Movie Name : Don’t Trouble The Trouble
Release Date : October 2, 2026
123telugu.com Rating : 2.75/5
Starring : Fahadh Faasil, Ssara Palekar, Saurabh Sachdeva and Others
Director : Shashank Yeleti
Producer : Shobu Yarlagadda, Prasad Devineni, S. S. Karthikeya
Music Director : Kaala Bhairava
Cinematographer : Brad Francis
Editor : Praveen Anthony
Related Links : Trailer
Don’t Trouble the Trouble marks the maiden Telugu outing of Mollywood star Fahadh Faasil as the solo lead. Joining him on screen is young talent Ssara Palekar in a central role. Presented by SS Rajamouli and backed by his family banner, the film has gathered substantial pre-release attention ahead of its theatrical debut. Let us see whether this fantasy comedy manages to deliver on its interesting promises.
Story:
Soori (Fahadh Faasil) is an orphan willing to pull off any scheme to make quick money. After duping local gangster Aslam Bhai (Mahesh Manjrekar), he is cornered with an ultimatum to deliver Rs. 25 lakh in just two days. In his scramble for cash, he crosses paths with Divya (Ssara Palekar), a runaway child from a wealthy background who mistakes him for a master magician and seeks his help. Realising she could be his ticket out of debt, Soori agrees to tag along, setting off a quirky journey that unravels her true motives and tests his own conscience.
Plus Points:
Fahadh Faasil has repeatedly proved his mettle across hard-hitting dramas, lighthearted rom-coms, and edge-of-the-seat thrillers. Stepping into a full-fledged fantasy comedy is a refreshing departure for him, and his commitment shows in every frame. His comic timing, expressive face, and sincere Telugu dialogue delivery elevate even the ordinary sequences.
Child artist Ssara Palekar delivers an endearing performance and matches Fahadh step for step in her Telugu debut. Her natural innocence brings warm humour, while her sudden fiery reactions create genuine, fun surprises. The inclusion of a lively beagle adds visual charm and warmth to their road adventure. Most combination scenes featuring this trio turn out to be the film’s most entertaining portions.
Mahesh Manjrekar has limited screen time, yet his seasoned presence gives weight to his brief appearances. Casting Saurabh Sachdeva in an unconventional character part also sparks interest whenever he takes the screen. The rest of the supporting cast perform adequately within the boundaries of their respective roles.
Minus Points:
Any fantasy adventure driven by a child protagonist must anchor itself in a strong emotional foundation. Unfortunately, the promotional trailers already revealed the crux of the plot, leaving very little novelty for the audience in the cinema hall. While a few standalone moments work well, the overarching screenplay struggles to sustain genuine interest.
The emotional core intended for the climax has sincerity, but it arrives only after the film severely tests the audience’s patience. Because the central conflict is paper-thin, the narrative becomes predictable far too early. Consequently, the dramatic tension dips significantly right when the narrative should be picking up speed.
An uninspired police inquiry track derails the momentum in the second half, which is already weighed down by repetitive gags and noticeable logical slips. Key supporting figures are also underutilised, depriving the central journey of meaningful dramatic friction. These narrative shortcomings prevent the comedy from reaching its true potential.
Technical Aspects:
Debutant director Shashank Yeleti shows ambition, but his execution alongside Hamza Ali’s writing leaves ample room for improvement. The whimsical, fairy-tale charm that might have seemed delightful on paper does not translate effectively onto the screen. Cinematographer Brad Francis ACS provides visuals that capture the urban setting decently.
Kaala Bhairava’s background score injects much-needed energy and keeps the lighter portions afloat. On the other hand, Praveen Antony’s editing could have been considerably crisper, as several dragging sequences should have been left on the cutting floor. The production values across the board remain standard and respectable.
Verdict:
On the whole, Don’t Trouble the Trouble is a fantasy comedy that works only in bits and pieces. Fahadh Faasil shoulders the film with immense effort, and young Ssara Palekar makes a delightful impression. However, a dragging second half, predictable writing, and weak emotional stakes pull the film down significantly. Children will likely enjoy the lighthearted magical premise, but adult viewers will find it interesting only in a few select pieces. Keep your expectations well within limits before planning a watch.
123telugu.com Rating: 2.75/5
Reviewed by 123telugu Team