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review

Movie Name : Dorothy

Release Date : October 2, 2026
123telugu.com Rating : 2.5/5
Starring : Keerthy Suresh, Sananth, Rishikanth and Others
Director : Karthik Subbaraj
Producers : Jyoti Deshpande, Guneet Monga Kapoor, Achin Jain
Music Director : Ilaiyaraaja
Cinematographer : S Thirunavukkarasu
Editor : Ganesh Siva

Related Links : Trailer

Dorothy marks the milestone tenth directorial venture of acclaimed Tamil filmmaker Karthik Subbaraj. The project gained considerable attention after its premiere at TIFF and arrived in Tamil theatres last week. Now releasing in Telugu, this rural period drama is presented by Rana Daggubati. Let us see how the film fares and whether it connects with Telugu viewers.

Story:

Set in 1995 in a rustic village, Subbu (Sananth) and Karthik (Rishikanth) share an inseparable bond that began in childhood. Karthik is headstrong and quick-tempered, while Subbu is gentler and finds comfort in the company of his sister-in-law, Dorothy (Keerthy Suresh). However, their peaceful world is shattered when an unexpected tragedy strikes Subbu’s home. Subbu then makes an unusual decision that angers his family and pushes Karthik into a deep moral conflict. How this situation unfolds and affects their friendship forms the crux of the narrative.

Plus Points:

Social discrimination remains a harsh reality across generations, whether driven by caste, status or outdated community beliefs. Karthik Subbaraj builds the film around these issues, particularly the idea of family honour being used to control others. The subject is handled with seriousness, though its heavy treatment limits its appeal to a specific section of viewers.

Rishikanth delivers a decent performance and carries much of the film’s emotional weight. He establishes his character reasonably well in the early portions, while the conflicts in the latter half bring out the character’s growing frustration and turmoil. His raw reactions suit the grounded nature of the story.

Sananth is also effective in a layered and challenging role. He brings vulnerability to the character and handles the emotional portions with restraint. The relationship between the two male leads forms the backbone of the film, moving through friendship, sorrow and anger. Their combination scenes after the interval provide some engaging moments.

Keerthy Suresh makes an impression despite her limited screen time in the titular role. Muthukumar also stands out as Whistle Veerayya, bringing the required intensity to his character. The rest of the supporting cast fit naturally into the rural setting.

Minus Points:

Heavy socio-political dramas of this nature are naturally niche and may not appeal to every section of the audience. The film deals with community-related themes and uncomfortable ideas around honour, which could make it a difficult watch for some viewers.

Moreover, plot leaks from the earlier Tamil theatrical release may reduce the impact of the central twist for those already familiar with the story.

The pacing is the film’s biggest weakness. While the first hour moves with reasonable purpose, the second half becomes considerably slower as the narrative approaches its main confrontation.

Several dramatic arguments cover similar ground, making the proceedings feel repetitive and testing the audience’s patience. As a result, the emotional impact of the later portions is not as strong as it could have been.

Technical Aspects:

Karthik Subbaraj attempts a serious and unconventional subject, and the film maintains a consistent rural period setting. His staging is controlled, while Ilaiyaraaja’s background score adds an appropriate melancholic mood to the narrative and complements the 1990s setting.

Tirru’s cinematography captures the village backdrop with natural lighting and grounded visuals. However, the editing by Ganesh Siva could have been tighter, particularly in the second half, where trimming repeated arguments would have improved the overall flow. The production design looks authentic, while the Telugu dubbing and lyrical translation are handled well.

Verdict:

On the whole, Dorothy is a slow-paced rural drama built around a sensitive social subject. Karthik Subbaraj attempts to explore the theme with seriousness, while Rishikanth and Sananth deliver decent performances in the lead roles. However, the sluggish second half, repetitive dramatic stretches and niche treatment prevent the film from making a stronger impact. It remains an okay watch for viewers interested in raw rural conflicts and theme-driven dramas, while general audiences looking for a faster-paced or more conventional film may be better off looking for other entertainment options.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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The Paradise

The Paradise

Movie Name : The Paradise

Release Date : September 24, 2026
123telugu.com Rating : 2.75/5
Starring : Nani, Mohan Babu, Kayadu Lohar, Raghav Juyal,Sampoornesh Babu, Sonali Kulkarni and Others
Director : Srikanth Odela
Producer : Sudhakar Cherukuri
Music Director : Anirudh Ravichander
Cinematographer : Ch Sai
Editor : Navin Nooli

Related Links : Trailer

Natural Star Nani’s The Paradise directed by Srikanth Odela created massive pre-release buzz, and amidst huge fan frenzy it has now hit the big screens. Let’s see how the movie is.

Story:

The Paradise revolves around an oppressed tribe called Savaari. Even after India attaining independence, they continue to live without an identity in the country under the ruthless monarch Shikanja Malik (Mohan Babu). How Jadal (Nani) rises against Shikanja Malik and fights to bring an identity to his people forms the crux of the story.

Plus Points:

One of the main highlights of The Paradise is its well-designed action episodes. The makers have gone all out without compromising on the budget, and the efforts are clearly visible in this aspect.

The film opens well with a disturbing sequence around the protagonist’s birth, and it sets the tone nicely for what’s to come. The movie works occasionally in the first half, with the cafe fight and interval portions standing out.

Nani has been effectively portraying mass roles in his recent outings, and with The Paradise, he once again delivers a sincere performance. The actor underwent a physical transformation for the character and did pretty well in the demanding fight sequences. Aaya Sher and Yeshanagula provide some respite.

Minus Points:

The biggest gripe about The Paradise is undoubtedly Srikanth Odela. Not only did he opt for an age-old template, but he also added nothing exciting to the screenplay to make the goings-on interesting. Audiences have started looking past routine stories when the presentation is good. But when that element doesn’t work fully, it’s tough to hold the attention throughout.

After a while, one will start wondering if the director has any ideas up his sleeve apart from the bloodbath and massacres to keep the proceedings going. Apart from Nani, no other character registers strongly. Even Sonali Kulkarni’s role loses its impact after a point.

The Paradise follows a chapter-wise narration, but by the time the movie concludes, one can barely remember them. There is a resemblance to many popular mass films, but The Paradise struggles to recreate their magic. The references to a famous Telangana political leader might draw whistles in Telangana, but the rest might not relate to them much.

The second half, in particular, is mostly boring without any high moments. The climax face-off should have been between Nani and Mohan Babu, but instead, we get to see a routine showdown involving cops. The heroine track is absurdly written, and it will surely raise eyebrows. Mohan Babu gets very little to do, while Sampoornesh Babu and Raghav Juyal are completely wasted.

Technical Aspects:

Anirudh’s songs work, but when it comes to the background score, he too can’t do much with the lack of support from the writing department. The sound mixing is bad, and the dialogues at times are not audible. The editing is abrupt, lacking seamless transitions from scene to scene. Even before we could feel anything, the next scene jumps in. Some scenes make us feel that the post-production was rushed.

Cinematography by CH Sai is solid, while the production values are excellent. Efforts are put in to make a larger-than-life film, but similar endeavours were needed regarding the story and screenplay. When the first glimpse dropped, many expected Srikanth Odela to deliver a hard-hitting film, but his work is certainly below par.

Verdict:

On the whole, The Paradise is a routine mass action drama with the fight blocks coming out well. Nani’s sincere performance, the pre-interval to interval stretch, and the chartbuster songs work, but the rest isn’t anywhere near what the team promised. The template storyline has been told in an underwhelming manner. Expectations were massive for Srikanth Odela, but he didn’t meet them with this one. Hence, the film ends up being a below average watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Missing Meghana

Release Date : September 18, 2026
123telugu.com Rating : 2.5/5
Starring : Ram Karthik, Ammu Abhirami, Vaidika Senjaliya, Ankith Koyya
Director : Jonnalagadda Vachaspati
Producers : Panchumarthi Naresh Babu
Music Director : R R Dhruvan
Cinematographer : Sam K Naidu
Editor : Basawa

Related Links : Trailer

Missing Meghana is a Telugu crime mystery thriller that hit the big screens today. Starring Ratsasan fame Ammu Abhirami in the lead role, the film revolves around the mysterious disappearance of a young woman. Here’s our review.

Story:

Meghana (Ammu Abhirami), a young woman who runs a bakery in Vizag, suddenly goes missing. The investigation that follows uncovers interesting details about her relationships, friends and enemies. Whether she is alive, why she went missing and whether she was kidnapped drive the story forward.

Plus Points:

Thrillers based on kidnappings are nothing new, but Missing Meghana sets up the story reasonably well in the initial portions. The investigation moves at a brisk pace in the first half, keeping the proceedings interesting and leaving little room for boredom.

Ammu Abhirami does her part well, while Goparaju Ramana delivers a neat performance as her father. RP Kaushik, who plays the investigation officer, puts in an adequate performance, while Ankith Koyya, as the heroine’s friend, is okay. Ram Karthik is also fine, and his scenes with Ammu in the second half bring some lighter moments and provide a break from the tense atmosphere.

Minus Points:

As mentioned, the basic theme is not new, so the film’s success depends largely on its execution. While the director handles the first half reasonably well despite a few flaws, the second half becomes prolonged. At certain points, the conversations and situations feel more like scenes from early-2010s romantic short films than a crime thriller.

The identity of the villain is also not difficult to figure out. A character close to the heroine suddenly going missing makes the mystery fairly easy to crack. There are also a few logical loopholes that are hard to overlook.

For instance, in today’s digital age, identifying a person’s name using a mobile number should not be presented as such a difficult task. Similarly, the hero’s claim that the heroine’s voice matches that of his ex-girlfriend does not quite work, especially when he fails to recognise the same voice when he meets her in person. These are some silly logical misses that are hard to ignore.

The musical score is another drawback. A thriller’s music should help build tension, but here it often gives the proceedings the feel of an older film. The movie could also have benefited from trimming some of the songs. The climax is also predictable and can be figured out well before it arrives, with the logical loopholes making the outcome even easier to anticipate.

Technical Aspects:

Writer-director Vachaspathy Jonnalagadda appears to have had an interesting idea on paper, but the execution falters, particularly in the second half. The prolonged sequences create a noticeable lag, and the screenplay fails to maintain a strong hook as the story progresses. Some scenes could have been developed better to keep the audience engaged.

R. R. Dhruvan’s music does not add enough tension to the proceedings. Sam K. Naidu’s cinematography is adequate, while the editing by Baswa Reddy could have been sharper, especially in the second half. The production values are satisfactory.

Verdict:

On the whole, Missing Meghana is a crime mystery thriller that offers little that is new. The film works in parts during the first half, but the second half loses momentum with prolonged scenes, predictable turns and logical loopholes. Ammu Abhirami is good in her role, while the supporting performances are adequate. It is best to look for better options this weekend.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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