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Annagaru Vostaru Review

Annagaru Vostaru Review

Movie Name :  Annagaru Vostaru
Streaming Date : Jan 28, 2026
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 2.5/5
Starring : Karthi, Krithi Shetty, Sathyaraj, Rajkiran, Anand Raj, Shilpa Manjunath and Others
Director : Nalan Kumarasamy
Producer : K.E.Gnanavelraja
Music Director : Santhosh Narayanan
Cinematographer  : George C. Williams Isc
Editor : Vetre Krishnan

Related Links : Trailer

Karthi’s Pongal release Vaa Vaathiyaar has shockingly arrived on Amazon Prime Video within two weeks of its theatrical release. What’s even more startling is that the Telugu dubbed version, Annagaru Vostaru, skipped the theatrical release and headed to OTT directly. Let’s see how the movie is.

Story:

Set in a fictional place, Ramarao (Karthi) is born at the exact time of Sr. NTR’s death. His grandfather (Rajkiran), a devoted fan of Sr. NTR, firmly believes Ramarao to be his idol’s reincarnation and raises him with strong moral values.

However, as Ramarao grows up and becomes a cop, he chooses the opposite path. Ramarao gets suspended after threatening a movie producer for a bribe. One day, his grandfather learns about Ramarao’s true nature, leading to a life-changing situation for the protagonist. What happens next forms the crux of the story.

Plus Points:

The movie has a very interesting idea that instantly grabs our attention. What if an iconic star, worshipped by people like a demigod, comes back to deal with evil forces and becomes the saviour of the masses? This is the core idea on which Annagaru Vostaru is based.

Karthi is one of those rare actors who never goes wrong with his performances, even when the films themselves aren’t entirely satisfactory. He performs to the tee and tries his best to hold the film together with his charismatic screen presence. Some moments in the first half are engaging, and the interval episode leaves a fairly good impact.

Minus Points:

A good concept alone isn’t enough to make a successful film. There needs to be a gripping screenplay to keep the audience hooked, and this is where Annagaru Vostaru falters. The narration is largely underwhelming due to the lack of a proper structure. The characters, especially the antagonists and the female lead, aren’t introduced properly.

As a result, it becomes difficult to connect with the proceedings, despite Karthi giving it his all. The second half, in particular, leaves a lot to be desired. The narrative turns repetitive and predictable, and by the time the film reaches the climax, it runs out of steam. Apart from Karthi, the rest of the cast doesn’t get scope to shine.

Additionally, there is very little chance for the film to work with Telugu audiences. OTT platforms lately have been releasing only a single version of multilingual films, swapping audio tracks for the same visual file. While this strategy may work for some films, it defeats the very purpose of movies like Vaa Vaathiyaar/Annagaru Vostaru.

We are told about NTR in the dialogues, but what we see on screen is MGR, clearly meant for Tamil audiences, making the overall experience underwhelming. It is surprising that a platform like Prime Video did not consider this crucial aspect.

Technical Aspects:

Music composed by Santosh Narayanan turns out to be one of the weakest links of Annagaru Vostaru. Not even a single song is catchy, and the background score, which was expected to be quirky, largely misses the mark. George C. Williams’ cinematography is good, and the production values are neat. However, the editing could have been much better.

Director Nalan Kumarasamy, who earlier delivered an impressive film like Soodhu Kavvum, comes up with a fascinating idea for Annagaru Vostaru, but his screenplay is ineffective and uneven. It is disappointing to see a good idea not reach its full potential, and Annagaru Vostaru unfortunately falls into that category.

Verdict:

On the whole, Annagaru Vostaru (Vaa Vaathiyaar) has an interesting premise, but due to its underwhelming screenplay, the film fails to leave the desired impact. Karthi shines as Ramarao, brilliantly portraying a cinematic, Robin Hood–esque superhero, but the narration by director Nalan Kumarasamy doesn’t pack a punch. While a few moments in the first half are decent, the second half turns tiresome due to repetition. Hence, Annagaru Vostaru ends up being far from satisfactory.

123telugu.com Rating: 2.5/5
Reviewed by 123telugu Team 

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Sirai OTT Review

Sirai OTT Review

Movie Name :  Sirai
Streaming Date : Jan 23, 2026
Streaming Platform : ZEE5
123telugu.com Rating : 3.25/5
Starring : Vikram Prabhu, LK Akshay Kumar, Anishma Anilkumar, Ananda Thambirajah
Director : Suresh Rajakumari
Producer : SS Lalit Kumar
Music Director : Justin Prabhakaran
Cinematographer  : Madhesh Manickam
Editor : Philomin Raj

Related Links : Trailer

Sirai marks the 25th film of actor Vikram Prabhu. The Tamil movie was released on Christmas Eve and went on to score hit status at the box office. It has now arrived on OTT with a Telugu dub, and here is our review of the crime drama.

Story:

Set in 2003 in Guntur, Srinivas (Vikram Prabhu) is a head constable in the Armed Reserve (AR). During an escort duty, a prisoner attempts to escape, forcing Srinivas to shoot him dead, which puts him under scrutiny by higher authorities. While the enquiry is still ongoing, Srinivas is assigned another escort duty to transport Abdul Rauf (L. K. Akshay Kumar), a murder convict, from a central prison to Kurnool. During the journey, Srinivas senses something amiss, and the situation worsens when Abdul goes missing. With the prisoner required to be produced in court the very next day, the tension escalates. What happens next? Does Srinivas and his team manage to trace Abdul? Who is Abdul, and what is his backstory? The rest of the film unfolds the answers.

Plus Points:

The film touches upon a different and rarely explored aspect of police life. Unlike most films that focus on senior officers and portray them heroically, Sirai revolves around a head constable from the Armed Reserve. Srinivas is shown as a grounded human being rather than a larger-than-life policeman, which makes the approach refreshing.

Vikram Prabhu delivers a neat performance, but the actor who truly stands out is L. K. Akshay Kumar. He effectively portrays the dilemma, pain, and hope of a prisoner, and his performance becomes a major driving force of the film.

The flashback narrated from Abdul’s point of view is emotional and engaging. Along with the emotional depth, the suspense maintained in certain scenes, especially during the escape sequence and the pre-climax and climax portions, works well.

The police station episode after the escape, the emotional scenes in the final 30 minutes, including the courtroom portions, and the suspense-filled climax are well executed and keep the viewer engaged.

Anishma Anilkumar, as Kalavathi, delivers a neat performance. The remaining cast members perform adequately.

Minus Points:

There is limited scope to point out major drawbacks. Some viewers may find the initial portions slightly routine, but the narrative picks up as the film progresses.

Though Vikram Prabhu is the lead, his role offers limited scope for performance. While he gets sufficient screen time, the character does not demand much in terms of expressions. His personal life angle is underdeveloped, and the character of his wife adds little value to the story. In the flashback portions, the love story and conflict scenes could have been explored in more detail.

Technical Aspects:

Despite this being his debut, director Suresh Rajakumari impresses with his screenplay and execution, giving the film the feel of an experienced filmmaker’s work.

Justin Prabhakaran’s background score is one of the film’s highlights and plays a key role in maintaining suspense and enhancing emotional moments. Madhesh Manickam’s cinematography is neat and serves the narrative well.

Editing by Philomin Raj is effective, keeping the film crisp within its two-hour runtime. The production values are decent, and the Telugu dubbing is clean and well done.

Verdict:

On the whole, Sirai is an engaging crime drama backed by a solid screenplay and effective execution. Vikram Prabhu is decent, but L. K. Akshay Kumar steals the show. The police station episode, flashback portions, emotional moments, and suspenseful climax make it a film worth watching. Though the narration feels slightly slow in the beginning, it does not last long. On the whole, Sirai is definitely worth a watch for its content, execution, empathy, and humanity.

123telugu.com Rating: 3.25/5
Reviewed by 123telugu Team 

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Cheekatilo

Cheekatilo

Movie Name :  Cheekatilo
Streaming Date : Jan 23, 2026
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 2.75/5
Starring : Sobhita Dhulipala, Viswadev Rachakonda, Chaitanya Visalakshmi, Esha Chawla, Jhansi, Aamani, Vadlamani Srinivas, Ravindra Vijay
Director : Sharan Koppisetty
Producer : D. Suresh Babu
Music Director : Sricharan Pakala
Cinematographer  : Mallikarjun
Editor : KSN

Related Links : Trailer

After a long gap, actress Sobhita Dhulipala has returned to Telugu cinema with Cheekatilo, a web original that marks her debut in the Telugu OTT space. The series is directed by Sharan Koppishetty. Cheekatilo was released today in Telugu, Hindi, and Tamil, on Amazon Prime Video and here is our take on how it fares.

Story:

Sandhya (Sobhita Dhulipala), a journalist who quits her job over TRP-driven ethics, starts her own podcast. When her colleague Bobby (Aditi Myakal) and Bobby’s boyfriend are murdered, Sandhya uncovers a pattern linking multiple similar killings. Determined to expose the truth, she investigates the case and shares details through her podcast Cheekatilo, with support from Amar (Vishwadev Rachakonda). Who is behind the murders and why forms the core of the story.

Plus Points:

Sobhita Dhulipala takes on a role that is relatively new for her and handles it with ease. She convincingly portrays the inner pain of a woman haunted by unresolved truths. Vishwadev Rachakonda has limited screen time, but he makes good use of the scope given and leaves an impression.

While crime thrillers often reveal the antagonist early, Cheekatilo keeps the culprit hidden until the pre-climax. However, although the mystery is preserved, the film does not generate the tension required to make that reveal truly gripping.

Director Sharan Koppishetty attempts to explore the idea of unknowingly suppressing trauma through a few scenes, and the narrative from pre-climax to the climax works reasonably well. Aamani, despite limited screen presence, performs effectively. Vadlamani Srinivas gets a neat role, and seeing him in a different shade is refreshing.

Minus Points:

The core issue with Cheekatilo lies not in its concept but in its execution. In serial crime thrillers, sustained tension is crucial to keep viewers engaged. While the story offers ample scope for suspense, the narrative unfolds in a largely flat manner.

Because of this approach, the sense of urgency, what happens next and who could be the next target, rarely comes through. Scenes follow one another, but very few moments create genuine anticipation.

The police investigation, in particular, lacks seriousness and feels artificial, reducing its impact on the narrative. Similarly, the film does not convincingly establish how Sandhya’s podcast gains massive popularity in such a short span, making certain developments feel rushed and overly cinematic.

Several supporting characters, including those played by Ravindra Vijay, Jhansi, Suresh, and Vishwadev, are underwritten, limiting the emotional depth the story could have achieved. At certain points, repetitive scenes make the narrative feel stagnant, as though the film is reluctant to move forward.

Technical Aspects:

While Srikanth Pakala’s background score attempts to create a tense atmosphere, the flat writing prevents those moments from fully landing. Editing by KSN is passable, though trimming a few portions could have improved the pacing. Mallikarjun’s cinematography is adequate and suits the mood of the film. Production values are decent.

Director Sharan Koppishetty, along with co-writer Chandra Pemmaraju, presents a familiar story in a different setup. However, inconsistent execution and the lack of engaging narrative beats make the final result feel routine.

Verdict:

On the whole, Cheekatilo is a crime thriller that works in parts. Sobhita Dhulipala delivers a sincere performance, and the underlying message is clear and well conveyed. However, weak execution in a few portions, a lack of sustained tension at places, and some repetitive moments prevent the film from becoming a compelling thriller. If you enjoy thrillers, you may give it a try, but keep your expectations in check.

123telugu.com Rating: 2.75/5
Reviewed by 123telugu Team 

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