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Sharwanand

Movie Name : Biker

Release Date : April 03, 2026
123telugu.com Rating : 3.25/5
Starring : Sharwanand, Dr Rajashekhar, Malvika Nair & Others.
Director : Abhilash Reddy
Producers : Vamsi Krishna Reddy, Pramodh Uppalapati
Music Director : Ghibran Vaibodha
Cinematographer : J Yuvraj
Editor :  Anil Pasala

Related Links : Trailer

Sharwanand has now come up with the sports drama Biker. Directed by Abhilash Reddy, the movie stars Rajasekhar in a key role. Let’s see how the film is.

Story:

Vikas Narayan aka Vikky (Sharwanand) is a top-class motocross racer.. Since childhood, he is trained rigorously by his father Sunil Narayan (Rajasekhar). However, Vikky suddenly leaves the sport, putting his father in a tough spot.

Why did Vikky leave racing? How is he connected to Ananya (Malavika Nair)? What is her role in his life? What happened after Vikky left the sport? This forms the crux of the story.

Plus Points:

We have already seen multiple sports dramas in Tollywood, but motocross racing has never been explored before, and that becomes the USP of Biker. Even though a few moments appear familiar, the unexplored territory in Telugu cinema keeps the proceedings engaging, and credit where it’s due.

The sport sequences are superbly shot and choreographed. Some moments truly keep us on the edge of our seats. To make a film on a less popular sport in India by weaving emotional moments around it, the director does a pretty good job in helping the movie connect with the regular audience.

Sharwanand looks in his best shape, and it’s good to see him try his hand at multiple genres. He brings sincerity to his performance as a professional racer and is effective in the emotional segments as well. His scenes with Rajasekhar work well. With Biker, Rajasekhar (Angry Man) reaches a new level, playing his part with utmost dignity and elegance.

When veterans play their age and become an integral part of the story instead of trying to outshine others, it’s a pleasure to watch. From here on, Rajasekhar could become the go-to actor for character roles in Telugu cinema. The second half is comparatively more engaging with decent emotional depth. Malavika Nair is fine in her role.

Minus Points:

Biker plays it safe in key moments with familiar tropes, which prevents it from reaching the next level. The vulnerability of the protagonist should have been explored more during the actual racing portions to make it stand apart from regular sports dramas. Some elements feel too easy for the hero to achieve, which takes away from the realism.

Instead of external factors, if the hero had been troubled by his own internal thought process during the racing, the impact could have been much higher. The episodes involving the hero’s sponsorship needed better execution.

The racing scenes are no doubt solid, but the moments leading up to them could have been still better. The conflict point between the lead pair is meaningful, but it is underutilized. The first half is slow at times, and isn’t upto the mark on the whole.

Technical Aspects:

Ghibran’s background score is solid in the thrilling moments, and the sound design is excellent. Cinematographer Yuvraj does a fabulous job in picturizing the racing sequences. The editing is fine in the latter half, but needed improvement in the first half.

The production values are solid. Director Abhilash Reddy takes up a not-so-popular sport and delivers an engaging film with a fair number of good moments. Had he avoided a few clichés, the movie could have reached a whole new level.

Verdict:

On the whole, Biker is an engaging sports drama with a never-before-explored motocross racing backdrop and good performances. The racing scenes are brilliant, and the film is carried by Sharwanand and Rajasekhar with their impressive performances. The first half is slow, and there are a few convenient moments. The use of certain tropes could have been avoided for better impact. Nonetheless, if you enjoy sports dramas, Biker turns out to be a satisfactory watch.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team 

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Nari-Nari-Naduma-Murari

Nari-Nari-Naduma-Murari

Charming Star Sharwanand recently scored a hit with the rom-com entertainer Nari Nari Naduma Murari. The movie directed by Ram Abbaraju of Samajavaragamana fame succeeded in entertaining the audiences despite heavy competition during the Sankranthi season.

The film has now started streaming on Prime Video in Telugu, Tamil, Hindi, Kannada, and Malayalam languages along with English subtitles. What’s surprising is that Nari Nari Naduma Murari made its OTT debut just three weeks after its theatrical release.

Samyukta and Sakshi Vaidya played the female leads. Sunil, Naresh Vijayakrishna, Sampath Raj, Vennela Kishore, and others appeared in supporting roles. Nari Nari Naduma Murari is bankrolled by Ramabrahmam Sunkara under the AK Entertainments banner, in association with Adventures International Pvt. Ltd. Vishal Chandrashekhar is the music composer.

 

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Nari-Nari-Naduma-Murari

Nari-Nari-Naduma-Murari-eng

Movie Name : Nari Nari Naduma Murari

Release Date : Jan 14, 2026
123telugu.com Rating : 3.25/5
Starring : Sharwanand, Samyuktha, Sakshi Vaidya, Sree Vishnu, Satya and Others
Director : Ram Abbaraju
Producers : Anil Sunkara, Ramabrahmam Sunkara
Music Director : Vishal Chandra Shekar
Cinematographers : Gnana Shekar VS, Yuvraaj
Editor :  A Sreekar Prasad

Related Links : Trailer

Charming Star Sharwanand’s latest film Nari Nari Naduma Murari hit the big screens today amid high expectations. The buzz is higher as the film comes from Ram Abbaraju, who earlier delivered the comedy entertainer Samajavaragamana. Check out the review to find out how Sharwa’s latest fares.

Story:

Gautham (Sharwanand), an architect, is in love with Nitya (Sakshi Vaidya). Her father, Ramalingaiah (Sampath Raj), feels their relationship lacks intensity since they never fight. Though he eventually agrees to the marriage, he insists that it be conducted at a registrar office. Gautham refuses, as he has a deep personal connection with that place from his past. Determined to make the wedding happen peacefully, Gautham tries to sort things out, but events do not go in his favour. What is his connection to the place? What happened in his past? Did he have a girlfriend or was he married earlier? Who is Dia (Samyuktha), and how is she connected to the story? Does Nitya know about any of this? The film gradually unfolds the answers.

Plus Points:

Sharwanand takes on a full-fledged comedic role and delivers entertaining moments throughout the film. His ease in dialogue delivery and expressions work well. He appears in two different avatars, and both are convincing.

Naresh is the biggest strength of the film. He elevates even ordinary scenes with his presence. His dialogues not only irritate the on-screen characters but also generate consistent laughs among the audience. Whenever he appears, the scenes are executed effectively and evoke humour.

Sakshi Vaidya looks charming, and Samyuktha is equally appealing. Both fit well into the film’s tone. Sudhakar, Vennela Kishore, and others support the comedy effectively in their respective portions.

Minus Points:

The film follows a very familiar premise, making it easy to predict what comes next in several scenes. While comedy is infused and works in parts, the story often takes a back seat.

The female characters could have been written better, especially in terms of emotional depth. It appears that the director chose to keep the narrative light and avoid heavy emotional beats, but a stronger script could have balanced both entertainment and emotion.

Actors like Srikanth Aiyengar and Vennela Kishore, who delivered solid performances in Samajavaragamana, are underutilised here. Given the expectations, their limited roles end up disappointing.

Technical Aspects:

Director Ram Abbaraju aims to tell a story driven more by humour than emotion. However, this genre still requires a basic emotional connect, which is missing at times. The comedy does not land consistently, and tighter writing could have helped the film appeal more widely.

Cinematography by Yuvaraj and Gnansekhar VS is adequate, with the visuals looking pleasant. Editing is neat. Vishal Chandrasekhar’s background score is fine, but the songs fail to leave a strong impression. Production values are decent.

Verdict:

On the whole, Nari Nari Naduma Murari turns out to be a reasonably engaging Sankranthi entertainer. Sharwanand delivers a comfortable performance in a comedy-driven role, while Sakshi Vaidya and Samyuktha do well within their limited scope. Naresh stands tall and emerges as the film’s biggest asset, lifting many scenes with his impeccable timing. While some portions of the first half feel routine and familiar, and the emotional moments could have been handled better, the film still offers enough humour. It makes for an easy festive viewing experience for everyone.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team 

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