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telugu movie reviews

Movie Name : Deewana

Release Date : June 20, 2026
123telugu.com Rating : 3/5
Starring : Harshith Reddy, Smeha Manimegalai and others
Director : Sreekanth Sangishetty
Producers : Arha Media, Vasudev Koppineni, Sridevi Karyampudi
Music Director : Eswar chand
Cinematographer : Vamsi Patchipulusu
Editor : Hrishikesh Pasapal

Related Links : Trailer

Deewana starring Harshith Reddy is now out in theatres. The film is backed by Geetha Arts. Let’s see how this small film is.

Story:

Munna (Harshith Reddy), a good-for-nothing youngster from a middle-class family, spends most of his time roaming around with friends, and getting into fights. One day, he comes across Amulya (Smeha), who works in a government office, and instantly falls for her. He begins pursuing her, but Amulya doesn’t reciprocate his feelings. What happened next needs to be watched on the big screen.

Plus Points:

Deewana is one of the most meaningful films to have come out of Tollywood in recent times. When almost every character carries significance and serves a purpose in the narrative, a film feels truly complete and leaves a satisfactory feeling. This doesn’t happen very often, and the writing team of Deewana deserves a huge round of applause for the way they crafted each and every character.

Young actor Harshith Reddy’s portrayal of a crazy (Deewana) lover tugs at the heartstrings. The actor did good in his previous projects as well, but oh boy, he is simply extraordinary here. It’s a performance that will stay in hearts long after the end credits roll.

The film strikes a neat balance between realistic and commercial cinema, and that’s what makes Deewana even more lovable. The grounded approach in portraying the hero’s world through real locations works to the film’s advantage.

The second half is superbly written and presented. There are several payoffs that bring proper closure to many characters. More importantly, the emotional depth, coupled with entertaining moments, adds a sense of wholesomeness to the proceedings. While certain portions turn disturbing, the drama and dialogues justify them. The father-son bonding and the friendship angle are lovely.

Leading lady Smeha performs to the tee. The way her character and inner turmoil are written makes it easy to connect with and root for her. The rap songs further enhance the entertainment quotient. Naresh, Jhansi, and the entire supporting cast did a phenomenal job. Every one of them infused life into this heartwarming film.

Minus Points:

The first half is basically the set-up for the payoffs in the latter half, and the pacing here is a bit slow. The hero’s attempts to woo the leading lady turn somewhat monotonous after a point, and some fine-tuning would have been good. Some tropes could have been avoided for better impact.

Deewana is a film made with pure heart, and there are some disturbing moments/episodes that may make some people uncomfortable. That is one of the reasons the film was awarded an A certificate, and it’s important to set the right expectations in that regard.

Technical Aspects:

Eshwar Chand’s music is the second hero for Deewana. The love tracks, the crazy rap songs during key moments elevate the experience to another level.

The production values and the cinematography by Vamsi Patchipulusu are on point. Editing is satisfactory overall.

Lately, there has been a lot of discussion about how heroines are portrayed in films and how harassment is often mistaken for romance. Deewana stands out by clearly addressing this, with the leading lady calling out the protagonist and pointing out that his behaviour is no different from those who harass her. The film also tracks the protagonist’s transformation into a more responsible person. Director and writer Sreekanth Sanghishetty deserves every bit of appreciation for handling these aspects in a sensible manner. He is a talent to watch out for. The first half is slow, but the second half is highly rewarding.

Verdict :

On the whole, Deewana is a sincere romantic drama with its heart in the right place. The film excels in writing and performances. Harshith Reddy, Smeha Manimeghalai, and the entire supporting cast deliver solid performances. The first half is slow and has some monotony. The film might feel disturbing for a few viewers. The second half is where the film finds its strength, delivering proper payoffs, emotional depth, fun moments, and a satisfying climax.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

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Maa Inti Bangaaram Review

Maa Inti Bangaaram Review

Movie Name : Maa Inti Bangaaram

Release Date : June 19, 2026
123telugu.com Rating : 3/5
Starring : Samantha, Gulshan Devaiah, Diganth Manchale, Gautami, Sreemukhi and others
Director : Nandini Reddy
Producers : Raj Nidimoru, Samantha, Himank Reddy Duvvuru
Music Director : Santhosh Narayanan
Cinematographer : Om Prakash ISC
Editor : Dharmendra Kakarala

Related Links : Trailer

Samantha has now come up with the action family entertainer Maa Inti Bangaaram. The movie hit the big screens today with good hype, and let’s see how it is.

Story:

Set in the 90s, Swarna (Samantha) marries Anirudh (Diganth Manchale), a doctor from a joint family. Anirudh marries Swarna against his family’s wishes, and sometime after the marriage, he visits his home along with his better half. Swarna tries to win over her in-laws, but she doesn’t possess the qualities one expects from a daughter-in-law. At the same time, she is worried if the family gets to know about her hidden past.

What is Swarna’s backstory? Why is she trying to hide her details? What problems does the family face because of her? This forms the rest of the story.

Plus Points:

Samantha carries this not-so-greatly written family drama on her shoulders right from the first frame. Be it the fun moments or intense action sequences, the actress packs a solid punch. She taking on the goons with all her might will surely draw whistles and claps. Even when the narrative loses steam, the actress makes the movie watchable with her appealing performance. Her Chittoor diction is very good.

The leading lady’s efforts to win over her in-laws’ trust and affection in the first half generate ample laughs. This part of the movie is largely entertaining. The dynamic between Sreemukhi and Samantha, their funny battle to edge past one another, and the remix of the “Muthyala Muggu” song make the movie captivating.

The fight sequences are superbly designed and offer a solid theatrical experience. The car chase sequence and bus fight scene are brilliant to watch on screen. The climax, featuring fun moments in a chaotic fight scene, gives the film a good ending. Samantha’s dialogue differentiating herself from the villain is neat. Manjusha Mukkavilli who played Samantha’s friend is impressive.

Minus Points:

The makers have already set the right expectations by stating that Maa Inti Bangaaram follows the evergreen Baasha template. When a film follows a well-known storyline, the screenplay needs to be watertight to look past the familiarity. Though Nandini Reddy did well as far as the first half is concerned, she couldn’t handle the second half equally effectively.

The narrative slips into predictability for the most part here, and some scenes are stretched beyond what is necessary. For example, the scene where the villain enters Sam’s house is prolonged needlessly. Gulshan Devaiah is an excellent performer and he did well, but his track is the weak link of the film. The writing lacks depth, and the backstory doesn’t feature the needed emotional depth or impact.

The editing is below par in the second half, and close to 10–15 minutes could have been easily chopped off for a much better impact. There are also visible lip-sync issues.

Technical Aspects:

Santhosh Narayanan’s background score is serviceable. The “Thassadiyya” song looks neat on the big screen. Om Prakash’s cinematography is pretty good, while the editing needed more refinement.

Direction by Nandini Reddy is decent. Had the second half been executed well, the movie could have been a solid entertainer. Like a character in the film says, the movie settles for pass marks instead of aiming for distinction. Raj Nidimoru’s writing shines in the first half with simple and healthy humor.

Verdict:

On the whole, Maa Inti Bangaaram is a decent family drama that is single-handedly carried by Samantha. The first half is mostly amusing with good humor, and after the fun part, the action scenes are another highlight of the film. However, the second half turns slow and predictable, and had enough care been taken here, the overall impact could have been far better. Samantha remains the mainstay of the film and she makes it watchable with her impressive performance.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

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Mareechika Review

Movie Name : Mareechika

Release Date : May 29, 2026
123telugu.com Rating : 2.25/5
Starring : Viraj Ashwin, Regena Cassandrra, Anupama Parameswaran and Others
Director : Satish Kasetty
Producers : Rajiv Chilaka, Meghhaa Chilakka
Music Director : Ilaiyaraaja
Cinematographer : Arvind Kannabiran
Editor : Junaid Siddiqui

Related Links : Trailer

Mareechika, starring Anupama Parameswaran, Regena Cassandrra, and Viraj Ashwin, has hit the big screens today. Let’s see how the film is.

Story:

Venkatalaxmi (Anupama Parameswaran), a college student, adores Sanju a.k.a. Sanjay (Viraj Ashwin) deeply. He is the son of a corporator, but chooses to stand on his own for self-respect and runs a coffee shop. Venkatalaxmi never confesses her feelings for Sanju, and she makes friends with NRI Mareechika (Regena Cassandrra). To Venkatalaxmi’s shock, Mareechika and Sanju get closer and eventually get married. One day, Mareechika kills Sanju, after which Venkatalaxmi approaches the police. Why did Mareechika kill Sanju? Who is she exactly? What happened next? This forms the crux of the story.

Plus Points:

The director’s vision should be appreciated. He intended to deliver a different film without sticking to the routine beats. Mareechika, at the ideation stage, is on the lines of Mahesh Babu’s One: Nenokkadine. The film blends psychological, romantic, and mystery elements.

The interval block and the final act are engaging. Especially, the sequence during the last few minutes involving Ajay Ghosh, Regina, and Anupama came out pretty well. It generates laughs with Ajay Ghosh’s character getting confused (and so do the viewers). Performances by Regina, Anupama, and Viraj Ashwin are neat. Regena is apt as an NRI woman, while Anupama impresses in an innocent role. Viraj Ashwin looked dapper and played his part well.

Minus Points:

Lately, a common issue with most small-budget films is a good idea paired with underwhelming narration. Unfortunately, Maricheeka also falls into the same league. If the narration doesn’t support the intriguing idea, the whole purpose gets lost. The disappointment becomes greater when a film attempts something new but fails to live up to its potential.

The first half moves at a snail’s pace and also tests the viewers’ patience. The first hour is crucial to the latter half in terms of connecting the dots, but the execution could have been way better. The proceedings simply aren’t engaging.

The second half also starts on a dull note, but it gets better as the film reaches its fag end. In the process of untying the knots, the film creates a certain amount of confusion, but it eventually provides answers. The complicated narration, at times, isn’t the actual problem; rather, the police investigation related to the crime is poorly handled. The cops hardly put in any effort to find out what exactly happened, and this ultimately undoes the good idea the film contains.

Technical Aspects:

Music by Ilaiyaraaja is decent, while the background score works effectively in some crucial moments. Aravind Kannabiran’s cinematography is fine, and the production values are satisfactory. The editing could have been sharper.

Lakshmi Bhupala’s story is interesting, but it wasn’t translated compellingly onto the screen. Only a few moments work in this psychological thriller, while the rest of the portions feel bland.

Verdict:

On the whole, Mareechika is a disappointing psychological thriller that gets lost in translation. The story, with its psychological and mystery elements, had enough substance, but the treatment fails to pack a punch. Regina, Anupama, and Viraj Ashwin did well, but the sluggish narration, poorly handled investigation track, and the overall blandness in the proceedings make Mareechika a dull outing.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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