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Telugu Reviews

Movie Name : Transfer Trimurthulu

Release Date : June 19, 2026
123telugu.com Rating : 2.5/5
Starring : Vadde Naveen ,Rashi Singh ,Shilpa Tulaskar,Vivek Raghuvansi,Raghu Babu, and others
Director : Kamal Teja Narla
Producers : Vadde Naveen
Music Director : Kalyan Nayak
Cinematographer : Karthik Sujatha Saikumar
Editor : Vijay Mukthavarapu

Related Links : Trailer

Transfer Trimurthulu marks veteran actor Vadde Naveen’s comeback to the silver screen after a decade long hiatus. The cop action drama also starring Rashi Singh hit the big screens today. Let’s see how the movie is.

Story:

As the title suggests, Transfer Trimurthulu is about a constable (Vadde Naveen) who is often rewarded with transfers as he becomes a thorn in everyone’s side due to his truthful nature and strong work ethic. His honesty even leads to the collapse of a state government as he tries to expose a crime committed by one of the top leaders in the ruling party. What is that crime? Why does Trimurthulu take it so seriously? What challenges do he and his family face in this regard? This is what the movie is about.

Plus Points:

Generally, a protagonist trying to save someone who is genuinely in danger comes across as a routine scenario. But what if he attempts to save someone who is only pretending to be in danger? This particular moment is neatly executed and stands out as the main highlight of the first half.

The film starts off well with the introduction of Trimurthulu’s character and the problems that stem from his approach to work. Also, the director tried to present the hero as an underdog, and it actually made sense. There are heroic moments, but they don’t come across as over-the-top and blend well with the hero’s characterization.

Vadde Naveen looked comfortable in most scenes, and his body language suits the role quite well. There are some fun moments, and the actor performs well in those portions. Shilpa Tulaskar is fine as the Chief Minister.

Minus Points:

The core point chosen doesn’t have enough meat, and that’s the key shortcoming of Transfer Trimurthulu. The hero trying to expose a crime and deliver justice to the victim is a theme that has already been explored in many films, and there aren’t any out-of-the-box ideas to compensate for the familiar premise. The screenplay isn’t written well either to hold the attention throughout. There are decent moments, but they are few and far between.

The court proceedings towards the end remain watchable thanks to the presence of Vadlamani Srinivas and Sivannarayana, but the twist dilutes the impact altogether. It is highly reminiscent of a decade-old star hero film which also dealt with a similar theme.

An original idea with better writing for the climax could have worked much better. Not just this, but there is one more such crucial sequence where the protagonist saves his family skillfully, but again that isn’t unique. Rashi Singh’s character has limited scope.

The emotional core of the film isn’t as strong as intended. The family bond and the hero’s dynamic with his father feel mechanical. Upcoming filmmakers should avoid songs altogether when they don’t contribute to the narrative much. In particular, the special song involving a crucial eyewitness in a very important case, whose testimony could even bring down a government, didn’t seem logical.

Technical Aspects:

Songs by Kalyan Nayak are just okay, while the background score is impactful in some key moments. Karthik Sujatha Saikumar’s cinematography is good. The political meeting scene and the fight following it are captured well. The editing is below-par, while the production values are neat.

Debutant Kamal Teja could have done a better job. While the team promised unique content and thrilling elements, the film doesn’t feature anything groundbreaking and that’s the major complaint. Few moments are handled well, but the rest of the portions aren’t satisfactory.

Verdict:

On the whole, Transfer Trimurthulu is a familiar action drama with some decent moments here and there. Vadde Naveen’s honest performance and his underdog characterization are the main highlights. The lack of uniqueness in the plot and the underwhelming screenplay, coupled with seen-before ideas, bring the movie down.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Vanda-Devullu-Review

Vanda-Devullu-Review

Movie Name : Vanda Devullu

Release Date : June 19, 2026
123telugu.com Rating : 2.75/5
Starring : Vijay Antony, Swasika, Ajay Dhishan, Lijomol Jose, Karunaas, Sakthi, Kavya Anil
Director : Sasi
Producer : Meera Vijay Antony
Music Director : Balaji Sriram
Cinematographer : Viji Satheesh
Editor : Harish Yuvaraj

Related Links : Trailer

Vanda Devullu (Nooru Saami) marks the reunion of Bichagadu (Pichaikkaran) actor Vijay Antony and director Sasi. Their previous collaboration earned appreciation from audiences, creating a fair amount of curiosity around this film. With the movie hitting theatres today, let’s find out whether it lives up to the expectations.

Story:

Vaasavi (Swasika) is a middle-aged single mother raising her two sons, Baskar (Ajay Dhishan) and Vivek (Sakthi). As the sole breadwinner of the family, she shoulders every responsibility on her own. At one stage in her life, she wishes to remarry and start afresh. However, Baskar strongly opposes the idea, believing that marriage at her age would be inappropriate and socially unacceptable. Years later, Baskar undergoes a change of heart and realises that his mother deserves companionship and happiness. He begins encouraging her to remarry, but by then, Vaasavi herself is unwilling to take that step. This emotional conflict becomes the foundation of the story. Will she eventually agree to remarry, or will she spend the rest of her life alone? How do the villagers react when they learn about the situation? What is the response from her relatives? And how is Yedu Kondalu (Vijay Antony) connected to these developments? The film answers these questions as the narrative unfolds.

Plus Points:

Swasika delivers a remarkable performance and proves to be the film’s biggest strength. At first, one may wonder why she chose to portray a character much older than her real age. However, as the story progresses, it becomes evident why she accepted the role. The character is emotionally demanding and carries the weight of the entire narrative. Swasika embraces the challenge wholeheartedly and delivers a performance filled with conviction, maturity, and emotional depth. Her expressions, body language, and dialogue delivery elevate several scenes.

The film’s central premise is engaging. While the concept itself is not entirely new, the fact that it is inspired by a real-life incident involving a mother from a conservative village adds authenticity and emotional weight. Director Sasi presents the struggles faced by Vaasavi and the reactions of her relatives in a realistic manner. Many situations feel genuine because they mirror how people in similar circumstances might actually behave.

Ajay Dhishan performs adequately in his role and does what is required. Vijay Antony enters the narrative in the latter half and brings noticeable energy to the proceedings. His scenes with Swasika are among the film’s highlights and contribute significantly to the emotional impact. The second half, in particular, succeeds in keeping the audience invested, as the film effectively builds curiosity about how Vaasavi’s journey will ultimately conclude.

Minus Points:

The biggest drawback of Vanda Devullu is its sluggish first half. The narrative repeatedly circles around the same emotional conflict between the mother and her sons, making the proceedings feel repetitive. Instead of creating anticipation about where the story is heading, several scenes give the impression that the film is moving in circles. As a result, the audience is left waiting for the story to progress meaningfully before the interval.

The drama also needed stronger writing. Given the emotional potential of the subject, the film could have explored the conflicts with greater intensity and generated stronger emotional stakes. While the core idea is compelling, the screenplay often settles for a surface-level treatment instead of extracting maximum impact from crucial moments.

Another issue is the underutilisation of several supporting characters. The film introduces multiple characters who appear important initially but ultimately have very little influence on the narrative. Better usage of these roles could have added more depth to the story.

A number of scenes in the first half and a few in the second half feel stretched beyond necessity. Tighter narration and sharper editing would have significantly improved the overall pace. Additionally, the frequent insertion of comedy during emotionally charged moments weakens the dramatic impact. This tonal inconsistency affects several scenes that could have otherwise landed with greater effectiveness.

Technical Aspects:

Director Sasi deserves credit for handling the emotional core of the story with sincerity. His strength lies in portraying human relationships and social realities with authenticity. However, the screenplay lacks the urgency required to keep the audience consistently engaged, especially during the first half. Stronger writing and a more focused narrative could have elevated the film considerably.

Darshan Kirlosh’s cinematography effectively captures the rural setting and lends authenticity to the proceedings. The village atmosphere feels natural and believable throughout. Harish Yuvaraj’s editing is one of the weaker aspects of the film, as several sequences could have been trimmed for better impact. Balaji Sriram’s music serves the narrative reasonably well, though portions of the background score occasionally evoke a sense of familiarity. The Telugu dubbing is decent and blends well with the narrative. Bhashyasree’s Telugu dialogues are sharp and suit the emotional nature of the story.

Verdict:

the whole, Vanda Devullu works to an extent, thanks to its emotionally driven storyline and Swasika’s outstanding performance. She is the film’s biggest strength, while the second half delivers several engaging moments and emotional payoffs, with Vijay Antony adding value through his presence. However, a slow and repetitive first half, underutilised supporting characters, and an uneven screenplay hold the film back from reaching its full potential. Despite these flaws, its strong emotional core and realistic portrayal of a sensitive subject make it just a passable watch for fans of character-driven dramas.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Web Series Name : Save The Tigers S3
Streaming Date : June 19, 2026
Streaming Platform : JioHotstar
123telugu.com Rating : 3/5
Starring : Priyadarshi, Abhinav Gomatam, Chaitanya Krishna, Seerat Kapoor, Vennela Kishore
Director : Sriraam Eragam
Producers : Shiva Meka, Sahiti Chintalapudi
Music Director : N. Venkata swamy
Cinematographer  : S.V. Vishweshwar
Editor : Ajay Arasada

Related Links : Trailer

Save The Tigers is back with a brand new season, and the third installment is now streaming on JioHotstar. The lovely couples Priyadarshi and Jordaar Sujatha, Abhinav Gomatam and Pavani Gangireddy, and Krishna Chaitanya alongside Deviyani Sharma return to bring another round of chaos, emotions and comedy. Does the latest season live up to the success of its predecessors? Let’s find out.

Story:

After the chaos surrounding actress Hamsalekha (Seerat Kapoor), Ghanta Ravi (Priyadarshi) moves with his family to a new community. Rahul (Abhinav Gomatam) finds himself stuck in a job he hates, while Vikram (Chaitanya Krishna) struggles to move on from his divorce. Frustrated with how their lives have turned out, the trio reunites and questions Lord Indra (Vennela Kishore). Determined to give them a fresh start, Indra tasks Chitragupta (Gundu Sudarshan) with setting things right. Arriving on Earth with an unexpected proposal, Chitragupta offers the three friends a life-changing deal. Will they accept it, and what consequences will follow? The answers unfold in the latest chapter of their journey.

Plus Points:

Save The Tigers S3 gets a new director in Sriraam Eragam, but the shift is hardly noticeable as the series retains the same flavour that made the first two seasons popular. The biggest strength of the new season is that it never forgets its primary purpose, which is to keep the audience engaged with light-hearted fun.

The fantasy angle adds freshness to the proceedings and opens the door for several entertaining moments. Priyadarshi and Abhinav Gomatam are dependable as always and deliver exactly what is expected of them. However, the biggest surprise this time is Krishna Chaitanya. His portrayal of a frustrated man dealing with personal issues results in some of the season’s best moments. His attire, expressions, dialogue delivery and body language work very well, making him the standout performer of the show.

Jordaar Sujatha, Pavani Gangireddy and Deviyani Sharma are good in their respective roles and contribute effectively to the narrative. Deviyani Sharma gets a noticeably different character this time around and handles it with ease. Her innocent nature and fearful attitude towards her husband generate a few amusing moments.

Rohini once again proves to be one of the major assets of the series. Her comic timing is spot on and many of her scenes land perfectly. She particularly shines in the climax portions. Gundu Sudarshan performs his role well, while the emotional moments woven into the narrative also work for the most part and prevent the show from becoming one dimensional.

Minus Points:

While the season succeeds in generating plenty of laughs, the excessive use of cuss words and repeated references to adultery may not go down well with family audiences. Considering the franchise enjoys a wide family following, these aspects could have been toned down.

The middle portion suffers from pacing issues. A couple of episodes feel stretched and certain situations continue longer than necessary. A tighter screenplay would have made the viewing experience more engaging.

Vennela Kishore gets an interesting role, but his potential is not fully utilised. Given his strengths as a performer, a few additional scenes involving his character could have added more value to the overall proceedings.

Technical Aspects:

Director Sriraam Eragam does a good job of maintaining the spirit of the franchise. Along with the writers, he succeeds in delivering an enjoyable season despite a few pacing issues. The writing works well in several places, particularly during the interactions between the lead characters.

The production values are neat and consistent with the standards set by the previous seasons. Shravan Katikaneni’s editing is decent, though trimming some portions in the middle would have helped. S. V. Vishweshwar’s cinematography serves the story well, while Ajay Arasada’s music complements both the humorous and emotional moments effectively.

Verdict:

On the whole, Save The Tigers Season 3 is a watchable fun series and is elevated by the performances of Priyadarshi, Abhinav Gomatam, and Krishna Chaitanya. The fantasy element brings a fresh twist, and several comedy moments work well. While the middle portions feel a bit stretched and some jokes may not resonate with everyone, the series still delivers enough entertainment. Fans of the previous seasons are likely to find this latest installment an enjoyable weekend watch.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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