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review

Movie Name : I’m Game

Release Date : September 03, 2026
123telugu.com Rating : 2.75/5
Starring : Dulquer Salmaan, Kayadu Lohar, Mysskin, Antony Varghese and others
Director : Nahas Hidhayath
Producer : Dulquer Salmaan
Music Director : Jakes Bejoy
Cinematographer : Jimshi Khalid
Editor : Chaman Chakko

Related Links : Trailer

I’m Game is the latest Malayalam movie that hit the big screens today. Dulquer Salmaan has joined hands with RDX-fame director Nahas Hidhayath for this action thriller. Amid decent buzz, the film is out now, and here’s the review to find out how it fares.

Story:

Dan John (Dulquer Salmaan) is a compulsive gambler who loses everything and ends up drowning in debt. Refusing to back down, he turns to cricket betting, only to lose whatever little he has left. Frustrated and desperate to recover his money, Dan creates a massive ruckus, an act that ultimately leaves his life hanging by a thread.

Following the incident, he slips into a coma. When he eventually wakes up, everyone assumes he has returned to normal, but Dan soon discovers that something bizarre has happened to him. What exactly happened to Dan? What is this strange phenomenon he has encountered, and how does he deal with the chaos that follows? The rest of the story reveals the answers.

Plus Points:

Dulquer Salmaan is well known for picking movies with fresh and interesting ideas. He has good taste in stories, and I’m Game is another honest try in that direction. The main plot feels new and makes people curious right from the start. That freshness is one of the biggest strengths of the movie.

Dulquer gives a very good performance, and there is almost nothing to complain about his acting. He puts in a lot of hard work, especially during the interval scene, which looks great on screen. The unusual story also gives him enough room to show different emotions and shades of his character.

Kayadu Lohar looks good on screen, and her scenes with Dulquer work well enough. Mysskin does a decent job as the villain, and Samyuktha Vishwanath leaves a good mark despite her small role. Antony Varghese enters in the second half and delivers a solid, emotional performance that helps the movie.

The background music, camera work, and fast editing in the fight scenes make the film look clean and stylish. All the technical departments come together nicely to give the movie a grand, commercial look.

Minus Points:

The story idea is fresh, but the way it is told on screen is quite normal. The first half sets up the plot nicely and brings in a big twist, which creates high hopes for the rest of the film. However, the second half slowly loses its grip because many scenes feel repeated and the story becomes easy to guess.

The action scenes are fun at the beginning, but they soon feel boring because you always know what is going to happen next. The director and writer should have added more surprises here to keep the excitement alive. Also, the cricket betting angle has been seen in many movies before, and the film does not show anything truly new with that topic.

The lengthy runtime is another big problem for the film. A story like this does not need nearly three hours to finish. Cutting about twenty to thirty minutes would have made the film much faster and far more enjoyable to watch.

Mysskin does an okay job, but his character needed a stronger presence to feel scary. A younger and more stylish villain could have made the hero-villain clash much more intense. As it stands, his role does not leave the kind of punch you expect from a main bad guy.

Technical Aspects:

The director, Nahas Hidhayath, starts with an exciting story idea, but he struggles to turn it into a non-stop thrilling ride. He shows real talent in a few sequences, but he needed a firmer grip on the story during the second half. Better pacing would have kept the excitement high until the very end.

The editing by Chaman Chacko is good in parts, especially during the big action scenes. However, he should have cut down several slow and repeated scenes to make the movie flow better. A tighter edit would have kept the audience far more engaged.

The cinematography by Jimshi Khalid makes every frame look rich and colorful. Jakes Bejoy’s background music is easily one of the best parts of the movie, as it brings great energy to the fight scenes. The overall production values are high and give the film a proper big-screen look.

Verdict:

On the whole, I’m Game has an interesting plot, but the average storytelling pulls it down. Dulquer Salmaan and the technical team do their best to lift the film, but the slow second half and predictable scenes stop it from becoming a big hit. The movie works only in bits and pieces, so action fans who like fresh ideas can give it a try with low expectations.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Sahaa

Release Date : September 4, 2026
123telugu.com Rating : 2.75/5
Starring : Shiva Kumar Kasaram, Swetha Lakshman
Director : Nishanth Doti
Producer : Teja Velpucharla
Music Director : Shekar Chandra
Cinematographer : Karunakar Kotteti
Editor : Dinesh Peddi

Related Links : Trailer

Directed by Nishanth Doti, Sahaa – Life of Sanju stars Shiva Kumar Kasaram and Swetha Lakshman in the lead roles. The movie garnered attention with the pre-release challenges made by the lead pair. The movie hit the big screens today, and let’s find out how it is.

Story:

Sanju (Shiva Kumar Kasaram) and Sahaa (Swetha Lakshman) are childhood sweethearts. Their love story becomes successful as they both get married. However, several dramatic developments take place in Sanju’s life. Meanwhile, Sahaa becomes pregnant. A few years later, where does Sanju’s life head? What happened between the couple? And how does that change Sanju’s life eventually? The film has the answers.

Plus points:

Sahaa revolves around love and memories spanning nearly four decades in a young man’s life, and the film manages to engage with some emotional moments and romantic elements. The way the story connects Sanju’s experiences while trying to recover from the pain of his past with the events in the present has been neatly handled.

The movie nicely depicts the mental state of a person who lives with the memories of the girl he loved deeply. The emotions that unfold along the way, along with a few family scenes, work well. Shiva Kumar Kasaram delivers a settled and effortless performance. His performance is particularly good in the climax. Swetha Lakshman is a major asset for the film. Her portrayal in the second half adds value to the movie.

Vrajana Pandya and other actors perform well within the scope of their roles. The main theme written by director Nishanth Doti is good. He also handled the emotional portions fairly well, particularly in the second half.

Minus Points:

Though the climax of Sahaa stands out, the story and narration are quite routine. In fact, the film has a strong central point, but the screenplay doesn’t do complete justice to it. While dealing with such a concept, the movie should ideally be driven by an engaging screenplay throughout, but that didn’t happen here.

The love track between the lead pair should have been built much more strongly. The initial half could have been handled more effectively, as it lays the foundation for the emotional moments in the latter half.

The pacing is slow in several moments, and the film would have benefited from stronger conflicts between the characters. That said, the director has elevated a few emotional moments.

Technical Aspects:

Director Nishant Doti does a decent job in a few portions as a director, but he doesn’t succeed as a writer. The screenplay he has penned doesn’t make the audience completely invested in the proceedings. The main theme chosen is good, though.

Sekhar Chandra is decent. The editing team could have trimmed the unnecessary portions to reduce the boredom factor. Karunakar’s cinematography is good, with some visuals presented both naturally and beautifully. Production values are adequate.

Verdict:

On the whole, Sahaa is an emotional drama that works only in parts. The emotional climax and a few moments featuring the lead pair came out well. However, the storytelling isn’t compelling enough to do justice to the film’s theme, and some routine moments work against the movie. Some elements in the film might connect to those in love.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Newton's 3rd Law

Movie Name : Newton’s 3rd Law

Release Date : July 31, 2026
123telugu.com Rating : 2.5/5
Starring : Sumanth Yarlagadda, Jagapathi Babu, Avasarala Srinivas, Ravi Varma and Others
Director : Rajesh Karna
Producers : Harish Kohirkar
Music Director : Sinjith Yerramilli
Cinematographer : Veda Vyas Gottipati
Editor : Anil Pasala

Related Links : Trailer

Actor Sumanth’s latest film, Newton’s 3rd Law, hits theatres today. Directed by debutant Rajesh Karna, the crime thriller also stars Jagapathi Babu and Srinivas Avasarala in pivotal roles. Here’s our review to find out how it fares.

Story:

Set in 1999 in Hyderabad, Vasu Dev (Sumanth) begins investigating the death of a youngster named Vinay (Trinadh Varma). He soon discovers that it was no accident, but a murder. As the investigation progresses, Vasu uncovers a connection between the deceased and Stephen Mercury (Jagapathi Babu), a ruthless criminal and smuggler. How is a college student connected to the underworld? Who killed Vinay? And what circumstances led to the murder? The answers unfold in the rest of the story.

Plus Points:

The core idea of Newton’s 3rd Law is built around the philosophy that every action has an equal and opposite reaction – a concept that also mirrors the belief in karma. Building a crime investigation thriller around this premise is an interesting choice, and the team deserves appreciation for attempting something concept-driven.

Sumanth fits the role of a serious investigator well and delivers a convincing performance. His character arc is neatly written and contains a subtle twist that works in the film’s favour. While he anchors the narrative, Trinadh Varma, whose character drives the entire story, leaves a good impression with his sincere performance. Given the right opportunities, the young actor has the potential to emerge as a dependable performer.

Shelley N. Kumar is equally impressive as Vinay’s mother. She delivers a natural performance, expressing both grief and restraint with ease. Ravi Varma, Jagapathi Babu and Srinivas Avasarala perform their respective roles effectively despite being confined to limited character arcs.

The opening portions and the climax are among the film’s biggest strengths. Rajesh Karna executes both sequences neatly, ensuring they leave a positive impression.

Minus Points:

A compelling story alone isn’t enough to make an engaging thriller. Even a slow-burn narrative works when the screenplay consistently builds intrigue. Unfortunately, that’s where Newton’s 3rd Law falters. While the premise has genuine potential, the screenplay lacks the grip needed to keep audiences invested.

The investigation often feels stuck in a loop, repeatedly covering familiar ground instead of pushing the narrative forward. As a result, the first hour feels stretched, with the story unfolding in fragments rather than gathering momentum. Frequent flashbacks further interrupt the flow, making the narrative feel repetitive. The second half doesn’t improve matters either. It is weighed down by lengthy conversations that revisit the same points without adding much to the drama.

The supporting characters, too, could have been written with greater depth. Jagapathi Babu gets very little scope to showcase his calibre, and the same applies to Srinivas Avasarala. Though both actors perform well within their limitations, their characters lack the dramatic weight needed to leave a stronger impact. Neha Pathan is okay, but her role also misses the opportunity to surprise.

Although the climax neatly ties together the loose ends and is executed well, the film has already lost much of its momentum by then. Had the narrative been tighter in the initial portions, the overall impact would have been far more effective.

Technical Aspects:

For a debutant, Rajesh Karna deserves appreciation for choosing an interesting concept with good potential. However, the execution falls short of doing complete justice to the idea. A tighter screenplay and sharper narration could have elevated the film into a far more engaging investigative thriller.

Technically, the film is supported by decent cinematography and a neat background score, both of which complement the mood of the narrative. The editing, however, is one of the major drawbacks, as several scenes could have been trimmed to deliver a crisper viewing experience. The production values are adequate.

Verdict:

On the whole, Newton’s 3rd Law has an interesting premise but ends up as a disappointing investigative thriller due to its sluggish screenplay and uneven execution. Sumanth delivers a convincing performance, while Trinadh Varma and Shelley N. Kumar leave a positive impression with their performances. However, the repetitive narration and excessive lags make it difficult to stay invested. With a tighter screenplay and sharper pacing, the film could have delivered a far more compelling experience. As it stands, this turns out to be a tough watch even for fans of investigative thrillers.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

 

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