing is fine but could have been tighter. The screenplay by Ram Jagadish, Karthikeya Sreenivass, and Vamsidhar Sirigiri is well-written, though a stronger first half would have enhanced the film. The production values are decent.

Verdict:

On the whole, Court: State Vs A Nobody is an engaging courtroom drama with strong performances from Priyadarshi, Shivaji, and Harsh Roshan. The second half, particularly the courtroom sequences, stands out, with the background score adding emotional depth. Conversely, the film underutilises a talented cast, and the first half feels slow with repetitive scenes. However, courtroom dramas of this kind are rare, and this one deserves a watch. If you enjoy legal dramas with solid performances, go ahead and book your tickets.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team 

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