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Movie Name :Modha Rathri
Streaming Date : September 18, 2026
Streaming Platform : Netflix
123telugu.com Rating : 2.75/5
Starring : Rishikanth, Anishma Anilkumar and Others
Director : Raja Karuppasamy
Producers : Naveen Yerneni,Ravi Shankar Yalamanchili
Music Directors : Bharath Sankar
Cinematographer  : Surendran Paranjothi
Editor : Ashok Arjunan

Related Links : Trailer

Along with Ravi Teja’s Irumudi, Mythri Movie Makers released the Tamil film Modha Rathri in theatres on the same day. The film is now available to stream on Netflix with a Telugu audio option. Here’s our review of the film.

Story:

Maruthi’s (Rishikanth) parents arrange his marriage to Bujji Lakshmi (Anishma Anilkumar) without his knowledge or her consent, binding a man with a tragic past to a woman in love with someone else. Despite their reluctance, the wedding takes place, but drama erupts when Maruthi catches Lakshmi attempting to elope on their nuptial night. Whether he helps her escape or opposes her decision, and whether their families discover the truth, drive the rest of the narrative.

Plus Points:

Rishikanth does complete justice to his role with an understated, natural performance. He effectively brings out the silent grief of his tragic past while portraying his sheer bewilderment upon discovering his wife’s secret.

Joining him is Anishma Anilkumar, who delivers a solid performance that stands in sharp contrast to her previous work in Youth. While she sparks genuine laughter in her opening scenes, she shifts gears effortlessly in the later portions, where her vulnerability and helplessness render her character silent.

While organic humour runs throughout the film, the narrative quietly integrates social undertones like patriarchal boundaries imposed on women and parental dominance. It also touches upon caste-based condescension, subtly weaving these issues into the situational flow without turning preachy.

The slapstick comedy involving the character Nitish, played by the director himself, works out well through a string of awkward, funny misadventures. In addition, Bagavathi Perumal and Abdool Lee play their parts effectively, chipping in with a few decent chuckles.

Minus Points:

Because the narrative revolves around an incident unfolding over a single night, sustaining dramatic weight across a thin premise is naturally challenging. Although the director avoids going overboard, he struggles to keep the second half engaging.

The first hour breezes past with brisk situational chaos, but the post-interval stretch drags noticeably. Several sequences feel overextended, and tighter editing would have given the latter half a much better shape.

Although the predictable climax can be seen coming from a mile away, it lacks a neat, cohesive payoff. Instead of building genuine emotional or comedic drama around the resolution, the narrative settles for noisy commotion.

The Telugu dubbing is passable, yet leaving the songs entirely in Tamil reflects poor post-production effort. Furthermore, granting more screen time to seasoned comedy performers like Bagavathi Perumal and Abdool Lee could have supplied some much-needed energy to the lagging portions.

Technical Aspects:

Debutant director Raja Karuppasamy relies on an ordinary premise but fails to unlock its complete narrative potential. While he handles situational comedy and village eccentricities with ease, his writing lacks the structural depth required to sustain momentum throughout.

Surendran Paranjothi’s camera work remains functional, while Bharath Sankar’s background score suits the quirky mood. Editor Ashok Arjunan, who keeps the opening hour crisp, should have exercised firmer control over the bloated second half. The production values are strictly adequate.

Verdict:

On the whole, Modha Rathri is a routine rural comedy-drama saved in parts by organic humour. Rishikanth and Anishma Anilkumar anchor their roles well, and the initial situational humour lands neatly. On the flip side, predictable writing, overstretched scenes, and an uneven second half prevent it from being a truly satisfying watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Daayra

Release Date : September 18 , 2026
123telugu.com Rating : 2.5/5
Starring : Prithviraj Sukumaran, Kareena Kapoor Khan, Jitendra Joshi, Kshitee Jog and Others
Director : Meghna Gulzar
Producers : Dhaval Jayantilal Gada
Music Directors : Amit Trivedi
Cinematographer : Saurabh Goswami ISC
Editor : Charu Shree Roy

Related Links : Trailer

Daayra is the latest investigative crime thriller starring Prithviraj Sukumaran and Kareena Kapoor Khan in the lead roles. The film, directed by renowned director Meghna Gulzar, is now out in cinemas. The movie is based on real incidents, and let’s see how it is.

Story:

A gruesome rape takes place, and the incident becomes the topic of discussion. Cops nab the four criminals, but outrage grows among the public demanding instant justice, after which DCP Raman Kumar (Prithviraj Sukumaran) and his team encounter them during the crime scene recreation. DCP Raman creates a narrative that they retaliated only after the criminals attacked them by taking away some of their weapons. Amid huge pressure from the Human Rights Department, a Special Investigation Team (SIT) is formed, and DCP Ajooni Kohli (Kareena Kapoor Khan) heads it. What happens next forms the crux of the story.

Plus Points:

Though the film starts on a slow note, things get interesting after a while. What works well about Daayra is that it creates and maintains a gloomy atmosphere throughout, which suits the serious nature of the story.

The first half works fairly thanks to its interesting moments. The way the cops chase down the criminals and capture them is depicted in a realistic manner. The scene where Kshitee Jog shouts at the cops for their careless attitude is emotionally effective. Prithviraj Sukumaran once again brings his A-game and delivers a stunning act as a cop who has his own interpretation of what justice means.

Minus Points:
Daayra aims to present a moral battle between Prithviraj and Kareena’s characters, distinguishing between instant justice and justice served through the judicial system. Given its premise and the first half, one would naturally expect the latter half to be full of face-off/confrontation moments between the leads, discussing their ideologies. Unfortunately, the movie features just one small moment involving the leads, and that too at the end. The payoff is extremely weak.

It is really disappointing to see the film not explore the subject matter fully, with more conversations around the contrasting opinions surrounding a staged encounter. Interestingly, Prithviraj’s own film Jana Gana Mana, also based on the Hyderabad Disha case, has shown the other side of the coin with more insightful episodes and revelations.

Kareena Kapoor Khan gets less screen time, which is one key reason why the film feels less convincing. Her role should have been designed strongly enough to deliver the intended impact. The whole second half goes around aimlessly and becomes boring too.

Technical Aspects:
The background score by Ketan Sodha is fine, while Saurabh Goswami impresses with his visuals. Some intercuts are neatly done, and the production values are good.

Direction by Meghna Gulzar isn’t at the expected level. Given her body of work, the film feels mediocre and falls well short of satisfactory levels. There aren’t enough combination scenes between Prithviraj and Kareena to fully immerse the audience in the moral battle that the film tries to present. More emphasis was needed on the conflicting nature of the leads.

Verdict:
On the whole, Daayra is an underwhelming film that doesn’t make the most of its intriguing premise and holds back when it needs to deliver. The first half is neatly built with some gripping moments, but just when the movie is expected to make a stronger impact, the second half runs out of steam and offers no significant moments. The ideological differences established between the leads in the first half should have eventually led to a powerful face-off and a strong climax, but Daayra disappoints in this regard.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Movie Name : Haiwaan

Release Date : 11 September, 2026
123telugu.com Rating : 2.5/5
Starring : Akshay Kumar, Saif Ali Khan, Boman Irani, Shriya Pilgaonkar and Others
Director : Priyadarshan
Producers : Venkat K. Narayana (KVN),Shailaja Desai Fenn
Music Directors : Pritam Chakraborty
Cinematographer : Divakar Mani
Editor : Aiyappan Nair M.S.

Related Links : Trailer

Haiwaan marks the reunion of Akshay Kumar and Saif Ali Khan. Legendary director Priyadarshan directed this flick, and it is the official adaptation of the Malayalam film Oppam (2016). Despite several big names attached to the film, it created less excitement among the audience. Let’s see how the movie is.
Story:

Shyam (Saif Ali Khan) is a visually impaired man who works as a maintenance supervisor at an apartment complex. He shares a good bond with Pradhan (Boman Irani), a retired judge who lives in the same building. Under unexpected circumstances, Judge Pradhan is murdered, and the blame falls on Shyam. Who actually killed the judge? What risks does Shyam take to protect Pradhan’s daughter Nandini? What is Parashuram (Akshay Kumar), the killer’s connection with Pradhan? And why is Shyam determined to protect the little girl? That forms the crux of the story.

Plus Points:

Saif Ali Khan delivers a very mature performance as a visually impaired man. His screen presence stands out as one of the highlights of the film. Akshay Kumar surprises with his ruthless portrayal of the antagonist and a new look.

The second half moves at a faster pace compared to the first half. The cat-and-mouse game between the hero and the villain generates tension at times.

Some thrills suit the mood of the story and keep things moderately engaging. The hero’s efforts to protect the girl are effective. The star hero’s cameo in the climax is also appealing.

Minus Points:

Those who have already watched the Malayalam version or are familiar with the original story may not find much novelty here. Many scenes have been recreated almost exactly as they were in the original.

The film’s opening and first half move at a snail’s pace. The director takes his sweet time to establish Shyam’s character and introduce his backstory. Hence, Haiwaan offers very little in terms of engagement in the initial segments, causing boredom.

Some logical loopholes and the lengthy runtime can be tedious while watching the film. Crime thrillers should be crisp and avoid unnecessary elements. The songs are also unimpressive.

Technical Aspects:

Director Priyadarshan once again showcases his writing prowess. However, he misses his mark when it comes to the direction this time. A story like this deserved better treatment from him. Divakar Mani’s cinematography is good. Music by Preetham and Ralphie Raphael is disappointing. The editing needed more refinement.

Verdict:

On the whole, Haiwaan is a regular suspense crime thriller that falls short despite the Akshay Kumar-Saif Ali Khan-Priyadarshan combination. The basic premise and the performances are fine, but the routine remake format and slow-paced first half work against the film big time. Haiwaan has failed to generate interest among moviegoers, and hence, it will be tough for the film to survive at the box office.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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