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Super-Subbu Review

Super-Subbu Review

Web Series Name : Super Subbu
Streaming Date : July 2, 2026
Streaming Platform : Netflix
123telugu.com Rating : 3/5
Starring : Sundeep Kishan, Mithila Palkar, Murli Sharma and others
Director : Mallik Ram
Producers : Rajiv Chilaka, Bharath Laxmipati
Music Director : Anudeep Dev
Cinematographer : AJ Aaron
Editor : Viplav Nyshadam

Related Links : Trailer

Super Subbu is Netflix’s first Telugu original series. Headlined by Sundeep Kishan, it also marks Bollywood actress Mithila Palkar’s Telugu OTT debut. Created and directed by DJ Tillu fame Mallik Ram, this seven episode comedy drama is now streaming. Here’s our review.

Story:

Subramanyam Chilukuri Rao, aka Subbu (Sundeep Kishan), works as a computer teacher, a job he dislikes but continues because of his father, Kukkuteswara Rao (Murali Sharma). After an unexpected incident puts his career at risk, Principal Madhusudana Rao (Brahmanandam) appoints him as a government Sex Education Officer in Makhipur, Telangana, a village with an unusually high birth rate. Tasked with spreading awareness about family planning, Subbu must deal with the village’s eccentric residents, overcome several unexpected challenges, and navigate his own personal life. How he manages all of this forms the rest of the story.

Plus Points:

The biggest strength of Super Subbu is its refreshing premise. Choosing sex education as the central theme is a bold move, especially in Telugu content where the subject is rarely explored. The series presents the topic with a light hearted approach while also addressing the social stigma and hesitation surrounding it, making the narrative both relevant and accessible.

Sundeep Kishan once again proves his versatility with a terrific performance as Subbu. He fits the role perfectly, balancing comedy and emotion with ease while making the character relatable throughout. His chemistry with Murali Sharma works well, and his effortless screen presence ensures the series remains watchable even during its inadequate moments. It’s another solid performance from the actor. Murali Sharma is dependable as always, while Getup Srinu contributes with effective comic timing. Despite limited screen time, Mithila Palkar leaves a pleasant impression in her Telugu OTT debut.

The series also deserves credit for attempting something different. It blends comedy with a meaningful social message without becoming preachy. The latter episodes offer better emotional moments, and the supporting cast, including Brahmanandam, Divya Pillai, Jeevan Kumar, and Raghu Babu, fit their roles well and contribute to the overall entertainment.

Minus Points:

While the premise is refreshing, the screenplay occasionally loses momentum, particularly in the middle episodes where a few scenes feel stretched and could have been trimmed for a crisper narrative.

The emotional writing works in parts, but a few scenes could have delivered greater impact with stronger character development. The romantic track between Subbu and Manasa also remains fairly basic and misses the opportunity to leave a stronger emotional impression.

The pacing remains slightly uneven across the seven episodes. A tighter edit would have made the overall viewing experience more engaging and consistent.

Technical Aspects:

Mallik Ram deserves appreciation for choosing an unconventional subject and presenting it in an accessible and entertaining manner. While the screenplay could have been tighter in parts, the series succeeds in balancing comedy with its underlying social message. AJ Aaron’s cinematography captures the rural backdrop neatly and complements the narrative well.

Anudeep Dev’s music blends well with the proceedings, while the background score supports both the emotional and comic moments. Viplav Nyshadam’s editing is decent, though trimming a few stretched portions would have improved the pacing further. The production values are consistently good.

Verdict:

On the whole, Super Subbu is a watchable comedy drama that benefits from a refreshing premise and sincere performances. Sundeep Kishan delivers a likeable performance, while the supporting cast adds to the series’ charm with capable performances. Although the screenplay loses some momentum in the middle and a few character arcs could have been fleshed out better, the humour, emotional moments, and socially relevant theme keep the narrative engaging. If you’re looking for a light hearted entertainer with a refreshing backdrop and a meaningful message, Super Subbu is worth checking out.

123telugu.com Rating: 3/5
Reviewed by 123telugu Team 

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Web Series Name : Gurthukosthunnayi
Streaming Date : July 3, 2026
Streaming Platform : ETV Win
123telugu.com Rating : 3.25/5
Starring : Viraj Ashwin, Yashashree Rao, Rohini Hattangadi
Director : Winod Gali
Producer : Sarath Chandra Naidu
Music Director : Suhas
Cinematographer  : Rehan Shaik
Editors : Sreedhar Sompally ; Venkatesh Chunduru

Related Links : Trailer

ETV Win’s latest Telugu original series, Gurthukosthunnayi, has made its digital debut today. Featuring Baby fame Viraj Ashwin and marking social media influencer Yashashree Rao’s Telugu debut, the family drama arrived with a nostalgic premise that caught viewers’ attention. Has it lived up to the expectations? Here’s our review.

Story:

After overcoming countless hurdles, Santosh (Viraj Ashwin) finally convinces the strict principal Raghunath (Priyadarshini Ram) to let him marry his daughter, Vaishali (Yashashree Rao). Just when everything seems to fall into place, Santosh heads to Goa for a bachelor party with his childhood friends Bomma Anand (Godavari Gopi), Ganesh (Viva Raghava), and Srikanth (Pavan Siddu). However, an unfortunate accident changes his life completely, leaving him with a condition that allows him to remember only recent events while erasing his past memories. As this unexpected turn threatens the wedding, Santosh and his loved ones are forced into an emotional dilemma. Will the marriage still happen? How do his parents cope with the situation? Does Vaishali’s family discover the truth? The answers unfold in the rest of the series.

Plus Points:

The biggest strength of Gurthukosthunnayi is the way it evokes nostalgia. Built around a simple premise, the series beautifully recreates moments that instantly transport viewers back to their childhood. From copying during exams and pulling harmless pranks on teachers to impressing a school crush, making lifelong friends, and cherishing precious moments with grandparents, every situation feels authentic and relatable. Rather than using these moments merely as emotional triggers, the series organically integrates them into the narrative, making them resonate on a deeply personal level.

The seven-episode format largely works in the series’ favour, ensuring the narrative remains engaging without overstaying its welcome. One of the most enjoyable stretches comes when Santosh’s friends recreate incidents from their school days in an attempt to help him reconnect with his forgotten past. Their friendship feels genuine, while the clean, situational humour that emerges from these interactions keeps the narrative consistently entertaining without becoming loud or repetitive.

The emotional portions are equally compelling. The fifth episode emerges as the emotional backbone of the series, exploring one of Santosh’s most cherished relationships with remarkable sensitivity. The finale provides a touching conclusion that brings the protagonist’s journey full circle with warmth and sincerity. The flashback portions are executed with remarkable honesty, allowing the emotional beats to land effectively.

Viraj Ashwin delivers a sincere and restrained performance, relying more on subtle expressions than lengthy dialogue to convey Santosh’s emotional journey. Priyadarshini Ram is excellent as the strict yet caring father, convincingly portraying the concern and vulnerability of a parent preparing to marry off his daughter. Rohini Hattangadi delivers one of the finest performances in the series, particularly in the fifth and final episodes. Viva Raghava once again proves his versatility by excelling in both comedy and emotional scenes, while Godavari Gopi, Pavan Siddu, and Shiva Narayana Naripeddi provide dependable support and make the friendship and family portions even more enjoyable.

The flashback sequences receive additional strength from the child actors, who convincingly portray the younger versions of the lead characters. Their natural performances add authenticity to every nostalgic moment and significantly enhance the emotional impact. Suhas’s songs blend seamlessly into the narrative, enriching the storytelling without interrupting its flow.

Minus Points:

The storyline itself is fairly simple and predictable. Although the execution remains engaging, the narrative doesn’t offer many surprises. A few portions in the middle episodes briefly lose momentum before the narrative regains its grip soon after.

Yashashree Rao looks charming on screen, but her character is underwritten and offers limited scope to showcase her acting abilities. As a result, she doesn’t leave as strong an impression as the rest of the principal cast.

Technical Aspects:

Director Winod Gali deserves appreciation for proving that a simple story can leave a lasting impact when backed by honest and grounded storytelling. He ensures every nostalgic moment feels organic without allowing the sentiment to overshadow the narrative. Writer Rajashekar Reddy Baddam complements this vision with a screenplay that strikes a neat balance between humour, friendship, romance, and family drama.

Suhas’s songs blend effortlessly into the narrative, while Ajay Arsada’s background score elevates several key moments with remarkable effectiveness. Rehan Shaik’s cinematography complements the mood with pleasing visuals, and the editing by Sreedhar Sompally and Venkatesh Chunduru maintains a neat pace despite a couple of minor slow stretches. Shiva Kumar Macha’s production design convincingly recreates the different phases of the story, and the overall production values remain impressive throughout.

Verdict:

On the whole, Gurthukosthunnayi is a delightful seven-episode series that beautifully celebrates childhood, friendship, and family bonds. While the storyline follows a predictable path and the middle portions lose some steam, its honest storytelling, convincing performances, and impressive music make it a thoroughly satisfying family entertainer. It stands out as one of the finest Telugu web series in recent times and is a perfect choice for a family binge-watch over the weekend. By the end, it leaves viewers with a heart full of cherished memories and a smile that lingers long after it ends.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team 

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Isakapatnam

Web Series Name : Isakapatnam
Streaming Date :   July 2, 2026
Streaming Platform : Prime Video
123telugu.com Rating : 2.75/5
Starring : Samuthirakani, Aishwarya Rajesh, Sunil, Naresh Agastya, Merin Philip and others
Director : Garry BH
Producers : Rahul Tamada, Saideep Reddy Borra
Music Director : Praveen Lakkaraju
Cinematographer  : Vamsi Patchipulusu
Editor : Garry BH

Related Links : Trailer

Prime Video has now come up with a Telugu web series, Isakapatnam, headlined by Aishwarya Rajesh. Directed by Garry BH, the show also features Samuthirakani, Naresh Agastya, Sunil, and others in key roles. Let’s see how the series is.

Story:

Set against the backdrop of Isakapatnam, a port city, the series revolves around the quest for power. Mr. Naidu (Samuthirakani) arrives in Isakapatnam as a nobody but soon establishes himself as the monarch by killing Chinnarao (Rajeev Kanakala). Mr. Naidu enjoys the support of political leaders and the police department, but his daughter Bharathi (Aishwarya Rajesh) doesn’t approve of his actions. Meanwhile, his rival Prathap Varma (Ravi Varma) keeps trying to bring him down, and Naidu devises a strategy to counter him, leading to a series of intergroup conflicts, chaos, and ultimately, bloodshed.

Plus Points:

The series features very good performances from Samuthirakani, Aishwarya Rajesh, Naresh Agastya, Jwala Koti, and Sudhakar Komakula. Though the writing doesn’t quite live up to the show’s ambitions, the performances make the series watchable to an extent.

Samuthirakani is solid as a man constantly hungry for power and dominance, while Aishwarya Rajesh is fine in a dual-shaded role. Naresh Agastya delivers a promising performance as a man striving to rise above his circumstances, while Jwala Koti, Banerjee, Sudhakar, and Raja Chembolu are apt in their respective roles.

Minus Points:

Race for power and the battle for dominance are themes that have been explored in umpteen films lately. Hence, something special must be brought to the table to make the series stand out, but Isakapatnam falters in this regard.

The pacing is maintained decently, but the screenplay doesn’t feature the required high moments and flashy sequences to hold the attention throughout. The much-needed tension is missing in the proceedings. There are some decent moments, but they are short-lived. The world of Isakapatnam is dark and has the scope of being an intense gangster drama, but the writing simply doesn’t deliver.

Most characters are grey-shaded but they aren’t developed properly and appear one-note beyond a point lacking excitement. The death of key characters aren’t handled effectively as the scenes leading to them aren’t strong enough to carry the impact. The twist reveal in the climax doesn’t pack a punch with the narrative already giving hint about it.

The threat to Samuthirakani’s character isn’t showcased properly, and hence the stakes remain low. Sunil is wasted in a poorly written role. The love track of Aishwarya Rajesh and the family dynamic of Naresh Agastya’s character both lack depth.

Technical Aspects:

Pravin Lakkaraju’s music is passable. Vamsi Patchipulusu’s cinematography is neat, capturing the series’ dark tone effectively. The production design is well executed, authentically recreating the 1980s setting. The editing is fine, and the production values are pretty good.

Direction by Garry BH could have been much better. The screenplay needed stronger scenes to do justice to the series backdrop and its dark world powered by war for supremacy. The premise had potential, but the presentation isn’t impressive.

Verdict:

On the whole, Isakapatnam is a so-so gangster action drama set in a gritty world. The series features good performances from Samuthirakani, Aishwarya Rajesh, and others, and the premise gives scope for intense storytelling. However, the absence of strongly written scenes, poorly etched characters, and the lack of tension in the proceedings keep it from being fully engaging. There are some decent moments, but they are short-lived.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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