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Maa Inti Bangaaram Review

Maa Inti Bangaaram Review

Movie Name : Maa Inti Bangaaram

Release Date : June 19, 2026
123telugu.com Rating : 3/5
Starring : Samantha, Gulshan Devaiah, Diganth Manchale, Gautami, Sreemukhi and others
Director : Nandini Reddy
Producers : Raj Nidimoru, Samantha, Himank Reddy Duvvuru
Music Director : Santhosh Narayanan
Cinematographer : Om Prakash ISC
Editor : Dharmendra Kakarala

Related Links : Trailer

Samantha has now come up with the action family entertainer Maa Inti Bangaaram. The movie hit the big screens today with good hype, and let’s see how it is.

Story:

Set in the 90s, Swarna (Samantha) marries Anirudh (Diganth Manchale), a doctor from a joint family. Anirudh marries Swarna against his family’s wishes, and sometime after the marriage, he visits his home along with his better half. Swarna tries to win over her in-laws, but she doesn’t possess the qualities one expects from a daughter-in-law. At the same time, she is worried if the family gets to know about her hidden past.

What is Swarna’s backstory? Why is she trying to hide her details? What problems does the family face because of her? This forms the rest of the story.

Plus Points:

Samantha carries this not-so-greatly written family drama on her shoulders right from the first frame. Be it the fun moments or intense action sequences, the actress packs a solid punch. She taking on the goons with all her might will surely draw whistles and claps. Even when the narrative loses steam, the actress makes the movie watchable with her appealing performance. Her Chittoor diction is very good.

The leading lady’s efforts to win over her in-laws’ trust and affection in the first half generate ample laughs. This part of the movie is largely entertaining. The dynamic between Sreemukhi and Samantha, their funny battle to edge past one another, and the remix of the “Muthyala Muggu” song make the movie captivating.

The fight sequences are superbly designed and offer a solid theatrical experience. The car chase sequence and bus fight scene are brilliant to watch on screen. The climax, featuring fun moments in a chaotic fight scene, gives the film a good ending. Samantha’s dialogue differentiating herself from the villain is neat. Manjusha Mukkavilli who played Samantha’s friend is impressive.

Minus Points:

The makers have already set the right expectations by stating that Maa Inti Bangaaram follows the evergreen Baasha template. When a film follows a well-known storyline, the screenplay needs to be watertight to look past the familiarity. Though Nandini Reddy did well as far as the first half is concerned, she couldn’t handle the second half equally effectively.

The narrative slips into predictability for the most part here, and some scenes are stretched beyond what is necessary. For example, the scene where the villain enters Sam’s house is prolonged needlessly. Gulshan Devaiah is an excellent performer and he did well, but his track is the weak link of the film. The writing lacks depth, and the backstory doesn’t feature the needed emotional depth or impact.

The editing is below par in the second half, and close to 10–15 minutes could have been easily chopped off for a much better impact. There are also visible lip-sync issues.

Technical Aspects:

Santhosh Narayanan’s background score is serviceable. The “Thassadiyya” song looks neat on the big screen. Om Prakash’s cinematography is pretty good, while the editing needed more refinement.

Direction by Nandini Reddy is decent. Had the second half been executed well, the movie could have been a solid entertainer. Like a character in the film says, the movie settles for pass marks instead of aiming for distinction. Raj Nidimoru’s writing shines in the first half with simple and healthy humor.

Verdict:

On the whole, Maa Inti Bangaaram is a decent family drama that is single-handedly carried by Samantha. The first half is mostly amusing with good humor, and after the fun part, the action scenes are another highlight of the film. However, the second half turns slow and predictable, and had enough care been taken here, the overall impact could have been far better. Samantha remains the mainstay of the film and she makes it watchable with her impressive performance.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

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Mareechika Review

Movie Name : Mareechika

Release Date : May 29, 2026
123telugu.com Rating : 2.25/5
Starring : Viraj Ashwin, Regena Cassandrra, Anupama Parameswaran and Others
Director : Satish Kasetty
Producers : Rajiv Chilaka, Meghhaa Chilakka
Music Director : Ilaiyaraaja
Cinematographer : Arvind Kannabiran
Editor : Junaid Siddiqui

Related Links : Trailer

Mareechika, starring Anupama Parameswaran, Regena Cassandrra, and Viraj Ashwin, has hit the big screens today. Let’s see how the film is.

Story:

Venkatalaxmi (Anupama Parameswaran), a college student, adores Sanju a.k.a. Sanjay (Viraj Ashwin) deeply. He is the son of a corporator, but chooses to stand on his own for self-respect and runs a coffee shop. Venkatalaxmi never confesses her feelings for Sanju, and she makes friends with NRI Mareechika (Regena Cassandrra). To Venkatalaxmi’s shock, Mareechika and Sanju get closer and eventually get married. One day, Mareechika kills Sanju, after which Venkatalaxmi approaches the police. Why did Mareechika kill Sanju? Who is she exactly? What happened next? This forms the crux of the story.

Plus Points:

The director’s vision should be appreciated. He intended to deliver a different film without sticking to the routine beats. Mareechika, at the ideation stage, is on the lines of Mahesh Babu’s One: Nenokkadine. The film blends psychological, romantic, and mystery elements.

The interval block and the final act are engaging. Especially, the sequence during the last few minutes involving Ajay Ghosh, Regina, and Anupama came out pretty well. It generates laughs with Ajay Ghosh’s character getting confused (and so do the viewers). Performances by Regina, Anupama, and Viraj Ashwin are neat. Regena is apt as an NRI woman, while Anupama impresses in an innocent role. Viraj Ashwin looked dapper and played his part well.

Minus Points:

Lately, a common issue with most small-budget films is a good idea paired with underwhelming narration. Unfortunately, Maricheeka also falls into the same league. If the narration doesn’t support the intriguing idea, the whole purpose gets lost. The disappointment becomes greater when a film attempts something new but fails to live up to its potential.

The first half moves at a snail’s pace and also tests the viewers’ patience. The first hour is crucial to the latter half in terms of connecting the dots, but the execution could have been way better. The proceedings simply aren’t engaging.

The second half also starts on a dull note, but it gets better as the film reaches its fag end. In the process of untying the knots, the film creates a certain amount of confusion, but it eventually provides answers. The complicated narration, at times, isn’t the actual problem; rather, the police investigation related to the crime is poorly handled. The cops hardly put in any effort to find out what exactly happened, and this ultimately undoes the good idea the film contains.

Technical Aspects:

Music by Ilaiyaraaja is decent, while the background score works effectively in some crucial moments. Aravind Kannabiran’s cinematography is fine, and the production values are satisfactory. The editing could have been sharper.

Lakshmi Bhupala’s story is interesting, but it wasn’t translated compellingly onto the screen. Only a few moments work in this psychological thriller, while the rest of the portions feel bland.

Verdict:

On the whole, Mareechika is a disappointing psychological thriller that gets lost in translation. The story, with its psychological and mystery elements, had enough substance, but the treatment fails to pack a punch. Regina, Anupama, and Viraj Ashwin did well, but the sluggish narration, poorly handled investigation track, and the overall blandness in the proceedings make Mareechika a dull outing.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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Papam Prathap Review

Papam Prathap Review

Movie Name : Papam Prathap

Release Date : April 17, 2026
123telugu.com Rating : 2.75/5
Starring : Thiruveer, Ajay Ghosh, Raasi, Payal Radhakrishna, Devi Prasad, Goparaju Ramana, Ravi Anthony, Raghu Babu, Prasad Behra, Basha
Director : S.P. Durga Naresh
Producer : Gaddam Rakesh Reddy, Rudradev Madhi Reddy
Music Director : K.M. Radha Krishna
Cinematographer : Vishweshwar S.V
Editor :  Anwar Ali

Related Links : Trailer

Thiruveer who gained reputation among the audiences with his choice of scripts has now come up with the village drama Papam Prathap. The movie is now out in theatres. Let’s see how it is.

Story:

Prathap (Thiruveer), who belongs to a rich family, marries the love of his life Bujjamma (Payal Radhakrishna) against his father’s (Ajay Gosh) wishes. Their married life starts on a great note, but things take a turn when Bujjamma leaves her in-laws, citing that Prathap has a significant health condition during sleep. What exactly is this problem? How long has Prathap been suffering from it? Is there a solution? Did the couple reunite? This forms the crux of the story.

Plus Points:

Thiruveer once again is impressive in a role filled with innocence. His gestures in the initial portions, along with the combo scenes with Ajay Gosh, offer some entertainment in the first half. His performance in emotional moments is fair enough.

Ajay Gosh is effective as the protagonist’s father. The senior elicits laughs with his frustration towards his son’s character. There are a few decent fun moments featuring him that make the first half passable to an extent.

Minus Points:

Initially, the director tries to create curiosity about the hero’s disorder, but when the revelation finally happens, it makes us wonder why the female lead hid it from the hero’s family for so long. The reason behind her silence isn’t convincing, and it makes the film feel unnecessarily dragged. The entertainment angle in the first half is also somewhat undone by heroine’s approach to the issue.

In the second half, the director shifts focus to emotions and drama, but unfortunately, nothing works here, and this portion is dull for the most part. The written material lacks logic and conviction, and hence the desired impact doesn’t land.

Payal Radhakrishna is good as a performer, but her role could have been written better. The way Ajay Gosh’s character behaves in the latter half doesn’t feel reasonable. The hero’s issue should have been depicted in a more detailed manner, along with its solution, since it is closely connected to the lead pair’s bonding.

Technical Aspects:

K.M. Radha Krishna’s music and Suresh Bobbili’s background score are okay. Vishweshwar’s cinematography is decent, and the production values are fine. The editing isn’t quite satisfactory, especially as the second half feels slow-paced and dragged.

Director S.P. Durga Nagesh came up with a relatively lesser known health disorder, but the screenplay needed more weight to make the film an engaging experience. The second half is where the actual drama begins but the scenes just don’t work.

Verdict:

On the whole, Papam Prathap is an okayish village drama where a few fun moments work. The makers should have come up with better execution to make the emotional angle around the hero’s health disorder more effective. Thiruveer is good in his role, while Ajay Gosh generates some laughs. The first half is passable, but the second half loses grip once the drama kicks in. With better writing, Papam Prathap could have gone to the next level.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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