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Summer Holidays Review

Summer Holidays Review

Movie Name : Summer Holidays

Release Date : Novembr 06, 2026
123telugu.com Rating : 3/5
Starring : Rohan, Arun, Khushi, Jaya Sudha, Vasuki Anand, Raajev Kanakala, Harshavardhan, Ramana Bhargav, Harshini Koduri, Mahesh Chintala & Others
Director : Srikar Nayan G
Producers : Dheeraj Mogilineni & Giri Babu Vallabhaneni
Music Director : Sinjith Yerramilli
Cinematographer : Sai Prakash Ummadisingu
Editor : Santosh Naidu

Related Links : Trailer

Summer Holidays is the latest Telugu film featuring Rohan Roy and Arun Dev in key roles. The nostalgic drama has hit the big screens today. Read on to know how it fares.

Story:

Set in 2001, Ravuri Venkatesh aka RV (Arun Dev) faces immense pressure from his father (Harsha Vardhan) to excel in his studies. However, he wants to explore life beyond academics, something his father is never happy about. His mother, Janaki (Vasuki), takes him to his grandmother’s village, Thotavaripalem, during the summer holidays. There, he meets KV aka Kasi Venkatesawarlu (Rohan Roy), a boy who has little interest in studies and wants to earn money to lead a happy life. The two become friends in no time, and the events that follow form the crux of the story.

Plus Points:

The biggest strength of the movie is the way it captures the childhood memories of 90s kids. Scenes of playing in mango fields, swimming in rivers and playing cricket with friends bring back the charm of those carefree days. These moments are handled well and strike a chord with viewers who grew up during that period. The film gets its nostalgic setting right without making these portions feel forced.

Rohan Roy delivers a convincing performance, particularly in the way he portrays the lifestyle and struggles of children from lower-middle-class families during that time. He handles the emotional scenes with maturity, while his natural dialogue delivery brings in humour and keeps the proceedings lively.

Arun Dev also makes a good impression as a boy who is scared of his father but wants to support his new friend. His introverted nature works well against Rahul’s extroverted personality, and the contrast between the two adds to their friendship.

Jayasudha makes her presence felt despite having limited screen time, while Rajiv Kanakala also does well in his role. The emotional scenes between Harshini and Rahul work out well, especially in the second half. The music further adds to the film’s breezy and nostalgic mood.

Minus Points:

The story does not offer much novelty and follows a familiar path. While the film has its share of emotional and entertaining moments, the basic storyline feels predictable. The neat narration and the moments between the lead characters help keep things interesting.

The film also takes a few cinematic liberties that are difficult to accept. For instance, a father who has been extremely strict throughout the film suddenly changes his attitude after listening to his son’s monologue in the climax. Such developments feel convenient rather than convincing, and a few other scenes also fall into the same category.

Jayasudha’s character needed better development, as the film does not explore her role as much as it could have. Kushi Soni also gets very little scope to showcase her talent. Vasuki’s character needed a stronger emotional arc to make her presence more meaningful. The climax, too, could have had a greater emotional impact with better-written moments.

Technical Aspects:

Writer and director Srikar Nayan G takes a safe route with a familiar story and presents it in a decent manner. He succeeds in bringing out the nostalgic setting and the bond between the lead characters. However, the writing needed more depth, particularly in the character arcs and a few important emotional scenes.

Sinjith Yerramilli is one of the film’s strengths. His background score elevates several moments, while the songs blend pleasantly into the narrative. Sai Prakash Ummadisingu’s cinematography captures the village atmosphere well, and Santosh Naidu’s editing keeps the proceedings smooth. The production values are decent.

Verdict:

On the whole, Summer Holidays is a watchable nostalgic drama that brings back memories of childhood and simpler times. Rohan Roy and Arun Dev deliver decent performances, and their friendship forms the emotional backbone of the film. The nostalgic moments and music add to its appeal. However, the familiar storyline, underdeveloped characters and a few unconvincing scenes hold it back. All in all, it is a decent family watch, especially for those who enjoy stories that take them back to their childhood days.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

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Aadarsha-Kutumbam Review

Aadarsha-Kutumbam Review

Movie Name : Aadarsha Kutumbam

Release Date : October 30, 2026
123telugu.com Rating : 3/5
Starring : Venkatesh, Srinidhi Shetty, Satya, Nara Rohith, Nivetha Pethuraj, and others
Director : Trivikram
Producer : S. Radha Krishna(Chinababu)
Music Director : Thaman S
Cinematographer : Ravi K Chandran
Editor : Navin Nooli

Related Links : Trailer

The big-ticket entertainer Aadarsha Kutumbam House No. 47 – AK47 hits theatres today. Director Trivikram Srinivas and “Victory” Venkatesh have worked together on three films before, but this is their first time teaming up as director and lead actor. Here is our review to see how the movie fares.

Story:

Chitti Babu Thotti (Venkatesh), his wife Swarna Thotti (Srinidhi Shetty), and their children struggle to manage their lives amid mounting debts. Their fortunes take a turn when they suddenly win a Rs. 100 crore lottery and buy a villa worth Rs. 20 crore. However, their happiness doesn’t last long as a Bihar-based dacoit gang, known for committing crimes for money, sets its sights on the newly wealthy family. What happens next forms the rest of the story.

Plus Points:

Venkatesh is in his element. A middle-class character with a mass appeal and a comic touch is a tailor-made role for him, and he delivers it effortlessly. He also shines in the action scenes. Srinidhi Shetty does a good job, especially with her comic timing. Trivikram’s writing also helps in shaping her character well.

The kids, Raja Prajwal and Yuvina Parthavi, are equally good. Satya’s comedy is another positive aspect that makes the movie enjoyable. Raghu Babu, Rao Ramesh, Deviyani Sharma and Aakash Srinivas also do their parts well.

The first half is well-written and balances comedy and action nicely. The interval action sequence is a major highlight. The twist in the second half also clears the doubts about whether the story has similarities to a recent blockbuster.

Thaman’s background score works well, adding to the impact of important moments. The film takes the lead characters through an emotional journey in a fun way, which is another familiar touch of Trivikram’s writing.

Minus Points:

Coming to the characters, Nivetha Pethuraj has very little to do in the story. Seeing such a talented actress in a role with hardly any scope is a bit disappointing. Nara Rohith is just okay, but a more notable actor could have done better. Udaybir Sandhu gets a good role, but a stronger performance could have added more impact to the drama. Brahmaji is also not utilised properly.

The story itself is not particularly engaging, though it manages to maintain a decent flow. The screenplay keeps things moving. However, the emotional scenes that the director tries to establish don’t work effectively and feel artificial. A stronger emotional background could have helped audiences connect with these moments.

The second half opens with a twist but doesn’t maintain the same flow, with a few hiccups along the way. It manages to hold together, but doesn’t match the impact of the first half. The songs also don’t add much to the movie.

Technical Aspects:

Director and writer Trivikram delivers the film in his familiar style, with his trademark comedy and action blended into the story. However, a little more focus on the emotional portions could have taken the movie to another level.

Navin Nooli’s editing is surprisingly good in the first half but stumbles in the second half. Overall, his work is decent. Thaman scores well with the background music, but his songs don’t add much charm to the film. The ‘Narayanamma’ song, in particular, feels unnecessary.

Kevin Kumar’s action choreography in the interval sequence gives a satisfying feel. Ravi K Chandran’s cinematography is decent, and so are the production values.

Verdict:

On the whole, Aadarsha Kutumbam House No. 47 is a decent entertainer. The first half works really well, thanks to the healthy comedy from Venkatesh, Srinidhi Shetty, and Satya. The interval episode is a major highlight. However, the less impressive second half, underwritten characters, and lack of strong emotional moments make the film a bit dull in places. Despite these shortcomings, it is an entertaining family watch, offering a decent mix of fun and action.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

 

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Don't Trouble The Trouble


Movie Name : Don’t Trouble The Trouble

Release Date : October 2, 2026
123telugu.com Rating : 2.75/5
Starring : Fahadh Faasil, Ssara Palekar, Saurabh Sachdeva and Others
Director : Shashank Yeleti
Producer : Shobu Yarlagadda, Prasad Devineni, S. S. Karthikeya
Music Director : Kaala Bhairava
Cinematographer : Brad Francis
Editor : Praveen Anthony

Related Links : Trailer

Don’t Trouble the Trouble marks the maiden Telugu outing of Mollywood star Fahadh Faasil as the solo lead. Joining him on screen is young talent Ssara Palekar in a central role. Presented by SS Rajamouli and backed by his family banner, the film has gathered substantial pre-release attention ahead of its theatrical debut. Let us see whether this fantasy comedy manages to deliver on its interesting promises.

Story:

Soori (Fahadh Faasil) is an orphan willing to pull off any scheme to make quick money. After duping local gangster Aslam Bhai (Mahesh Manjrekar), he is cornered with an ultimatum to deliver Rs. 25 lakh in just two days. In his scramble for cash, he crosses paths with Divya (Ssara Palekar), a runaway child from a wealthy background who mistakes him for a master magician and seeks his help. Realising she could be his ticket out of debt, Soori agrees to tag along, setting off a quirky journey that unravels her true motives and tests his own conscience.

Plus Points:

Fahadh Faasil has repeatedly proved his mettle across hard-hitting dramas, lighthearted rom-coms, and edge-of-the-seat thrillers. Stepping into a full-fledged fantasy comedy is a refreshing departure for him, and his commitment shows in every frame. His comic timing, expressive face, and sincere Telugu dialogue delivery elevate even the ordinary sequences.

Child artist Ssara Palekar delivers an endearing performance and matches Fahadh step for step in her Telugu debut. Her natural innocence brings warm humour, while her sudden fiery reactions create genuine, fun surprises. The inclusion of a lively beagle adds visual charm and warmth to their road adventure. Most combination scenes featuring this trio turn out to be the film’s most entertaining portions.

Mahesh Manjrekar has limited screen time, yet his seasoned presence gives weight to his brief appearances. Casting Saurabh Sachdeva in an unconventional character part also sparks interest whenever he takes the screen. The rest of the supporting cast perform adequately within the boundaries of their respective roles.

Minus Points:

Any fantasy adventure driven by a child protagonist must anchor itself in a strong emotional foundation. Unfortunately, the promotional trailers already revealed the crux of the plot, leaving very little novelty for the audience in the cinema hall. While a few standalone moments work well, the overarching screenplay struggles to sustain genuine interest.

The emotional core intended for the climax has sincerity, but it arrives only after the film severely tests the audience’s patience. Because the central conflict is paper-thin, the narrative becomes predictable far too early. Consequently, the dramatic tension dips significantly right when the narrative should be picking up speed.

An uninspired police inquiry track derails the momentum in the second half, which is already weighed down by repetitive gags and noticeable logical slips. Key supporting figures are also underutilised, depriving the central journey of meaningful dramatic friction. These narrative shortcomings prevent the comedy from reaching its true potential.

Technical Aspects:

Debutant director Shashank Yeleti shows ambition, but his execution alongside Hamza Ali’s writing leaves ample room for improvement. The whimsical, fairy-tale charm that might have seemed delightful on paper does not translate effectively onto the screen. Cinematographer Brad Francis ACS provides visuals that capture the urban setting decently.

Kaala Bhairava’s background score injects much-needed energy and keeps the lighter portions afloat. On the other hand, Praveen Antony’s editing could have been considerably crisper, as several dragging sequences should have been left on the cutting floor. The production values across the board remain standard and respectable.

Verdict:

On the whole, Don’t Trouble the Trouble is a fantasy comedy that works only in bits and pieces. Fahadh Faasil shoulders the film with immense effort, and young Ssara Palekar makes a delightful impression. However, a dragging second half, predictable writing, and weak emotional stakes pull the film down significantly. Children will likely enjoy the lighthearted magical premise, but adult viewers will find it interesting only in a few select pieces. Keep your expectations well within limits before planning a watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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