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Comrade Kalyan Review

Comrade Kalyan Review

Movie Name : Comrade Kalyan

Release Date : October 09 , 2026
123telugu.com Rating : 3/5
Starring : Sree Vishnu, Mahima Nambiar, Radhika Sarathkumar, Shine Tom Chacko, Upendra Limaye, Sathya and Others
Director : Janakiram Marella
Producer : Venkata Krishna Karnati
Music Director : Vijay Bulganin
Cinematographer : Sai Sriram
Editor : Chota K. Prasad

Related Links : Trailer

Sree Vishnu has now come up with the film Comrade Kalyan. The movie stars Mahima Nambiar as the female lead. Let’s see how it is.

Story:

Kalyan (Sree Vishnu) leases a theatre from his village head and runs it along with his friend. He falls for Odia girl Sitara (Mahima Nambiar), who once comes to his aid. While trying to win her heart, Kalyan unexpectedly becomes a part of a Naxalite gang, putting him in a do-or-die situation. What happens next forms the crux of the story.

Plus Points:

If you think Comrade Kalyan focuses on serious themes and communism, you are mistaken. Comrade Kalyan is designed as a fun ride, with the film never slipping into a dull and boring zone.

The movie prioritizing entertainment over other elements is undoubtedly its biggest asset. There have been many Telugu films that have touched upon Naxalism, but Comrade Kalyan follows a lighter approach, making the subject accessible to a wider section of the audience.

The fun segments are present in both halves, and they keep the proceedings going. After a shaky start, the movie finds its footing with the heroine’s entry, and the impact is further enhanced by Satya’s character.

Sree Vishnu is once again in his element, but this time, his performance comes across as sincere rather than being reduced to that of an entertainer. His fun scenes with Satya form the film’s heart. Mahima Nambiar looks pretty and does well in her role, while Sudarshan, Radhika, Upendra Limaye, and Shine Tom Chacko do what is expected of them.

Minus Points:

The movie takes a dull start initially. The way the characters have been established isn’t effective, with some moments feeling out of place. Some jokes don’t land as intended in the beginning. There are some dubbing issues as well in this part.

Post-interval, the momentum dips in some portions. The song celebrating the heroics of Sree Vishnu could have been much better, as it comes at a crucial juncture. The ending isn’t convincing and needed better presentation.

Technical Aspects:

Vijay Bulganin’s music and background score are decent but could have been better. Sai Sriram’s cinematography is elegant, while the editing is fine for the most part.

Writers Bhanu Bhogavarapu and Nandu Savarigana haven’t attempted something out of the box, but the way they have shaped the script with an interesting conflict for the protagonist, laced with comedy, is neatly done. The fun moments appear more enjoyable on screen than in the promotional assets. Janakiram Marella’s execution is fair.

Verdict:

On the whole, Comrade Kalyan is a time-pass entertainer featuring a decent storyline. The fun segments keep the proceedings going, with the Sree Vishnu-Satya duo delivering some fine laughs. The beginning is shaky, the climax isn’t very effective, and the movie does slow down at times. Thankfully, the momentum doesn’t dip for long, with the comedy taking center stage and making this one a passable watch.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

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Movie Name : Mandaadi

Release Date : September 10, 2026
123telugu.com Rating : 2.75/5
Starring : Soori, Suhas, Mahima Nambiar, Sathyaraj and Others
Director : Pugazhendhi Mathimaran
Producer : Elred Kumar
Music Director : G. V. Prakash Kumar
Cinematographer : S. R. Kathiir
Editor : Pradeep E. Ragav

Related Links : Trailer

Mandaadi is the latest Tamil drama to blend competitive sport with raw human emotion. Tamil actor Soori and Telugu actor Suhas play the primary roles in this film, which released in cinemas today. Here is an overview of how this coastal rivalry fares on the big screen.

Story:

Twenty years ago, Muthukaali (Soori) and Sattapuli (Suhas) from Kalingapatnam were thick friends and skilled traditional boat sailors. A bitter fallout shatters their bond, turning the companions into lifelong adversaries who dominate opposite sides of the village. The core narrative traces why Muthukaali abandoned the sport, the roots of Sattapuli’s local hegemony, and the high-stakes boat race that forces them to clash again.

Plus Points:

Tamil cinema explores yet another rural drama grounded in gritty realism. The lives of traditional seafaring communities and their rugged lifestyle are depicted with refreshing authenticity. Furthermore, competitive boat sailing is a rare theme on the big screen, making the sports aspect an immediate asset.

Soori has been making bold acting choices lately, and accepting this nuanced script is easily among his finest decisions. His performance is admirably subtle, allowing heavy emotional restraint and quiet presence to carry the weight. His silence throughout several crucial stretches proves far more impactful than lengthy dialogues.

Suhas proves to be an equally compelling counterpart in an intense antagonist role. Stepping into a menacing gray character is a sharp addition to his versatile filmography. His commanding vocal delivery and fiery screen presence make Sattapuli a magnetic figure to watch.

The psychological friction and war of words between the leads generate solid dramatic tension. The narrative gathers steady momentum through a well-staged exposition, peaking with a gripping pre-interval stretch and an interesting climax. Backed by solid action choreography and an energetic musical score, supporting performances from Mahima Nambiar, Sathyaraj, and Ravindra Vijay anchor the narrative.

Minus Points:

Despite several strong technical and dramatic elements, the narrative falters noticeably during the middle act. While the first half moves with purpose, the second half succumbs to formulaic predictability. The scenes advance on familiar genre beats, gradually dampening the viewing momentum.

The hostility between Soori and Suhas is well-established, yet the writing fails to dig deep into their fractured emotional history. Exploring their lost camaraderie with more emotional depth in the later portions would have lent greater weight to the final showdown. Without that emotional resonance, some of the high-stakes drama feels superficial.

While the boat-racing sequences are neatly mounted, injecting a few more clever narrative twists would have made the competition far more electrifying. In addition, Sathyaraj’s character feels visibly underutilised despite his steady presence in a brief role. A tighter edit and richer secondary conflicts could have elevated these undercooked sequences.

Technical Aspects:

Director and writer Mathimaran Pugazhendhi takes a commendable creative swing with an unconventional sporting backdrop. He succeeds in staging the central rivalry, though his writing falters when sustaining intrigue across the latter half. A tighter, more inventive screenplay could have transformed a decent drama into an exceptional one.

The technical crew provides sturdy support to keep the coastal atmosphere vivid. GV Prakash Kumar’s background score infuses raw momentum into the aquatic action, while SR Kathir’s camera work captures the rugged seascape handsomely. Pradeep E. Ragav’s editing is largely functional despite a few lingering scenes, and the Telugu localisation team ensures seamless dubbing that retains the film’s regional flavour.

Verdict:

On the whole, Mandaadi works in parts, blending a traditional water sport with a clash of pride and ego. Committed performances from Soori and Suhas, energetic boat-racing episodes, and a thunderous score work in its favour. However, the film struggles to maintain the same impact throughout, with a predictable second half and uneven writing holding it back. Some stretches manage to engage, but the film never quite comes together as a consistently compelling watch. Go with expectations in check if you consider watching it.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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