Movie Name : Thimmarajupalli TV
Release Date : April 17, 2026
123telugu.com Rating : 2.75/5
Starring : Sai Tej, Vedha Jalandharr, Pradeep Kotte, Swathi Karimireddy, Amma Ramesh, Satyanarayana, Lathish
Director : V. Muniraju
Producer : Kiran Abbavaraam
Music Director : Vamsikanth Rekhana
Cinematographer : Akshay Ram Podishetti
Editor : V. Muniraju
Related Links : Trailer
Thimmarajupalli TV is a Telugu period drama produced by Kiran Abbavaram. Featuring debutants Sai Tej and Veda Jalandhar in the lead roles, the film arrives with a nostalgic premise set in a rural backdrop. Here’s how it fares.
Story:
Set in 1996 in the village of Thimmarajupalli, Satish (Sai Tej), a petty thief, is in love with Sharada (Veda Jalandhar). Every Maha Shivaratri, he arranges a television for the villagers, turning the occasion into a shared celebration. Meanwhile, village head Ramachandrayya (Amma Ramesh) dreams of being the first to own a TV, but Rajappa (Kotte Pradeep) beats him to it. What starts as a matter of pride soon turns into a burden, as Rajappa’s house becomes a constant gathering spot for the entire village. The situation escalates when a clash erupts between Satish and Rajappa, and the very next day, Rajappa’s TV goes missing, putting the blame on Satish. With the village council giving him two weeks to prove his innocence, Satish sets out to find the truth behind the missing TV, which forms the crux of the story.
Plus Points:
The film’s strongest aspect is its nostalgic premise. The idea of a single television bringing an entire village together is both relatable and interesting, and the film captures this innocence with sincerity. The reactions of villagers experiencing television for the first time feel organic.
Sai Tej puts in a sincere effort and manages to hold his part, especially in emotional scenes. Pradeep Kotte gets a more layered role and delivers a controlled performance that adds weight to the narrative. The supporting cast blends well into the setting and helps maintain the film’s grounded tone.
There are moments, particularly involving the mother-son relationship and the communal viewing scenes, that land effectively. These portions reflect the film’s potential and offer glimpses of emotional depth. The background score supports such scenes without becoming overpowering.
Minus Points:
Despite a promising setup, the film struggles with consistency. The narration frequently loses grip due to loosely written and unnecessary stretches that dilute the core conflict. This issue becomes more prominent in the second half, where the story demands urgency but moves at an uneven pace.
While the film introduces multiple characters, most of them remain underwritten. As a result, the performances, though sincere, do not translate into memorable moments.
The love story between the leads lacks depth and fails to create a strong emotional pull. Similarly, the exploration of village dynamics such as ego clashes, jealousy, and social tensions feels surface-level, limiting the overall impact of the drama.
Technical Aspects:
Director V. Muniraju chooses a rooted and interesting concept but does not fully capitalise on it due to an inconsistent screenplay. A tighter narrative structure and better scene transitions could have significantly improved engagement.
Vansikanth Rekhana’s music complements the film in key moments, particularly in emotional stretches. Akshay Ram Podishetti’s cinematography effectively captures the rural setting and enhances the nostalgic atmosphere. The production values are neat, and the art department does a commendable job in recreating the period setting authentically.
Verdict:
On the whole, Thimmarajupalli TV has a nostalgic core and a premise that holds genuine appeal, but uneven storytelling holds it back from reaching its full potential. While a few emotional and village-centric moments work well, the lack of narrative tightness and depth makes the experience inconsistent. It ends up as a partially entertaining watch rather than a truly engaging rural drama. Keeping expectations in check will help in appreciating its better moments.
123telugu.com Rating: 2.75/5
Reviewed by 123telugu Team
Movie Name : Papam Prathap
Release Date : April 17, 2026
123telugu.com Rating : 2.75/5
Starring : Thiruveer, Ajay Ghosh, Raasi, Payal Radhakrishna, Devi Prasad, Goparaju Ramana, Ravi Anthony, Raghu Babu, Prasad Behra, Basha
Director : S.P. Durga Naresh
Producer : Gaddam Rakesh Reddy, Rudradev Madhi Reddy
Music Director : K.M. Radha Krishna
Cinematographer : Vishweshwar S.V
Editor : Anwar Ali
Related Links : Trailer
Thiruveer who gained reputation among the audiences with his choice of scripts has now come up with the village drama Papam Prathap. The movie is now out in theatres. Let’s see how it is.
Story:
Prathap (Thiruveer), who belongs to a rich family, marries the love of his life Bujjamma (Payal Radhakrishna) against his father’s (Ajay Gosh) wishes. Their married life starts on a great note, but things take a turn when Bujjamma leaves her in-laws, citing that Prathap has a significant health condition during sleep. What exactly is this problem? How long has Prathap been suffering from it? Is there a solution? Did the couple reunite? This forms the crux of the story.
Plus Points:
Thiruveer once again is impressive in a role filled with innocence. His gestures in the initial portions, along with the combo scenes with Ajay Gosh, offer some entertainment in the first half. His performance in emotional moments is fair enough.
Ajay Gosh is effective as the protagonist’s father. The senior elicits laughs with his frustration towards his son’s character. There are a few decent fun moments featuring him that make the first half passable to an extent.
Minus Points:
Initially, the director tries to create curiosity about the hero’s disorder, but when the revelation finally happens, it makes us wonder why the female lead hid it from the hero’s family for so long. The reason behind her silence isn’t convincing, and it makes the film feel unnecessarily dragged. The entertainment angle in the first half is also somewhat undone by heroine’s approach to the issue.
In the second half, the director shifts focus to emotions and drama, but unfortunately, nothing works here, and this portion is dull for the most part. The written material lacks logic and conviction, and hence the desired impact doesn’t land.
Payal Radhakrishna is good as a performer, but her role could have been written better. The way Ajay Gosh’s character behaves in the latter half doesn’t feel reasonable. The hero’s issue should have been depicted in a more detailed manner, along with its solution, since it is closely connected to the lead pair’s bonding.
Technical Aspects:
K.M. Radha Krishna’s music and Suresh Bobbili’s background score are okay. Vishweshwar’s cinematography is decent, and the production values are fine. The editing isn’t quite satisfactory, especially as the second half feels slow-paced and dragged.
Director S.P. Durga Nagesh came up with a relatively lesser known health disorder, but the screenplay needed more weight to make the film an engaging experience. The second half is where the actual drama begins but the scenes just don’t work.
Verdict:
On the whole, Papam Prathap is an okayish village drama where a few fun moments work. The makers should have come up with better execution to make the emotional angle around the hero’s health disorder more effective. Thiruveer is good in his role, while Ajay Gosh generates some laughs. The first half is passable, but the second half loses grip once the drama kicks in. With better writing, Papam Prathap could have gone to the next level.
123telugu.com Rating: 2.75/5
Reviewed by 123telugu Team