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Movie Name : Purushaha

Release Date : May 22, 2026
123telugu.com Rating : 2.75/5
Starring : Battula Pawan Kalyan, Sapthagiri, Kasireddy Rajkumar, Rayancha Kokkura, Vishika, Hasini Sudheer, Vennela Kishore, Rajiv Kanakala, VTV Ganesh, Ananth Sriram, Pammi Sai, Mirchi Kiran
Director : Veeru Vulavala
Producer : Battula Koteswara Rao
Music Director : Shravan Bharadwaj
Cinematographer : Satish Mutyala
Editor : Koti
Related Links : Trailer

Battula Pawan Kalyan plays the lead role in the new family comedy-drama Purushaha, directed by Veeru Vulavala and produced by Battula Koteswara Rao. The movie hit the screens today. Let’s find out how it is.

Story:

Govind (Battula Pawan Kalyan), Sattibabu (Sapthagiri), and Srinu (Kasireddy Rajkumar) are close childhood friends who stick together even after getting married. However, everyday problems start affecting their married lives. Govind and Kamala (Rayancha Kokkura) get married after falling in love. But after the wedding, Kamala strongly suspects that Govind still hasn’t forgotten his ex-girlfriend, Rosy.

Satti and Srinu also face similar trust issues, which eventually push all three husbands away from their wives. Following a series of dramatic events, the three friends end up at the court seeking a divorce. What exactly did their wives do to them? What mistake did these three men commit? The rest of the story reveals whether the couples finally patch things up or separate for good.

Plus Points:

The movie revolves around an interesting question: what happens when a wife finds out about her husband’s past love life? The struggles of husbands and the clashes between couples offer decent entertainment. Punch dialogues like, “When a wife scolds her husband, he becomes more powerful,” will likely connect with the male audience.

Battula Pawan Kalyan neatly fits the role, Govind. He displays good body language, neat dialogue delivery, and performs very well in the flashback episodes. Govind’s marriage track, the characters linked to it, and the surrounding comedy scenes work out. Overall, the husband-wife comedy track manages to keep the audience reasonably engaged.

However, the film’s biggest strength is the performances of Vennela Kishore, Sapthagiri, and Kasireddy Rajkumar. The trio uses their comedy timing to generate good laughs in several scenes. Heroine Rayancha Kokkura acts very well and stands out as a major glamour attraction. Vishika and Hasini Sudheer also do full justice to their roles, adding to the visual appeal. Rajiv Kanakala and VTV Ganesh leave their usual mark. Ananth Sriram acts well, though his character could have been written better. Pammi Sai, Mirchi Kiran, and the rest of the cast perform adequately within their limits.

Minus Points:

The main issue is that the screenplay of Purushaha is very slow. The main conflict isn’t effective, and it’s hard to emotionally connect with the main characters. Additionally, the hero’s journey lacks a proper graph, which acts as a major drawback. Even though the director’s taking and the actors’ performances bring some interest, the not-so-exciting narrative and sluggish pacing drag the film down.

The story frequently gets sidelined by unnecessary scenes. The second half, in particular, moves at a snail’s pace and tests the audience’s patience. While a few comedy and romantic scenes work in this emotional family drama, the rest of the content simply doesn’t work. Trimming the runtime would have enhanced the impact of the film significantly. Crucial scenes end up feeling completely routine.

Technical Aspects:

Director Veeru Vulavala impresses with his taking. He uses graphics well to match the emotional tone of the scenes. While the core idea of mixing fun with family emotions is good, the narrative doesn’t maintain a steady flow, especially in the screenplay. Some entertaining portions exist, but emotional moments don’t quite hit the mark.

Shravan Bharadwaj provides a decent soundtrack. On the visual front, cinematographer Satish Mutyala captures the natural locations beautifully. However, the editing definitely needed to be much sharper. Producer Battula Koteswara Rao hasn’t compromised on the production values, and the movie looks rich on screen.

Verdict:

On the whole, Purushaha is a family comedy drama that works only in bits and pieces. The relatable marital struggles and some comedy scenes work. However, a dragged-out narrative, lack of interesting elements in the second half, and a slow-paced screenplay bring the movie down. Purushaha offers a few scattered laughs and romantic moments, but doesn’t fully live up to its promising premise.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Movie Name : Ramani Kalyanam

Release Date : May 22, 2026
123telugu.com Rating : 2.5/5
Starring : Deepshikha Chandran, Surya Vashistta, Srinivasa Reddy, Chaitu Jonnalagadda, Shyamala, Prabhavathi
Director : Vijay Adireddy
Producer : Kites Creatives
Music Director : Sooraj S Kurup
Cinematographers : Vijay Polaki, Sherif.M
Editor : Raviteja Girijala
Related Links : Trailer

Ramani Kalyanam is the latest Telugu film starring Surya Vashistta and Deepshikha Chandran in the lead roles. Directed by Vijay Adireddy, the film hit the big screens today. Here’s our review to find out how it fares.

Story:

Sanjana (Deepshikha Chandran) loses her eyesight in a car accident during her childhood. Meanwhile, Raj (Surya Vashistta), who dreams of playing cricket at the national level, loses his legs in a tragic incident just after getting selected. How do these two fall in love, and how does their relationship evolve? What is the other medical condition Raj suffers from? Did the two eventually get married or not? And what is the shocking truth Sanjana discovers toward the end? The rest of the film revolves around these questions.

Plus Points:

The two young lead actors deliver decent performances in the film. As the story progresses, there is visible improvement in both of their performances. Deepshikha Chandran looks beautiful on screen and carries her role well throughout the film. Surya Vashistta also performs well in a challenging role and maintains a decent screen presence.

Srinivasa Reddy, Shyamala, and the rest of the supporting cast perform well within the scope of their roles. Compared to the emotional portions earlier in the film, the final few minutes are handled in a better manner. A couple of twists planned toward the end also work reasonably well.

Another major highlight of the film is its music. The songs have been composed very well, and the credit clearly goes to the music director for enhancing the overall experience.

Minus Points:

With two differently abled lead characters at its core, the film had good scope for a much stronger emotional narrative that could have kept audiences emotionally invested throughout. However, that aspect is largely missing here. Though the makers designed a love story between the lead pair, the emotional connection between them does not come across effectively.

Except for the climax portion, the film hardly offers emotionally moving moments. Some dialogues delivered by the hero in the first half, along with a few illogical scenes, end up feeling silly. The basic storyline also gives shades of the film Anand.

Apart from that, the narrative remains predictable for the most part. Many scenes can easily be guessed by the audience within the first few minutes, and the film continues in a similar fashion. Had the love track between the lead pair been written with stronger emotions, the chemistry between them would have worked much better.

The second half also feels stretched in several places. A scene involving the heroine driving a car comes across as unnatural. Such moments turn out to be disappointing factors in the film.

Technical Aspects:

The production values in the film are fine. Suraj S. Kurup’s music turns out to be one of the biggest strengths of the film. All the songs composed by him are impressive and blend well with the narrative. Aravind Theerthakovel’s cinematography is adequate, while Ravi Teja Girijala’s editing is passable.

Coming to director Vijay Adireddy, he handled the casting and characterisation of the lead roles fairly well. However, the drama surrounding those characters needed to be much stronger. Except for the climax portion, the rest of the narrative feels flat. The film neither delivers strong emotions nor presents the love story in a refreshing manner. Considering the potential of the premise, his work could have been much better.

Verdict:

On the whole, Ramani Kalyanam is a routine drama that has a few passable elements in the form of its music and lead performances, but the film largely suffers from a flat and predictable narrative. Despite having a premise with emotional potential, the director fails to explore it in an engaging manner and instead settles for a simplistic treatment. Barring a few scenes towards the end, the film struggles to leave an impact.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Mr. Work From Home

Mr. Work From Home

Movie Name : Mr. Work From Home

Release Date : May 15, 2026
123telugu.com Rating : 2/5
Starring : Trigun, Payal Radhakrishna, Anish Kuruvilla, Satya Krishnan, Harshavardhan, Shivaji Raja, Venu Yeldandi
Director : Madhudeep Chelikaani
Producer : Arvind Mandem
Music Director : Arun Chiluveru
Cinematographer : Ravi Kumar.V
Editor : Kotagiri Venkateshwararao

Related Links : Trailer

Trigun and Payal Radhakrishna teamed up for an emotional family drama titled Mr. Work From Home. The film hit the screens today. Let’s see how it is.

Story:

Aravind (Trigun) firmly believes that managing life entirely through a “work from home” setup is the true mark of success. His routine gets a major shake-up when Mahi (Payal Radhakrishna) enters his life. Soon, Aravind’s work-from-home lifestyle triggers unexpected challenges regarding his family relationships and personal beliefs. How do things change for him after marriage? What exactly causes the friction between Aravind and Mahi, and where does his life end up? The rest of the movie answers these questions.

Plus Points:

The film manages to get a few family and romantic emotions right. The scenes leading up to the interval are decent and hold a bit of promise.

Trigun fits his role well, maintaining good looks and a suitable physique for the character of a home-bound professional. Payal Radhakrishna also delivers a neat performance as the female lead. The supporting cast, including Anish Kuruvilla, Satya Krishnan, Harshavardhan, and Shivaji Raja, does justice to their respective roles.

Minus Points:

The biggest issue with Mr. Work From Home is its incredibly slow screenplay, which fails to keep us engaged. The core conflict lacks depth, making it hard to connect with the main characters despite good performances. Additionally, the hero’s character arc feels poorly written and flat.

It’s highly doubtful that today’s generation will show interest in such a routine, old-school emotional drama. The story simply lacks freshness. While the director handles a few scenes decently, he completely ignores the heavy lag that plagues the narrative.

The lack of novelty, a dragged second half, and too many unnecessary scenes heavily dilute the plot. Even with a few okay comedy and romantic bits scattered around, the movie completely misses out on holding the attention as a whole.

Technical Aspects:

The core emotional idea is okay, but the execution is highly uninteresting. Prakash Cherukuri’s music is strictly average and doesn’t add much value. However, the cinematography by Ravi Kumar V stands out, capturing the natural visuals and indoor setups beautifully. The editing is fine, though the pacing needed a much tighter trim. Producer Aravind Mandem ensures good production values, making the film look visually pleasing despite its flaws.

Verdict:

Overall, Mr. Work From Home is a slow, predictable, and old-school emotional family drama. With a dragged-out narrative, uninteresting elements in the second half, and lack of depth in the core conflict, the movie becomes a tiresome watch. You can safely skip this one.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team

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