Latest Telugu Movies

Movie Name : Thimmarajupalli TV

Release Date : April 17, 2026
123telugu.com Rating : 2.75/5
Starring : Sai Tej, Vedha Jalandharr, Pradeep Kotte, Swathi Karimireddy, Amma Ramesh, Satyanarayana, Lathish
Director : V. Muniraju
Producer : Kiran Abbavaraam
Music Director : Vamsikanth Rekhana
Cinematographer : Akshay Ram Podishetti
Editor : V. Muniraju

Related Links : Trailer

Thimmarajupalli TV is a Telugu period drama produced by Kiran Abbavaram. Featuring debutants Sai Tej and Veda Jalandhar in the lead roles, the film arrives with a nostalgic premise set in a rural backdrop. Here’s how it fares.

Story:

Set in 1996 in the village of Thimmarajupalli, Satish (Sai Tej), a petty thief, is in love with Sharada (Veda Jalandhar). Every Maha Shivaratri, he arranges a television for the villagers, turning the occasion into a shared celebration. Meanwhile, village head Ramachandrayya (Amma Ramesh) dreams of being the first to own a TV, but Rajappa (Kotte Pradeep) beats him to it. What starts as a matter of pride soon turns into a burden, as Rajappa’s house becomes a constant gathering spot for the entire village. The situation escalates when a clash erupts between Satish and Rajappa, and the very next day, Rajappa’s TV goes missing, putting the blame on Satish. With the village council giving him two weeks to prove his innocence, Satish sets out to find the truth behind the missing TV, which forms the crux of the story.

Plus Points:

The film’s strongest aspect is its nostalgic premise. The idea of a single television bringing an entire village together is both relatable and interesting, and the film captures this innocence with sincerity. The reactions of villagers experiencing television for the first time feel organic.

Sai Tej puts in a sincere effort and manages to hold his part, especially in emotional scenes. Pradeep Kotte gets a more layered role and delivers a controlled performance that adds weight to the narrative. The supporting cast blends well into the setting and helps maintain the film’s grounded tone.

There are moments, particularly involving the mother-son relationship and the communal viewing scenes, that land effectively. These portions reflect the film’s potential and offer glimpses of emotional depth. The background score supports such scenes without becoming overpowering.

Minus Points:

Despite a promising setup, the film struggles with consistency. The narration frequently loses grip due to loosely written and unnecessary stretches that dilute the core conflict. This issue becomes more prominent in the second half, where the story demands urgency but moves at an uneven pace.

While the film introduces multiple characters, most of them remain underwritten. As a result, the performances, though sincere, do not translate into memorable moments.

The love story between the leads lacks depth and fails to create a strong emotional pull. Similarly, the exploration of village dynamics such as ego clashes, jealousy, and social tensions feels surface-level, limiting the overall impact of the drama.

Technical Aspects:

Director V. Muniraju chooses a rooted and interesting concept but does not fully capitalise on it due to an inconsistent screenplay. A tighter narrative structure and better scene transitions could have significantly improved engagement.

Vansikanth Rekhana’s music complements the film in key moments, particularly in emotional stretches. Akshay Ram Podishetti’s cinematography effectively captures the rural setting and enhances the nostalgic atmosphere. The production values are neat, and the art department does a commendable job in recreating the period setting authentically.

Verdict:

On the whole, Thimmarajupalli TV has a nostalgic core and a premise that holds genuine appeal, but uneven storytelling holds it back from reaching its full potential. While a few emotional and village-centric moments work well, the lack of narrative tightness and depth makes the experience inconsistent. It ends up as a partially entertaining watch rather than a truly engaging rural drama. Keeping expectations in check will help in appreciating its better moments.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Bad Boy Karthik

Release Date : April 17, 2026
123telugu.com Rating : 2/5
Starring : Nagashaurya, Vidhi Yadav, Samuthirakani, Naresh, Saikumar, Vennela Kishore and others
Director : Ramesh
Producers : Srinivasa Rao Chintalapudi, Vijaya Kumar Chintalapudi,
Dr. Ashok Kumar Chintalapudi
Music Director : Harris Jayaraj
Cinematographer : Rasool Ellore
Editor : Kotagiri Venkateswara rao

Related Links : Trailer

Bad Boy Karthik is the least promoted film of Naga Shaurya. After many delays, the film has finally hit the big screens, and let’s see how the movie is.

Story:

Karthik (Naga Shaurya) is very fond of his sister Kasturi (Sridevi Vijayakumar), a reputed lawyer in Vizag. As Karthik roams around aimlessly and picks up fights with random goons, Kasturi decides to send him abroad. However, Karthik comes up with a plan to get his visa rejected so that he can stay with his sister.

Meanwhile, Kasturi locks horns with Govindappa (Mime Gopi), a dreaded goon from Kadiri who has affected the lives of many farmers. Enraged by this, Govindappa decides to kill Kasturi, and the rest of the film is about how Karthik saves his sister.

Plus Points:

Naga Shaurya delivers a sincere performance as a brother who goes all out to protect his sister. Even though the writing doesn’t offer much support, the actor does his best to elevate the proceedings. He also looks charming and stylish on screen. Sridevi Vijaykumar performs very well in her role. The interval fight sequence set against the backdrop of the Kadiri Jathara is well-shot and effectively choreographed, featuring massive crowds.

Minus Points:

The concept of ruthless villains trying to establish authority by affecting the lives of poor and innocent people, and the hero stepping in to save them, has been showcased in umpteen Tollywood films so far. Some recent films have also succeeded with this formulaic storyline. Audiences are fine with these done-to-death plot points, but what matters most is how they are presented. Bad Boy Karthik is very weak in this aspect.

From the word go, the film feels heavily outdated in almost every frame. The makers have visibly spent well, but perhaps they should have paid more attention to the writing, too. The farmers’ track lacks any emotional connect and doesn’t evoke much feeling. The screenplay lacks a proper flow and wanders around without much progression.

The love track between the lead pair is both boring and confusing. The film doesn’t even attempt to show when the female lead started having feelings for the hero. The episodes involving Saikumar and his wife try to evoke laughs, but they hardly land.

While the romantic track takes the center stage in the first half and causes boredom, the second half goes on and on with endless action that severely tests the patience levels. The villain characters are routine in nature and don’t have any freshness.

Technical Aspects:

Even Harris Jayaraj disappoints with his songs and background score, further weakening the overall experience. The cinematography by Rasool Ellore is good in some action episodes. The editing is weak, as the film drags on.

Coming to director Ramesh, he has taken up an old-fashioned concept and presented it in an equally old-school manner, making the overall film highly boring.

Verdict:

On the whole, Bad Boy Karthik is an outdated and disappointing action drama, with both halves failing to make any impact. Naga Shaurya and Sridevi Vijayakumar try their best to save this sinking ship, but the actors can’t make much difference when both the storyline and screenplay are weak and lack a contemporary touch. The emotions fail to connect, and the heavy action in the second half turns into a patience-tester. You can skip this film and look for better options.

123telugu.com Rating: 2/5